Keith Edmier (28 results)

Softcover exhibition catalog, 40 pages; very good condition, light edgewear to covers; no internal marks.

Hardcover. Condition: Good. Complete w/ resin rose and cardboard insert. Silicone dust jacket in good condition with a few minor scuffs and staining. Good condition overall.

Pamphlet. 31p., staplebound french-fold wraps, 7.5x9.5 inches, illus., very good exhibition catalog.

Paperback. Condition: Fine. Qto., 12 pages, colour illusdtrated. A Fine copy.

Hardcover MISSING the pink rubberized dj and MISSING the resin rose sculpture; 178 pages; fair to good condition; museum library sticker taped around bottom of spine; in rear pocket are 6 family photos enclosed in Van Gogh Studio photo bag and the stapled pamphlet Bremen Towne; no internal marks. As is; fine reading copy. Foreign shipping may be extra.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Pamphlet. This is not a book. The original Spring 2002 announcement pamphlet and schedule for Public Art Fund Presents Tuesday Night Talks at The New School, NYC. The pamphlet describes and pictures four events with Larry Rinder, Vik Muniz, Gregory Crewdson, and a panel discussion of the Whitney Biennial in Central Park with Roxy Paine, Kiki Smith, Keith Edmier, Kim Sooja, and Brian Tolle. Single sheet of stiff paper, printed both sides and folded twice to 6 panels; 7 color illustrations; 5.5 x 10.5 inches, unfolds to 16.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Soft cover. Condition: Near Fine. 1st Edition. 50 loose pages, boxed. 8.25 x 6 inches. Very light wear to box. Mother Mold was created on the occasion of Edmier's sixth solo show at Petzel, September 6th-November 4th, 2017. The publication brings together the 50 unique life-cast portraits of the artist's work, Imagines; inspired by ancient Roman life-casts of the same name. Each life-cast portrait is presented as a postcard; the reverse of which, written in Edmier's own hand, provides interesting details about the individual casts. The set of postcards is presented in a hard-back 'stone' box-envelop, with white debossed text.

Hardcover without dustjacket as issued; 24 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Printed folder contains loose postcard sized illustrations; very good condition, light crumple to folder; no internal marks. Foreign shipping may be extra.

Cloth & Paper. Condition: Very Good. In pink rubber jacket, large quarto, 178 pages. With numerous colour illustrations. With a sculpture of rose in a cardboard cover. Scarce title.

Condition: Used. pp. 112.

Condition: Used. pp. 112 Illus.

176 pp.; 31.1 x 24.8 cm; sewn bound; other special feature[s]; black-and-white & color; edition size 2000; signed and numbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, October 20, 2008 - February 3, 2009. Texts by Douglas Fogle, Jade Dellinger, Matthew Barney, Tom Eccles. "This book showcases the work of one of America's foremost up and coming sculptors. Contemporary Magazine said 'Edmier's work celebrates popular culture's intrusion into our dreams, the way media images insinuate themselves into our unconscious, like uninvited guests'. Major retrospective exhibition, 20th October to 3rd February at the Center for Curatorial Studies Museum, Bard College Annandale-on Hudson New York. This ambitious publication redefines the artist's monograph in the same way as Booth-Clibborn Editions 1999 Damien Hirst book. It contains many examples of Keith Edmier's sculptures as well as his drawings. It also has a unique silicone wrap round cover, a specially created plastic rose and a loose leaflet showing the installation Bremen Town included in the Bard exhibition. Keith Edmier is known for work that fuses collective memory with personal narrative. He is a romantic, making work that has elements of theatricality and wonderment brought about by a nuanced appreciation for the world that we inhabit. Edmier has had solo shows at Friedrich Petzel Gallery, New York; Sadie Coles HQ, London; Metro Pictures, New York; The Douglas Hyde Gallery, Trinity College, Dublin; Galerie Paul Andriesse, Amsterdam; and Neugerriemschneider Gallery, Berlin. Recent group exhibitions include 'Mike Kelley - The Uncanny,' Tate Liverpool, Liverpool; 'Precarious Sculpture,' Kunsthalle Vienna; Whitney Biennial, Whitney Museum of American Art, New York; 'The Americans,' Barbican Gallery, London; 'Casino 2001: 1st Quadrennial of Contemporary Art,' Stedelijk Museum Voor Actuele Kunst and Bijloke, Gent, Belgium and 'Fact/Fiction: Contemporary Art That Walks the Line' at San Francisco Museum of Modern Art, San Francisco.He attended California Institute of the Arts in Valencia, California. Edmier was born in Chicago and lives and works in New York.' -- publisher's statement. New / Fine. In publisher's shrink wrap. Due to large size and weight additional shipping charges may be required.

Condition: Used. pp. 112.

Paperback. Condition: Very Good. Very Good with light wear to covers and no marks to text. ; 32 pages.

Hardcover without dustjacket as issued; 68 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

12.5 x 10.25 inches. 176 pages. Profusely illustrated in color. Die-cut rubber cover with resin rose laid-in; with a small booklet included. First edition. "This unique publication showcases the work of one of America's foremost young sculptors. Each comes with a specially created plastic rose in honor of his work capturing the cultural and emotional significance of flowers. Also included is a loose leaflet showing the installation "Bremen Town," which was part of the comprehensive exhibition "Keith Edmier 1991-2007" at Bard college in New York from October 2007 through February 2008. The installation featured a full-scale reproduction of the interior spaces from the home in which Edmier grew up in Tinley Park, a suburb of Chicago" (the publisher). As-new.

Magazine. First edition. Fine magazine with a hint of shelving/handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Design 2007 issue of the Sunday New York Times Style Magazine (October 7, 2007), with: a tour of Marianne Boesky's home over her art gallery with text by Pilar Viladas and photographs by Jason Schmidt; Keith Edmier rebuilds his childhood home, photographed by Kevin Cooley; a look at the first project in the US by Dutch architect Ben van Berkel and his partner, Caroline Bos, by Nicolai Ouroussoff with photographs by Nikolas Koenig; Alix Browne looks at the living spaces of collectors who display video art with photos by Dwight Eschliman; Ettore Sottsass on the Ceramics of Darkness; a pictorial photographed by Coppi Barbieri of the latest furniture designs; a tour of an apartment Paul Rudolph designed in the 1970s, by Fred A. Bernstein and photos by Anthony Cotsifas; architectural designer Greg Lynn photographed by Robert Maxwell; Karl Lagerfeld and Zaha Hadid create the Mobile Art container; Piet Hein Eek; Muriel Cooper; Samuel Marx; Spazio Rossana Orlandi in Milan; a Style Map of Portland; the fragrance of wood; Caccia Dominioni; a pictorial of chaises and daybeds; doorknobs of the rich and famous; and much more. Perfect-bound magazine; 178 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Hardback. Condition: Near fine. First Edition. 24 x 35cm near fine hardback exhibition catalogue with an essay: 'Roses and Snowflakes' together with colour reproductions.

B : 176 pp, numeous illustrations - "This book showcases the work of one of America's foremost up and coming sculptors. - It contains many examples of Keith Edmier's sculptures as well as his drawings. It also has a unique silicone wrap round cover, a specially created plastic rose.

Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Installation by Keith Edmier. Essay by John Hutchinson. Includes a list of works, biography and an exhibition history. Unpaginated (28 pp.), with 18 four-color plates and one black-and-white plate. 9-3/8 x 9-7/8 inches. Published on the occasion of an exhibition at Douglas Hyde Gallery, Dublin, which traveled to other venues. Fine.

Hardcover. Condition: New. Octavo, 68 pages, illustrated. A New copy in the shrink wrap as issued.

Condition: Good. 8vo. 19p. Hardcover. Very Good, very minor creasing on corner edges of cover, slight markings on cover. Color prints throughout. From the Collection of the Art Historian Peter Selz.

Hardcover. Condition: Brand New. limited, edition. 176 pages. 12.50x10.25x1.75 inches. In Stock.

Condition: Good. Boards in pink silicon dust-jacket. 178pp. 24.5 x 30.5cm. Original resin rose multiple loosely inserted in a fitted case.In conjunction with the exhibition, the Center for Curatorial Studies and Booth-Clibburn Editions, London, published "Keith Edmier 1991-2007," a new book exploring Edmier's work in remarkable depth. Includes essays by Tom Eccles, Douglas Fogle, and Caoimhin Mac Giolla Leith; a thorough guide to the source material for Edmier's work by the artist's longtime friend, Jade Dellinger; an interview with Keith Edmier by artist Matthew Barney; and a comprehensive bibliography, the book will be officially released at the opening reception of Keith Edmier 1991-2007 at CCS Bard on October 20007.Ranging from Edmier's earliest works, such as I Met a Girl Who Sang the Blues (1991) through Bremen Towne, a new large-scale commission built for the exhibition at Bard, Keith Edmier: 1991-2007 presents a remarkable overview of Edmier's work. It demonstrates not only the power of the artist's use of his autobiographical landscape as a foil for considering a collective experience, but also his technical expertise as a sculptor. Many of Edmier's works build upon and expose the intersections between his personal world and such American cultural touchstones as motorcycle stuntman Evel Knievel and 70s icon Farrah Fawcett, with whom he collaborated, as well as Janis Joplin and John Lennon. "Through the act of sculpture he voraciously pursues his memories," writes curator Tom Eccles, citing both Jill Peters (1997), a "virginal portrait of his childhood sweetheart standing awkwardly in her sweater, skirt, and bobby socks" constructed in wax from a yearbook picture, and Beverly Edmier, 1967 (1998), a portrait of the artist's mother, in which the yet-to-be-born artist is revealed through the stomach of his seated mother."Bremen Towne is a full-scale sculptural reproduction of the interior spaces from the ranch house where I grew up in the southwest Chicago suburb, Tinley Park. It is made to resemble what it would have looked like when I first moved there with my parents in 1971. Essentially, it is a brand new home," explains Edmier. The installation "functions as a curated space. An exhibition of those things, which influenced my early aesthetic development, in the surroundings that helped shape who I am." Bremen Towne is the largest physical manifestation of the artist's fascination with reclaiming, or at least rethinking, the past through sculpture and installation. This extraordinary installation represents the culmination of Edmier's psychological archeology.

hardcover. Condition: Like New. Dust Jacket Condition: Acceptable. First American Edition. Publisher: Booth-Clibborn Editions, Annandale-on-Hudson, 2008. FINE hardcover book in a pink die-cut rubber cover with black and white photo laid in. Included is a die-cut cardboard box with a specially created plastic rose laid-in (in honor of his work capturing the cultural and emotional significance of flowers.) First Edition, First Printing. As new. Pristine.

Hardcover with pink rubberized dj; 178pages; sculpture of red rose made from resin enclosed in cardboard cut out; in rear pocket are 6 family photos enclosed in Van Gogh Studio photo bag and the stapled pamphlet Bremen Towne; very good condition, except a few light smudges to pink dj; no internal marks. Foreign shipping may be extra.