Maciej Golab (72 results)

Condition: Used - Like New. Fine. Paperback. 2008. Originally published at $67.95.

Condition: Used - Like New. 2014. Translation. Hardcover. Fine.

kart. Condition: Wie neu. 1. Aufl. 216 S. : graph. Darst., Noten ; 21 cm Tadelloses Exemplar. - Table of contents -- Introduction 7 -- Chapter 1 Classiflcations of musical work analysis 15 -- 1. The place of analysis within systematisations of musicology 15 -- 2. Analysis and music history 20 -- 3. Analysis and music theory 26 -- 4. Analysis and music aesthetics , 34 -- Chapter 2 Musical work analysis and its sources 43 -- 1. Heuristic objects of analysis: between editorial theory and reception -- history 43 -- 2. Manuscript materials 47 -- 3. Musical prints 52 -- 4. Phonographical documents 75 -- Chapter 3 Musical work analysis and its objects 85 -- 1. Musical substances and latencies in the context of psychophysiological -- theory of cognition 85 -- 2. Simple substances: total epistemological realism 91 -- 3. Complex substances: limited epistemological realism 93 -- 4. Formally constitutive latencies: sceptical realism 95 -- 5. Formally non-constitutive latencies: epistemological 'idealism' 97 -- Chapter 4 Normative musical work analysis 101 -- 1. Substantial objects of analysis: between observation and experiment 101 -- 2. Counting: Meter, rhythm and pitch 104 -- 3. Measurement: Tempo and sound 114 -- 4. Normative analysis and scientific laws 120 -- 5. Normative analysis and historical laws 123 -- Chapter 5 Descriptive musical work analysis 131 -- 1. Ideologies and practices of the musical avant-garde versus ontological -- and epistemological contexts of analysis 131 -- 2. Modernism: logocentric aspects 135 -- 3. First avant-garde: processual aspects 140 -- 4. Modernism outlawed: pragmatic aspects 144 -- 5. Second avant-garde: 'structuraF and formalised aspects 148 -- 6. Post-modernism: syncretic aspects 153 -- Chapter 6 Musical work analysis and its artes interpretandi159 -- 1. What interpretation for analysis? 159 -- 2. Internat and external work interpretation; categories of meaning and -- content 162 -- 3. On some difficulties of passing from analysis to external interpretation -- ononeexample 167 -- 4. On scalar criteria of assessment of the work's autonomous values 174 -- Conclusion 183 -- Bibliography 195 -- Listof illustrations -- Index of names. ISBN 9783631573860 Sprache: Englisch Gewicht in Gramm: 225.

Originalhardcover. Condition: Wie neu. 236 S. Ein tadelloses Exemplar. - Table of Contents -- Introduction 9 -- Chapter 1. What History of Modernism? 17 -- 1. Old and New Source Studies 17 -- 2. Notions - Research Objects 22 -- 3. Autonomy of the Phonosystem 32 -- 4. "Process State" and Periodisation 36 -- Chapter 2. The Birth of Modernism 41 -- 1. Three Layers of Musical Culture at the Turn of the Nineteenth -- and Twentieth Century 41 -- 2. Continuations of the Romantic Style 48 -- 3. Transformations of the Musical Language 53 -- 4. Syncretic Musical Revolts 61 -- Chapter 3. A Modernism Like All Others 67 -- 1. Relations Between Modernism and Nineteenth-Century Aesthetics 67 -- 2. Simplicity 70 -- 3. Complexity 77 -- 4. The Past 85 -- 5. Tradition 94 -- Chapter 4. Modernism Enslaved 105 -- 1. The Third Reich: Durch deutsches Land marschieren wir! 105 -- 2. The USSR: Antiformalist rayok 112 -- 3. The Death Knell of Normative Aesthetics -- (On the Example of the People's Republic of Poland) 118 -- 4. Adaptation Strategies: the Pompous Panegyric Style 124 -- 5. Survival Strategies: Stylistic and Folkloristic Retrospectives 132 -- Chapter 5. A Modernism Different to All Others 139 -- 1. Modernism Looks for Boundaries of Musicality 139 -- 2. Melosphere 144 -- 3. Chronosphere 154 -- 4. Sonosphere 163 -- 5. Phonosphere 172 -- Chapter 6. Modernism Liberated 181 -- 1. The Pluralism of Modernist Approaches at the Turn of the Twentieth -- and Twenty-First Century 181 -- 2. Between Simplicity and Complexity 185 -- 3. Explorations of the Musical Past 193 -- 4. In the Treasury of Traditional Musical Cultures 201 -- Afterword 207 -- Selected Bibliography 215 -- Index of Names 229 ISBN 9783631629185 Sprache: Englisch Gewicht in Gramm: 550.

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Hardback. Condition: New. This book focuses on the relationship between identity and music in Europe from different angles. It takes two basic categories into account: identities in music and music in identities. The authors provide studies on identity construction in different historical and geographical contexts. They also evaluate the discourse of popular music in Europe and analyze various topics related to complex and changing concepts of identity, whether it is about an individual composer, issues of style or musical work itself.

Condition: gut. 290 S., Abb., 24 cm, Ecke leicht geknickt. Sprache: Polnisch.

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