Kenneth Donahue (27 results)

Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Good used - no markings, light wear. 247 pages. Illustrations in full-color.

Paperback. Condition: VG. Exhibition Catalog. "First Printing" stated on copyright page. A nice full color reference.

Paperback. Condition: Good. 1st. 173 pages, illustrations (some colour); 26 cm. Catalogue for an exhibition at the Los Angeles County Museum of Art, October 30, 1979 to January 27, 1980. Firm binding, unmarked. Foreedge waterstained (no mildew/mold, pages don't stick). A good reading copy for the thrifty scholar. *** Catalogue and plates: Giovanni Bellini - Cima da Conegliano - Vittore Carpaccio - Giorgione - Sebastiano del Piombo - Palma Vecchio - Giovanni Cariani - Lorenzo Lotto - Titian - Paris Bordon - Pordenone - Andrea Schiavone - Jacopo Tintoretto - Domenico Tintoretto - Paolo Veronese - Jacopo Bassano - Francesco Bassano - Leandro Bassano - Pietro Marescalchi - Palma Giovane - El Greco. Size: 4to.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Soft cover. Condition: Fair. 1st Edition. Front cover has mailing-address stamp of ornithologist R. [Raymond] A. Paynter, Jr. Volume is musty and has light wear; covers have minor soil; top outer edge has foxing; tight, text clean. 40 p. [strs] Size: Oversize.

Softcover. Condition: Very Good+. First Edition. Color illustrated covers clean and bright, mild shelf wear to edges. Catalogue published to accompany show of Venetian art in Both hardcover and softcover editions were limited. Beautiful full-page color reproductions of glorious work. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 173 pages.

Unpaged - approx. 100 pages. Paperback: H 22.75cm x L 19cm. White paper covers lightly rubbed; soiling to rear cover; light wear at spine ends. A very good copy. With a Foreword by Brooks Memorial Art Gallery Director Robert J. McKnight and an Introduction by Los Angeles County Museum of Art Director Kenneth Donahue. Catalogue of 82 paintings and drawings from the Renaissance to the twentieth century, with provenance, exhibition histories and bibliographical references for each. The majority of works (approximately 70) are by 19th and early 20th century French artists, including 18 by Jean Baptiste Camille Carot.

Soft cover. Condition: Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good. Soft Cover Los Angeles County Museum of Art 1977 Art.

Softcover, 28 pages plus illustrations; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: Unknown. Quarto, hardcover, green boards with bright gilt lettering. 107 pages, over 60 monochrome illustrations, chronology, exhibition list, bibliography. Sun fading to spine. List of exhibitions; Catalog: Early Works, Burghers of Calais, Gates of Hell, Assortment of Groups and Single Figures, Statue of Balzac, Hands, Biography. Book.

Soft Cover. Condition: Good. Copyright İ 1975. 247 pp. Solidly bound copy with moderate use. Creased spine. Creased cover corners. Small tear on top of spine.

Paperback (Saddle Stitched). Condition: Very Good. *Flash Sale* 25% OFF ends 4/17/26-- Unmarked. Text in English and Spanish. B/W illustrations. 20p. Measures 8.5x9 inches. Centerfold is a large map with burial sites, ancient cities, modern cities, geographical names and Steppe. Glossary. Booklet accompanied an August 6.

First 12mo, stiff pictorial wrappers. 28 pp text, 35 illustrations (2 in color), portrait, decorated endpapers, chronology, exhibition list, bibliography. Published on the occasion of an A.F.A. traveling exhibition. Very good.

First 4to, stiff pictorial wrappers. 173 pp, 60 color plates plus 21 text figures. Exhibition October 30, 1979 - January 27, 1980. 0875870880 Very good except for minor edge rubbing and a soft cover crease.

First Edition. Very good cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall. Physical description: 173 pages : illustrations (some color) ; 26 cm. Subjects: Painting, Italian Italy Venice ; Exhibitions; Painting, Renaissance Italy Venice ; Exhibitions; Italy Venice; Venetian painting; Painting Italy Exhibitions; Painting Italy Medieval (c. 1000-1520); Painting Italy Renaissance (c. 1520-1600); Venice Art Exhibitions; Venice Art Painting. 1 Kg. Item is Shipped from Ireland or US locations.

First 4to, stiff pictorial wrappers. 290 pp, 189 illustrations (32 in color), bibliography. Although Hammer's appreciation of Daumier (with whom he identified, we are told, because of the artist's deep compassion for the human condition) was apparently genuine, his acquisition of the collection (or at least the bulk of it which came from George Longstreet) was done in a typically underhanded manner. As a trustee of the L.A. County Museum of Art, he convinced the board to let him buy the collection, consisting of more than 6,000 prints, drawings, paintings and sculpture, from Longstreet for a quarter of a million, with the (verbal) assurance that he would subsequently donate it to the museum. (Longstreet had offered to sell it directly to the museum for that amount.) Assuming that the offer of donation was not an outright lie (a dangerous assumption, considering its source), it was clearly intended as a tax dodge. But Hammer soon decided decided to keep the works in his own foundation, most assuredly reaping the same tax benefits. Very good, lacking insert (2nd ed.).

Hardcover. First. 4to, paper-covered boards. 108 pp, 75 monochrome illustrations, chronology, exhibition list, bibliography. Exhibition November 14, 1967 - January 7, 1968, and subsequently in four other venues. Internally very good, but boards are discolored and worn at the points and edges.

First Edition. Very good cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall. Physical description: 173 pages : illustrations (some color) ; 26 cm. Subjects: Painting, Italian Italy Venice ; Exhibitions; Painting, Renaissance Italy Venice ; Exhibitions; Italy Venice; Venetian painting; Painting Italy Exhibitions; Painting Italy Medieval (c. 1000-1520); Painting Italy Renaissance (c. 1520-1600); Venice Art Exhibitions; Venice Art Painting. 1 Kg. Item is Shipped from Ireland or US locations.

Square 12mo., pp. 28, plus 35 plates in black and white. Color frontis. Endpapers: No. 35.] A VG tight copy.

Paper Covers. Condition: Fair. 1st Edition. Fair to good copy, binding solid. 247 pages, colour illustrations throughout with very full descriptive narratives of each of the 140 works illustrated.

Condition: Good. 4to. 62 pp. Soft wraps. Good with shaken endpapers, toning near spine and staining along front wraps. Color frontispiece and additional black and white plates. No. 1 of the Los Angeles County Museum of Art Monograph Series.

Condition: New. Satisfaction Guaranteed or your money back.

Soft cover. Condition: Very Good. 1st Edition. Illustrated card covers (Paperback) 270 x 225 mm approx. 278 pp illustrated in b/w duotone and colour.Catalogue of the touring Exhibition of wood engravings and etching, paintings, drawings, watercolours and sculpture in the Daumier collection of Armand Hammer and George Longstreet 1981. The French Artist's work reflects and satires the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. Please see our images of the actual catalogue offered for sale for further details and condition. VG (Covers - mild shelf rubbing with a couple of light creases. File pocket to reverse of front cover for floor plan vacant. No previous owner name or annotations. Binding sound with no other notable defects) Due to the weight of this item additional postage will need be sought for shipping outside the UK.