Jones Peter V Introduction (4 results)

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  • Language: English

    Published by Penguin Classics, 2003

    0140449116 / 9780140449112

    • Softcover

    Seller: Gulf Coast Books, Cypress, TX, U.S.A.Gulf Coast Books

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    Condition: Used - Fair

    £ 6.41

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    Quantity: 1 available

    Paperback. Condition: Fair.

  • Language: English

    Published by Penguin Classics, 2003

    0140449116 / 9780140449112

    • Softcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Condition: New

    £ 9.99

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    Paperback. Condition: Brand New. revised edition. 416 pages. 7.50x5.00x0.75 inches. In Stock.

  • Language: English

    Published by Penguin Classics, 2003

    0140449116 / 9780140449112

    • Softcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Condition: New

    £ 15.78

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    Quantity: 2 available

    Paperback. Condition: Brand New. revised edition. 416 pages. 7.50x5.00x0.75 inches. In Stock.

  • Language: English

    Published by Penguin Classics, 2010

    0141192445 / 9780141192444

    • Hardcover

    Seller: Strand Book Store, ABAA, New York, NY, U.S.A.Strand Book Store, ABAA

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    Condition: New

    £ 20.64

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    Hardcover. Condition: New. From Penguinâs designer hardcover classics series. This series reprints books to cherish, collect, and pass on with striking new editions of literature's most beloved books. Designed by graphic design artist Coralie Bickford-Smith, all of the books feature gorgeous patterns stamped on linen cases, colored endpapers, and ribbon markers. These rich and sumptuous volumes will likely be one of the most coveted sets of books ever produced. Bickford-Smith uses conforming grid patterns for the cover designs, imposing a recognizable style that works across the entire series of books. The patterns on the grids convey something of the character of the individual titles. These patterns are signifiers for the bookâs character and meaning, bringing contextual complexity to the design. Each titleâs design was worked on extensively using the bookâs text, mood boards, picture research, and literal patterns to take a slightly new angle on a familiar work. Examples of this can be seen with the peacock feather design on Dorian Gray, which plays on the bookâs themes of vanity and the superficial; whereas the leaf motif on Jane Eyre refers directly to the lightning-blasted chestnut tree, a concrete element in the text that serves as a potent symbol of the bookâs central relationship.