Juncosa Enrique Mac Giolla Leith (13 results)

Cloth. Condition: Fine Condition. Fine Condition. 172 pages. 131 illustrations 29 in color. Published on the occasion of the exhibition from 22 June-4 September 2005. Includes list of works and appendix. Dustjacket is protected with a mylar cover. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition. Inscribed by Catherine Lee at half-title to art critic Donald Kuspit. 13.25 x 9.75 in. 172, [3] pp. Color plates and illustrations throughout. Black cloth lettered in white. Pictorial dust jacket. Fine in Fine dust jacket, now in protective mylar cover. Inscribed by Author(s).…

Hardcover with dustjacket, 140 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Catalog of an exhibit held 14 November - 27 January 2008. A fine fresh copy in like dust wrapper; 138 pgs. Essays by Claude Levi-Strauss, Enrique Juncosa & Caoimhin Mac Giolla Leith.

Hardcover. Condition: Fine. Qto., 104 pages, colour ullustrated. Looks unused, a Fine copy.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine.

Hardcover. Condition: Very Good. 1st Edition. Published on the occasion of Tony O Malley Irish Museum of Modern Art 26 October 2005 to 1 January 2006. 103pp. 65 colour plates and b&w photographs. HB Book condition: Very Good, minor age related sunning to page edges - please see photographs. Pictorial Boards condition: Very Good, very slight shelf wear - please see photographs. …

Hardcover. Condition: Very Good. 1. English This exhibition catalogue accompanies Franz Ackermann?s exhibition at the Irish Museum of Modern Art in 2005. It presents his large-scale installations, paintings, and ?mental maps,? exploring themes of travel, globalization, and spatial perception. The essays analyze his dynamic visual language and situate his work within contemporary art practice.…

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condition: New. 1st edition. Cloth, dj, F/F. 176pp, colour frontis, 129 colour & 2 b/w illustrations, index, a fine copy. New. Well illustrated survey of the sculptural works of the American Artist Catherine lee, focusing on her work since 1985. 1400 grams.

paperback. Condition: Good. NOT an ex-library book. Clean copy in good condition. Quick dispatch from UK seller.

hardcover. Condition: Very Good. Dust Jacket Condition: very good. A very good hardcover in a very good dust jacket. Very light edgewear to dust jacket. No markings.

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Z : 228 Seiten/pages, 37 Farbabbildungen/illustrations in color, 81 bw, 13 duotone. - This volume presents Scheibitz's pictorial archive, compiled from a vast range of pictures found in newspapers, magazines, films and cartoons, as well as our collective memory. In making this material available, Scheibitz gives readers a tool to draw many conclusions about his artistic methods in painting and sculpture.…