Published by HarperCollins Publishers Ltd, 1987
ISBN 10: 000217796X ISBN 13: 9780002177962
Language: English
Seller: The Guru Bookshop, Hereford, United Kingdom
£ 3
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Add to baskethardcover. Condition: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post within 12 hours of receipt of order.
Published by HarperCollins Publishers Ltd, 1987
ISBN 10: 000217796X ISBN 13: 9780002177962
Language: English
Seller: Greener Books, London, United Kingdom
£ 3.59
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Add to basketHardcover. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.
Published by Sir Isaac Pitman and Sons, 1908
Seller: Nigel Smith Books, Gunnislake, United Kingdom
First Edition
£ 10
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Add to basketNo Binding. Condition: Poor. George Morrow (illustrator). 1st Edition. Lacking cover, the binding's sewing is also slack so the signatures are all attached but loose. last page is disattached; pages tanned with some foxing.
Published by Methuen, 1911
Seller: Blackwell's Rare Books ABA ILAB BA, Oxford, United Kingdom
£ 2,100
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Add to basketFIRST EDITION, illustrated throughout with pictures lifted from the Whiteley's catalogue, the half-title soiled with chip at bottom corner, a few faint spots to verso of this and foot of title-page, the odd spot to borders further in, one page with a small mark to fore-margin, pp. 128, foolscap 8vo, later blue boards, manuscript label to backstrip, ownership inscription to flyleaf, good. Scarce. An uproarious piece of proto-surrealism, recognised as such by Alfred H. Barr in the exhibition that he curated and catalogued for MoMA in the 1930s - it is a pictorial collage novel that uses the source-text of a department-store catalogue to create a fictional autobiography. The two authors, E.V. Lucas & George Morrow, were Punch stalwarts, who could not have predicted the afterlife of their jeu d'esprit - although lacking the grotesquerie, it bears a clear resemblance to Max Ernst's 'Une Semaine de bonté' in its repurposing of rather staid illustrations into a witty tour de force.