Jan Vredeman De Vries (50 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Fair. Acceptable condition. (Perspective, Art) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

paperback. Condition: Very Good.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket As Issued. Dover Pictorial Archive; 11.9 X 8.0 X 0.3 inches; 74 pages.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condition: Used: Acceptable. PREVIOS OWNERS NAME WRITTEN IN INK AT TOP OF TITLE PAGE. BOOK IS WORN AND "TATTY". ONLY SUITABLE AS A READING/REFERENCE COPY. **SENT FIRST CLASS MAIL FROM UK STOCK.** "Always choose Readerz3, the best deal around for YOU and me!" 24.

Paperback. Condition: Used: Very Good.

Softcover. Condition: Good. Paperback, numerous (full page) illustrations in b/w, unpaged, oblong (circa 29x21cm).; Several scratches on front cover.

Encuadernación de tapa blanda. Condition: Bien. Dover Publications Inc.,1968 New York. With a new introduction by Adolf K. Placzek. Dover books on architecture. Includes 73 perspective plates from the 1604 edition; buildings, townscapes, stairways,and other fantastic scenes. A work remarkable for beauty and its surrealistic atmosphere. 8ºM (21x29 cm) 89 págs. Rústica ilustrada. Cubierta algo deslucida con puntas rozadas. Buen estado general.…

Paperback. Condition: Very Good. First Edition. Original stiff card covers; in better than very good shape; no tears, chips or creases, just mildly rubbed and edge-worn. Contents sound and clean; no pen-marks. Not from a library so no such stamps or labels.

broché. in-8 oblong non paginé illustrations, menus défauts d'usage. Ajustement des frais d'envoi en fonction du poids.

Soft Cover. Condition: Good. No Jacket. Reprint. From an academic library with the usual stamps etc.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Couverture souple. Condition: Très bon. Sans date (circa 1980). Grand in-8 oblong de titre, (3) ff. + 49 et 24 planches hors texte ; broché de l'éditeur.

Condition: Buone. Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Condition: gut. 1968. Perspective In deutscher Sprache. pages.

Broché. Condition: D'occasion - Bon état. René Baudouin éditeur. 1976. Broché, in-8 à l'italienne. 49 et 24 planches. Reprise de la Perspective de De Vries de 1599. Couverture : bords un peu frottés, marques de pliure sur plats. Intérieur : un peu jauni sinon TBE.

Paperback. Condition: Used: Acceptable. Des traces d'usure avec légers manques à la couverture, intérieur très bon.

Couverture souple. Condition: bon. R320069671: NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 24 pages - Nombreuses illustrations en noir et blanc hors texte. . . A l'italienne. Classification Dewey : 740-Dessin, arts décoratifs et mineurs.

Couverture souple. Condition: bon. R200111249: Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 25 pages. Abondantes illustrations en noir et blanc, dans et hors texte. . . A l'italienne. Classification Dewey : 740-Dessin, arts décoratifs et mineurs.

Condition: Very Good +. First Edition. Brooklyn, NY: Clown War, 1980. First Edition; printed in a run of 500. Oblong octavo (14cm); unpaginated. Publisher's illustrated wraps; staple-bound. Black-and-white illustrations throughout. Wraps ever-so-slightly bumped and toned. Binding sound. Textblock, endsheets, and interior pages lightly toned. Very Good or better. …

Condition: Good. Folio 27.5 x 37cm. 18th Century half vellum and marbled boards; later endpapers.Engraved title page, [12pp.], 23 numbered plates. Some pages remargined. Waterstaining on versos of some pages.Title page in German; text in Flemish. Title page imprint: Antwerpie : Apud Gerardus de Iode en platea vulgariter dicta catly?ne, veste sub signo floreni aurei, 1577 ; Getruck tzo Antorff : by Geerhardt de Jode, An[o] 1581. Publisher imprint on text page [11]. OCLC Number / Unique Identifier:69063783.Dumbarton Oaks: .The Dutch Renaissance architect, painter, and engineer Hans Vredeman de Vries (1527-1607) had a long and successful career. He is best known today for his wide-ranging designs, which contributed to the dissemination of Renaissance ornamental forms, such as cartouches and grotesques, throughout Northern Europe. Although renowned for his significant volume on the application of linear perspective, Vredeman de Vries is also celebrated for his carefully worked-out perspective drawings. His works show knowledge of the architectural theorists Vitruvius and Sebastiano Serlio?whom he studied in Dutch translations published by Pieter Coecke van Aelst (1502-1550)?both in their design-oriented and theoretical aspects. Dumbarton Oaks holds several important titles that give a taste of Vredeman de Vries's versatility and prolificacy as an author and draftsman. In 1560, Vredeman de Vries produced his first series of architectural perspectives under the title Scenographiae sive Perspectivae for the publisher Hieronymus Cock (1518-1570). This set comprised twenty invented views of cities and buildings shown in meticulously conceived linear perspective. Aimed primarily at painters and amateurs, these fanciful prints were not intended for practicing architects. The subtitle asserts the publisher's privileges and printing rights, which Cock secured presumably in anticipation of the book's success. In 1562, he dedicated a similar set of twenty-eight architectural perspectives to Cardinal Antoine Perrenot de Granvelle (1517-1586), an advisor of King Philip II of Spain. Around the same time, Vredeman de Vries created a set of twenty symmetrically arranged architectural perspectives in oval frames, apparently meant as blueprints for intarsia workers. Cock dedicated this book to Peter Ernst (1517-1604), Count of Mansfeld, a courtier to Charles V and Philip II and governor of Luxembourg. Such dedications to notable art collectors and members of court helped the publisher to secure printing privileges and advertise the novelty of Vredeman de Vries's work. In 1601, this series was published by Theodoor Galle (1571-1633) together with Scenographiae sive Perspectivae under the title Architecturae variae formae.…