Keller Corey Sherman Elisabeth (17 results)

Hardcover. Condition: Very Good. Illustrated. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Condition: New. In.

Condition: New.

hardcover. Condition: Very Good. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire.

Hardcover. Condition: Brand New. 126 pages. 11.25x10.25x0.50 inches. In Stock.

Hardback. Condition: New. With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey's vivid evocations of race, history, time, and place Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.Published in association with the San Francisco Museum of Modern ArtExhibition Schedule:San Francisco Museum of Modern Art (February 15-October 12, 2020)High Museum of Art, Atlanta (November 7, 2020-March 14, 2021)Whitney Museum of American Art, New York (April 16-October 3, 2021).

Condition: New.

Condition: New. &Uumlber den AutorCorey Keller is curator of photography at the San Francisco Museum of Modern Art. Elisabeth Sherman is assistant curator at the Whitney Museum of American Art.KlappentextrnrnCat.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardcover. Condition: Fine. SF MOMA, San Francisco, 2020. Hardcover, 126 pp. Published in conjunction with an exhibition of the artist's work at the San Francisco Museum of Modern Art. Addressing African American history through photography. It traveled to the High Museum of Art in Atlanta, and the Whitney Museum in New York. Fine condition.

Hardcover. Condition: New.

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardback. Condition: New. With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey's vivid evocations of race, history, time, and place Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.Published in association with the San Francisco Museum of Modern ArtExhibition Schedule:San Francisco Museum of Modern Art (February 15-October 12, 2020)High Museum of Art, Atlanta (November 7, 2020-March 14, 2021)Whitney Museum of American Art, New York (April 16-October 3, 2021).

Hardcover. Condition: New. With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey's vivid evocations of race, history, time, and place Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (February 15-October 12, 2020) High Museum of Art, Atlanta (November 7, 2020-March 14, 2021) Whitney Museum of American Art, New York (April 16-October 3, 2021) With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey's vivid evocations of race, history, time, and place.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. Limited print run. White cloth boards with lettering in blind. Black and white photographic jacket. Signed by Dawoud Bey on an affixed plate. A tight and clean copy. INterior pages clean. Jacket with minor shelfwear. Photos upon request. International shipping billed at cost.; 4to 11" - 13" tall; 128 pages; Signed by Artist.