Lutz Dille (14 results)

First Edition. square 4to, Introduction by Lorraine Monk, Contains 83 reproductions. Introduction by Lorraine Monk. Little worn paper wraps. A very good copy. Early monograph of the street imagery of German-Canadian photographer Lutz Dille.

Softcover. Condition: Very Good-. First Edition. Unpaginated. Edgewear, corners rubbed. 83 photos. French and English text. ; Square 8vo 8" to 9" tall.

Hardcover. Condition: Near Fine in Fine dust jacket. 28 x 23.5 cm. Quarto. 296.

Pictorial Cover. Condition: Very Good. 1st Edition. Type: Book 84pp., black & white. VG+ condition,Front cover photograph., owner signature back of front cover. Early monograph of the street imagery of German-Canadian photographer Lutz Dille. Contains 83 reproductions. Introduction by Lorraine Monk.French and English text. IMAGE 1 EDITION. NO MARKINGS OR DAMAGE WHATSOEVER. Photo scan available. Shipments to USA, USPS via Canada Post Express; FREE OF CUSTOMS OR DUTY CHARGE.

Soft cover. Condition: Very Good. Early monograph of the street imagery of German-Canadian photographer Lutz Dille. Contains 83 reproductions. Introduction by Lorraine Monk. Light crease to tip of front lower corner and tiny spot to back cover. Otherwise a fine copy with no marks or fading to inside pages and no reading crease to spine. s162.

Soft cover. Condition: Good. Early monograph of the street imagery of German-Canadian photographer Lutz Dille. Contains 83 reproductions. Introduction by Lorraine Monk. Noticeable wear and age-toning to covers. Inside text and photographs are clear and bright without marks or inscriptions. s127.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: Good. Newlands, Don; Dille, Lutz; Birch, Myrna (illustrator). First Edition. 48 pages. Features: Money - Suddenly everybody's owing it - Nine out of ten Canadian families are now living and playing with things they haven't paid for; Which Way Will Mexico Lead Latin America?; Lynn Seymour - what it takes to become an international star - many photos; The new assault on smoking; The anatomy of John Profumo's big lie - behind the greatest scandal of the century; I was shipwrecked on a coral reef - a girl sailor's log of a classic adventure at sea, by Myrna Birch; Great colour photo ad for Sterling London Dry Gin. 5"x4" clipping from Metropolitan Life ad on page 10 does not affect any meaningful content. Average wear. Unmarked. Binding sound. A worthy vintage copy.

Condition: Sehr gut. Limitierte Auflage. Die Umarmung ,Paris. Lutz Dille .Orig.-Fotografie. 1951. Gelatinesilberabzug. 27,2 x 21,8 auf 40,3 x 30,4 cm. Verso signiert unnd datiert. Auflage von 1988 für die Griffelkunst-Vereinigung,Hamburg.Erste Ausgabe. Sehr gutes Exemplar. **** **** !! Nur auf Anfrage , Lieferung außerhalb der Europäschischen UNION !!

Condition: Sehr gut. (Lutz Dille, geboren 1922 in Leipzig, gestorben 2008 in Frankreich. Deutscher Fotograf. Studium 1947-51 an der Kunsthochschule in Hamburg). Original-Fotografie in Schwarz-Weiß, Silbergelatineabzug. Rückseitig von Lutz Dille in Blei signiert. Herausgegeben von der Griffelkunst-Vereinigung, Hamburg, 1988. Griffelkunst, Verzeichnis der Editionen 251 A5. Blatt komplett hinter Passepartout und Rückendeckel montiert und verklebt. Passepartout und Rückendeckel daher nicht entfernbar. Maße Abbildung: 22,0 x 27,5 cm. Maße Passepartout: 30,0 x 40,0 cm. Sehr guter Zustand. Original black and white photograph, gelatin silver print. Signed in lead by Lutz Dille on the verso. Published by the Griffelkunst Association, Hamburg, 1988. Griffelkunst, Catalogue of Editions, 251 A5. Sheet completely mounted and glued behind a passe-partout and back cover. The passe-partout and back cover, therefore not removable. Image dimensions: 22.0 x 27.5 cm. Mat dimensions: 30.0 x 40.0 cm. Very good condition.

Condition: Sehr gut. (Lutz Dille, geboren 1922 in Leipzig, gestorben 2008 in Frankreich. Deutscher Fotograf. Studium 1947-51 an der Kunsthochschule in Hamburg). Original-Fotografie in Schwarz-Weiß, Silbergelatineabzug. Rückseitig von Lutz Dille in Blei signiert. Herausgegeben von der Griffelkunst-Vereinigung, Hamburg, 1988. Griffelkunst, Verzeichnis der Editionen 251 A6. Blatt komplett hinter Passepartout und Rückendeckel montiert und verklebt. Passepartout und Rückendeckel daher nicht entfernbar. Maße Abbildung: 22,0 x 27,5 cm. Maße Passepartout: 30,0 x 40,0 cm. Sehr guter Zustand. Original black and white photograph, gelatin silver print. Signed in lead by Lutz Dille on the verso. Published by the Griffelkunst Association, Hamburg, 1988. Griffelkunst, Catalogue of Editions, 251 A6. Sheet completely mounted and glued behind a passe-partout and back cover. The passe-partout and back cover, therefore not removable. Image dimensions: 22.0 x 27.5 cm. Mat dimensions: 30.0 x 40.0 cm. Very good condition.

Condition: Sehr gut. (Lutz Dille, geboren 1922 in Leipzig, gestorben 2008 in Frankreich. Deutscher Fotograf. Studium 1947-51 an der Kunsthochschule in Hamburg). Original-Fotografie in Schwarz-Weiß, Silbergelatineabzug. Rückseitig von Lutz Dille in Blei signiert und datiert (1961). Herausgegeben von der Griffelkunst-Vereinigung, Hamburg, 1988. Griffelkunst, Verzeichnis der Editionen 251 A1. Blatt komplett hinter Passepartout und Rückendeckel montiert und verklebt. Passepartout und Rückendeckel daher nicht entfernbar. Maße Abbildung: 27,2 x 22,0 cm. Maße Passepartout: 40,0 x 30,0 cm. Sehr guter Zustand. Sehr gutes Exemplar. Original black and white photograph, gelatin silver print. Signed and dated (1961) in lead on the verso by Lutz Dille. Published by the Griffelkunst Association, Hamburg, 1988. Griffelkunst, Catalogue of Editions 251 A1. Sheet completely mounted and glued behind a passe-partout and back cover. The passe-partout and back cover, therefore not removable. Image dimensions: 27.2 x 22.0 cm. Mat dimensions: 40.0 x 30.0 cm. Very good condition. A very good copy.

Lutz Dille, geboren 1922 in Leipzig, gestorben 2008 in Frankreich. 1947-51 Studium der Photographie an der Kunstgewerbeschule in Hamburg. Original-Fotografie in Schwarz-Weiß, Silbergelatineabzug. Rückseitig von Lutz Dille in Blei signiert und datiert (1961). Maße Blatt: 40,2 x 30,5 cm. Maße Abbildung: 27,2 x 22,0 cm. Herausgegeben von der Griffelkunst-Vereinigung, Hamburg, 1988. Griffelkunst, Verzeichnis der Editionen: Wahl 251 A1. Sehr gutes, tadelloses Exemplar. Original photograph in black and white, silver gelatin print. Signed and dated in lead on the reverse by Lutz Dille (1961). Dimensions sheet: 40.2 x 30.5 cm. Dimensions of illustration: 27,2 x 22,0 cm. Published by the Griffelkunst-Vereinigung, Hamburg, 1988. Griffelkunst, index of editions: Choice 251 A1. Fine copy.