Jeremy Adler Bob Cobbing (5 results)

Soft cover. Condition: Good++. No Jacket. Bob Cobbing (illustrator). 1st Edition. Unpaginated 10pp staple bound booklet. Landscape format of concrete and free-form poetry. Light blue thin card covers with illustrations by Bob Cobbing. Dusty covers. Crease to top right hand corner of front cover. Third in a series of 'fragments' of poetry by Jeremy Adler, published by Writers Forum.

Soft cover. Condition: Very Good. 1st Edition. 4to. Stab-stapled. Unpaginated (30pp. printed on rectos only). Writers Forum 'Fours' No. 18, also referred to as 'Fragments Towards the City', being 'Experiments in a language I have never heard of'. Areas of soiling outwardly as well as some slight rubbing (such as to the corners) and moderate scratching.

Paperback. Condition: Very Good. First Edition. Wraps. Oblong 8vo. Illustrated covers stapled at spine, lettered black on front cover. Some visual poems. ISBN: 0861622367 Pages: 34 Very good indeed.

Soft cover. Condition: Near Fine. No Jacket. Limited Edition. 250 copies were printed at Beau Geste Press copyright remains with authors. No publisher stated. Limited to 250 copies. No date. Last indication of date within is 1974. Unpaginated; 42 pages.

Condition: Very good. François Dufrêne, Plan de Hong Kong, Berlin, 1977. 292x202 mm. Collage work on the cover of Jeremy Adler's Towards the City, published by Writer's Forum, London, 1977. The design of the cover is by Bob Cobbing. The cover has been cut by Dufrêne to remove the saddle staples along the left edge. A ticket to a sound poetry festival in Belin (18th September 1977, 20.00 hours) is applied to the cover with glue. Written in pencil along the bottom and right edges in French: 'Plan de Hong Kong découvert tout á fait par hasard dans une brasserie autrichienne de Berlin par F. Dufrêne, un jour de septembre 1977. The plan of Hong Kong / The Hong Kong Plan was discovered by chance in an Austrian brewery in Berlin by F. Dufrêne, one day in September 1977.' The other visible writing on the cover is the signature of François Dufrêne in the centre and perhaps of another artist below. There are also faint but visible traces of other inscriptions and signatures on the cover. Sun damage has caused the ink to fade and other writing in unintelligible but seems to be written by different people. Condition: some general handling marks, age and light sun toning that has effected one of the inks used in the composition.