Lloyd Michael Ted Gott Christopher (7 results)

First Edition. First edition. Softcover. 330 pages. Published in conjunction a traveling exhibition in Australia. Features text contributions by Daw Ades, Murray Bail, Margaret Plant, Timothy Baum ,Ted Gott, Helen Ennis, Kenneth Wach, Adrian Martin, Mary Jane Jacob, John Clark, Christopher Chapman, and an interview with James Gleeson. Includes numerous illustrations, a checklist, an an index of works illustrated. A very good copy in wrappers with some light wear and with the small rubber stamp of author, curator, and one time director of The Art Institute of Chicago Douglas Druick. A very nice copy with an interesting provenance.

Softcover, 330 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. No Jacket. Exhibition Catalogue. Light general wear to covers. Spine not creased. Very clean internally. Beautifully illustrated with a substantial and informed text. 330pp Size: 245mm x 340mm. Book.

Softcover/Großformat. Condition: Gut. 330 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 1960.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Book published to accompany an exhibition held at the National Gallery of Australia, Canberra, Mar-May 1993, Queensland Art Gallery, Brisbane, May-July 1993 and the Art Gallery of New South Wales, Sydney, July-Sept 1993, the first major exhibition of surrealist art in Australia. Artlcles by Dawn Ades, Murray Bail et al. 330pp illustrated throughout in colour. Minimal creasing to spine and corners, otherwise very good copy with no inscriptions. VERY HEAVY BOOK, additional postage will be required. Size: 4to - over 9¾ - 12" tall. Book.

Softcover. Condition: Fine. No jacket.

Large quarto paperback, 330pp., colour illustrations. Minor scuffing and edge and corner wear to cover; otherwise near fine. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. This exhibition catalogue focuses on the major European artists associated with surrealism and on Australian artists who drew, in very different ways, upon the ideas of the surrealists. The exhibition also touches briefly on surrealism in England, Japan and the USA. It begins with Dawn Ade's extended catalogue entries for twenty two works in the exhibition, ranging from Marcel Duchamp's Bicycle Wheel, 1913 to Dorothea Tanning's Eine kleine Nachtmusik, 1946. Cumulatively these provide an introduction and overview of the development of surrealism in Europe through its art. The catalogue concludes with Christopher Chapman's essay on surrealism in Australia.