Laurie Sharp (166 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New. Hurst Pritchett, Emily (illustrator).

Paperback. Condition: As New. 2nd ed. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Condition: New. Hurst Pritchett, Emily (illustrator). In.

Paperback. Condition: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.

Soft cover. Condition: Good. First Edition Thus. 128 pp colour illustrated throughout. Top corners scuffed and nicked otherwise clean and sound.

paperback. Condition: New. Special order direct from the distributor.

Soft cover. Condition: Good. Good condition. Some edgewear. Small tear near spine tail. Front cover has a coffee mug indentation but no stain. Inside black page has been removed probably because it had previous owner's details. The book provides a detailed history of Christ Church Claremont, located on Stirling Highway Claremont, Perth Western Australia.

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condition: New. Special order direct from the distributor.

[45] pp.; 21.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. Pages of deceased artists designed by Deitch. There is no page for On Kawara. Artists include Vito Acconci, Laurie Anderson, Eleanor Antin, John Jack Baylin, Lynda Benglis, Terry Berkowitz, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Chris Burden, Scott Burton, Colette, Chris D'Arcangelo, Fernando de Filippi, Agnes Denes, Howard Fried, Gilbert & George, Peter Gordon, Guerrilla Art Action Group, Douglas Huebler, Ray Johnson, On Kawara, Nancy Kitchel, Bruce Kurtz, Les Levine, Anna Link, Marc Miller, Dennis Oppenheim, Adrian Piper, Marcia Resnick, Salvo, Joanne Seltzer, Willoughby Sharp, Alan Sondheim, Alan Sonfist, Eve Sonneman, Andy Warhol, William Wegman, Roger Welch, and Hannah Wilke. "Aside from the John Weber Gallery Invitational, a group show he curated in the summer of 1975, Lives was Jeffrey Deitch's first curatorial project. The theme of Lives was artists who deal with peoples' lives (including their own) as the subject and/or medium of their work. In more simplified terms (the subtitle of the exhibition): artists who use life as their medium. Much of the most exciting new art in the mid-1970s was performative. Lives was one of the first exhibitions to bring together the new generation of artists who fused life and art with artists like Joseph Beuys and Andy Warhol who inspired this new direction. The exhibition took place in an abandoned office building on the corner of Franklin and Hudson Streets in New York City. All of the artists were invited to create pages for the xeroxed catalogue which is now a collectors item. The following excerpt from the catalogue text amplifies the theme of the show: For the "Post-Conceptual" artists in the Lives exhibition, the most fertile area of art activity has become the investigation of the artist and his environment, and as an extension, the study of people in general in their confrontation with the creative decision-making process. The forces in peoples' lives that cause art to be created, and the questions about the relationship between art and life have always been of great importance to artists, but now they have a special meaning in terms of the esthetic progression beyond Formalism and the Formalist bias of the Minimal and Conceptual movements. The most interesting recent work refers not to the object itself, but to the forces that shape creative activity. As Dennis Oppenheim sings in the song that accompanies the spastic dance of his self-portrait marionette in the Lives show, "It ain't what you make, it's what makes you do it!" -- from Jeffrey Deitch Curatorial Projects website. Includes Piper's "Six Conditions on Art Production." Good. Moderate dust soiling and yellow soiling across covers. 12.6 cm. soiling (coffee) to bottom left area of recto. 10 cm. gentle fold to bottom right corner of recto. 1.5 cm. light dust soiling to bottom right corner of bottom right corner of title page. Yellow, green, and black soiling to verso. Soiling of text block edge with light dust soiling to top left corner of verso of pages. Contents otherwise clean and unmarked.

Condition: Very Good. Dust Jacket Condition: near fine. 'Fandangos 8.9.10.11. Superb Issue!', Maastricht, 1978. 300x210mm. 180pp. No edition size given (500 copies). Printed black on white in blue, white and gold printed wraps. Published spring 1978, the last issue of this artists' periodical edited and published by Raul Marroquin. Stickers to front cover, artist stamps inside. Includes articles on 'Superbman', the 'nation's number one citizen', a character created by Raul Marroquin who, the article describes, was appointed as 'Friendship Ambassador to Europe'. The article is uniquely handsigned by Raul Marroquin as Superbman: "With love Fandangos - Superbman" in red marker pen. Peter Frank, Ulises Carrion, Maarten van Regteren Altena, Robert Filliou, Raul Marroquin, Paul Carter, Julia Hayward, Jana Haimsohn, Darcy Lange, Antonio Caro, Baladi, Angelika Schmid, Jonier Marin, Montadas, C. Garcia, Tobe Carey, Klaus Staek, Jan Patric, David Zack, J. Charlin, Eduard Bal, Sanja Ivekovic, Michel Cardena, Tony Morgan, Marjo Schumans, Ben D'Armagnac, Elsa Stansfield, Madieon Hooykaas, Jantje Tetelepta, I. Akel, Joshua Jansen, Relly Carlo, Nan Hoover, Tony Pegotti, Michael Krzyzanowski, Ger van Dijk, John Liggins, Bob Takes/Michiel Romeyn, Jorgos Chronis, Michael Gibbs, Marten Hendriks/ Ad Gerritsen, Marianne Heske, Kirsten Bates and Taki Bluesinger, Jenna Van Eegan, Richard Hefti, Yves de Smet, Nikolaus Urban, Jan Hendrix, Reindeer Werk, Martha Hawley, Charlemagne Palestine, Peter Hutchinson, Phillip Pearlman, Anne Tardos, Roger Cutforth, Willoughby Sharp, R Heyman, Douglas Davis, Jean Depuy, Scott Burton, Larry Miller, Jacki Apple, Laurie Anderson, Jeffrey Deitch, Dalibor Martinis, Marcia Resnick, Anna Banana, Rita Yokoi, Geurt Van Dijk, A Rainer, Dieter Rot, Luigi Ontani, Boltanski, Ad Gerritsen, Annette Messager, Jurgen Klauke, Yves de Smet, Nikolaus Urban, Jan Hendrix, Reindeer Werk, Martha Hawley. A Complete set of Fandangos is available on request. Condition: minor handling to covers, overall Near Fine.

[1] pp.; 44.4 x 65.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. Allegedly the image prompted the withdrawal and destruction of the exhibition catalogue and this poster for the show prior to its distribution. Artists included Laurie Anderson, Jared Bark, Bill Beckley, George Brecht, Trisha Brown, Chris Burden, Scott Burton, Tosh Carrillo, Enrique Castro-Cid, John Chamberlain, Angus Chamberlain, Cara Croninger, Brad Davis, Jean Depuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashaw, Marty Greenbaum, Red Grooms, Bob Grosvenor, Susan Hall, Susan Hartnett, Peter Hutchinson, Patrick Israel, Robert Israel, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Forrest Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Dennis Oppenheim, Robert Owings, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willoughby Sharp, Thomas Schmidt, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Mark di Suvero, Richard Tuttle, Richard Van Buren, Robert Watts, William Wegman, Susan Weil, Lawrence Weiner, Charles Wiley, William Wiley, Hannah Wilke and Joe Zucker. Fair / Poor. Light creasing and yellowing across poster with a 10.2 cm. dog-ear to top right corner and 4.8 cm. dog-ear to top left corner. Multiple tears to bottom left corner ranging from 2 mm. to 5.4 cm. with 1.5 cm. and 2 cm. areas of loss. 3 cm. area of loss to top left corner with additional tearing along poster edge and a 8 mm. and 1.5 cm. tear to center of poster. Curl to poster. Otherwise clean and unmarked.