Karin Campbell (31 results)

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: new. Hardcover. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. 1979). Born on the Standing Rock Reservation in South Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. His deep ties to the northern Plains ground his vision for a vibrant Indigenous future, animated by ceramics, video, and repurposed materials. Lugers innovative approach engages The Joslyns renowned collection of watercolors painted by Swiss artist Karl Bodmer during his 183334 journey along the Missouri River. Through monumental ceramics, immersive video projections, and life-size bison dancers called Mideegaadi, the artist reimagines Bodmers depictions of his ancestors and situates these works within landscapes now submerged by colonial damming projects. Dripping Earth invites a shared vision of the future where land, identity, and culture are reclaimed and revitalized. The lead essay contextualizes Lugers project and its revelatory perspective on cultural fluidity. A conversation between Luger and knowledge bearer Michael Barthelemy reveals affinities between Lugers art and Indigenous stories. Throughout the illustrated catalog short interpretive essays provide diverse insights into Lugers multifaceted work. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 363 Pp. Blue Boards Lettered In Pink. First English Language Edition, Printed In Germany. Fine In Fine Dust Jacket. With The Large Flyer For "Lectures At The Norton Simon In 2001: "Maven Of Modernism: Galka Scheyer In California".

hardcover. Condition: New. Special order direct from the distributor.

Hardback. Condition: New. Campbell, Viv (illustrator).

Hardcover. Condition: New. Campbell, Viv (illustrator).

Hardcover. Condition: Sehr gut. Sauberes Exemplar, sehr gut erhalten.---.

Paperback. Condition: Brand New. 280 pages. 6.00x0.75x8.75 inches. In Stock.

Paperback. Condition: Brand New. 280 pages. 6.00x0.75x8.75 inches. In Stock.

Condition: New.

Hardcover. Condition: new. Hardcover. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. 1979). Born on the Standing Rock Reservation in South Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. His deep ties to the northern Plains ground his vision for a vibrant Indigenous future, animated by ceramics, video, and repurposed materials. Lugers innovative approach engages The Joslyns renowned collection of watercolors painted by Swiss artist Karl Bodmer during his 183334 journey along the Missouri River. Through monumental ceramics, immersive video projections, and life-size bison dancers called Mideegaadi, the artist reimagines Bodmers depictions of his ancestors and situates these works within landscapes now submerged by colonial damming projects. Dripping Earth invites a shared vision of the future where land, identity, and culture are reclaimed and revitalized. The lead essay contextualizes Lugers project and its revelatory perspective on cultural fluidity. A conversation between Luger and knowledge bearer Michael Barthelemy reveals affinities between Lugers art and Indigenous stories. Throughout the illustrated catalog short interpretive essays provide diverse insights into Lugers multifaceted work. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. 1979). Born on the Standing Rock Reservation in South Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. His deep ties to the northern Plains ground his vision for a vibrant Indigenous future, animated by ceramics, video, and repurposed materials. Lugers innovative approach engages The Joslyns renowned collection of watercolors painted by Swiss artist Karl Bodmer during his 183334 journey along the Missouri River. Through monumental ceramics, immersive video projections, and life-size bison dancers called Mideegaadi, the artist reimagines Bodmers depictions of his ancestors and situates these works within landscapes now submerged by colonial damming projects. Dripping Earth invites a shared vision of the future where land, identity, and culture are reclaimed and revitalized. The lead essay contextualizes Lugers project and its revelatory perspective on cultural fluidity. A conversation between Luger and knowledge bearer Michael Barthelemy reveals affinities between Lugers art and Indigenous stories. Throughout the illustrated catalog short interpretive essays provide diverse insights into Lugers multifaceted work. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 365 pages 351 illustrations 129 in color. Edited by Vivian Endicott Barnett and Josef Helfenstein. Preface by Toni Stooss and Armin Zweite. Published on the occasion of the exhibition at the Kunstmuseum Bern 8 December 1997-1 March 1998 and the Kunstsammlung Nordrhein-Westfalen, Düsseldorf 28 March-28 June 1998. List of Exhibitions. Bibliography.

paperback, Condition: Very Good, Landlocked Press, Madison, 1980, No.68 of 200, 6-3/4"x9", wraps, 9 poems on 10 pages, 1 page folding, VG in plain dj $.

Softcover. Condition: Sehr gut. Das Buch behandelt die Künstlergruppe Die Blaue Vier, bestehend aus Feininger, Jawlensky, Kandinsky und Klee, und deren Einfluss in der Neuen Welt. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! Stichworte: Genres: Kunst, Kulturgeschichte, Biographie; Schlagworte: Blaue Vier, Feininger, Jawlensky, Kandinsky, Klee, Kunst, Neue Welt, 1920er, Ausstellung, Kulturgeschichte. 123 Seiten Deutsch 1876g.

Buch. Condition: Neu. Neuware - The artist's vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. 1979). Born on the Standing Rock Reservation in South Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. His deep ties to the northern Plains ground his vision for a vibrant Indigenous future, animated by ceramics, video, and repurposed materials. Luger's innovative approach engages The Joslyn's renowned collection of watercolors painted by Swiss artist Karl Bodmer during his 1833-34 journey along the Missouri River. Through monumental ceramics, immersive video projections, and life-size bison dancers called Midéegaadi, the artist reimagines Bodmer's depictions of his ancestors and situates these works within landscapes now submerged by colonial damming projects. Dripping Earth invites a shared vision of the future where land, identity, and culture are reclaimed and revitalized. The lead essay contextualizes Luger's project and its revelatory perspective on cultural fluidity. A conversation between Luger and knowledge bearer Michael Barthelemy reveals affinities between Luger's art and Indigenous stories. Throughout the illustrated catalog short interpretive essays provide diverse insights into Luger's multifaceted work.

Paperback. 4to. Condition: Very good+. 111pp. Text unmarked on white pages, occasionally with photos of art exhibit. Binding square and uncreased. Covers minimally worn around the edges and corners.

Paperback. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Near Fine. Near fine softcover. Quarto. 112 pp. Published in conjunction with the exhibition "Sheila Hicks, Material voices" -shown at the Joslyn Art Musem in Nebraska and the Textile Museum of Canada in Toronto. With contributions from Ted Kooser, Jason Farago and Monique Levi-Strauss. Numerous colour images throughout. A nice and tight copy, with very minimal edgewear. Bright and clean throughout with square binding. Securely shipped in a box with tracking.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 434 pages. 9.00x6.00x1.13 inches. In Stock.

Hardcover. Condition: Brand New. 280 pages. 6.00x0.75x9.00 inches. In Stock.

Soft cover. Condition: Fine. 1st Edition. 112 pp, pictorial paperboard wrappers. Light shelf wear, very fine copy. Illustrated in colour. 29 x 23 cm.

paperback. Condition: Very Good. Softcover in very good condition. Pages are bright and clean with not marks, tears, or staining. 111 pages. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described.

Condition: Bueno. : Catálogo de la exposición 'El final es el lugar desde donde empezamos' en la Fundació Joan Miró, que tuvo lugar en el Espai 13 del 30 de septiembre de 2011 al 8 de julio de 2012. La exposición fue comisariada por Karin Campbell y el libro incluye textos en catalán, inglés y español. EAN: 9788493898144 Tipo: Libros Categoría: Arte y Cultura Título: The end is where we start from Autor: Karin Campbell Editorial: Fundació Joan Miró Idioma: ca, en, es-ES Páginas: 98.

Taschenbuch. Condition: Sehr gut. 1. leichte Gebrauchsspuren---. nein.

Hardback. Condition: New. Campbell, Viv (illustrator).