James Mccourt (347 results)

Mass Market Paperback. Condition: Fair.

Hardback. Condition: Good. Well, it just sings. -Susan Sontag'Drugs, dick, disco, and dish-remember?' That's how the drag queen Miss Mae Mae describes the good times in James McCourt's 1993 novel, Time Remaining. She is on her deathbed, clutching a stuffed bear, and she marvels at how suddenly those words have been replaced by 'dysentery, dementia, despair, and death.' Miss Mae Mae's final quip is relayed by Odette O'Doyle, a 'polymath drag-queen diva, ' to Daniel Delancey, an orphaned performance artist, as they ride the midnight train to Montauk. Odette and Delancey are the sole survivors of a raucous group of drag queens called the Eleven Against Heaven, which AIDS has decimated. Odette has just returned from depositing the ashes of the Eleven in various European bodies of water: Miss Mae Mae in the Rhine, Miss Faith Healy in the Liffey, Miss Charity Ward 'upon still waters in the fjord at lesund. As she recounts the rites for Delancey, she immerses us in stories of the Eleven, and surfaces a singular history of mid-century queer New York. -The New YorkerMcCourt is that rarest of contemporary American authors-a true iconoclast, a devoted high stylist, and a holder of the unfashionable opinion that prose is a natural extrovert and beauty that deserves the brightest polish, the best accessories, the most extravagant costumes. -Dennis Cooper, author of Closer and FriskWhat makes Time Remaining an extraordinary animal among so many, varied gay books that came to life in the 1970s, 80s and 90s? It's a celebration of the survival instincts that define gay life. The use of dark humor is the building and defense of our semantic canon which results in an aggressively earned comfort with the world. -Tim Young, from his introduction to the new edition James McCourt is the author of multiple works of fiction and nonfiction. He is best known for his acclaimed 1971 debut novel Mawrdew Czgowchwz (pronounced Mardu Gorgeous) which is currently available with the New York Review Books Classics imprint. Queer Street: The Rise and Fall of an American Culture, 1947-85, published in 2003, was identified by The New York Times as an heroically imaginative account of gay metropolitan culture, an elegy and an apologia for a generation. Tim Young has been thinking and writing about the role of literature and music in the narrative of life for many decades. In addition to a series of essays on popular culture for Design Observer, he has contributed work for The Yale Review.…

Paperback. Condition: Good. Diva Mawrdew Czgowchwz (pronounced Mardu Gorgeous) bursts like the most brilliant of comets onto the international opera scene, only to confront the deadly malice and black magic of her rivals. Outrageous and uproarious, flamboyant and serious as only the most perfect frivolity can be, James McCourt's entrancing send-up of the world of opera has been a cult classic for more than a quarter-century. This comic tribute to the love of art is a triumph of art and love by a contemporary American master.…

hardcover. Condition: Good.

Hardback. Condition: Very Good. Enjoined by his dying mother to tell everything, James McCourt was liberated by this deathbed wish to do just that. The result is Lasting City, a gripping, uniquely McCourt invention: an operatic recollection that braids a nostalgic portrait of old-Irish New York with a boy's funny, gutter-snipe precocity and hardly innocent coming-of-age in the 1940s and '50s. A literary outlaw in the poetic tradition of Verlaine and Baudelaire, McCourt tells his own story, his mother's, his family's, and that of a lost New York, the lasting city. While ostensibly an account of the author's first seven years, Lasting City expands into a philosophical exploration of memory, perhaps as daring a statement on perception as anything since Faulkner-a kaleidoscopic unraveling of time. Mating fact with fantasy, or fantasy with fact, McCourt takes us from his deeply moving bedside account of his mother Catherine's death to its traumatic aftermaths both real and imagined, which are-as McCourt tells it-equally real. He revisits the fantasy city of his youth, sometimes in soliloquy, as well as in the plaintive threnody of an older man who recounts his tales of woe to a Hindu cabdriver named Pramit Banarjee on Broadway, only hours after leaving his mother's bedside. By celebrating our powerlessness over memory, he explores the darkly intense Irish-American family romance and the love-hate relationship between an unusually bright boy and his eternally wise mother, who harbored an excruciating guilty secret. With Joycean panache, McCourt then takes us to the wake, where his aunts recall their sister as if they are the Fates; he has a late-night dialogue with a former showgirl turned hash-slinging waitress; and he then anticipates his own death with the some of the most lyrical cadences in recent literature, wondering whether his ashes will be scattered on the waters of that little rivulet emerging from Central Park's Ramble, where in his grandfather's day, real Venetian gondoliers, imported from Venice, plied their trade. Reflecting McCourt's belief that the perfectly diagrammed sentence has become the secret weapon of nice people, Lasting City, written as much for the ear as the reading eye, unfolds in multiple voices that are at times like theater and at times the reverie of a mind lost in memory. It is a heartfelt aria to a lost time and to an eternal city.…

Hardback. Condition: Good. Enjoined by his dying mother to tell everything, James McCourt was liberated by this deathbed wish to do just that. The result is Lasting City, a gripping, uniquely McCourt invention: an operatic recollection that braids a nostalgic portrait of old-Irish New York with a boy's funny, gutter-snipe precocity and hardly innocent coming-of-age in the 1940s and '50s. A literary outlaw in the poetic tradition of Verlaine and Baudelaire, McCourt tells his own story, his mother's, his family's, and that of a lost New York, the lasting city. While ostensibly an account of the author's first seven years, Lasting City expands into a philosophical exploration of memory, perhaps as daring a statement on perception as anything since Faulkner-a kaleidoscopic unraveling of time. Mating fact with fantasy, or fantasy with fact, McCourt takes us from his deeply moving bedside account of his mother Catherine's death to its traumatic aftermaths both real and imagined, which are-as McCourt tells it-equally real. He revisits the fantasy city of his youth, sometimes in soliloquy, as well as in the plaintive threnody of an older man who recounts his tales of woe to a Hindu cabdriver named Pramit Banarjee on Broadway, only hours after leaving his mother's bedside. By celebrating our powerlessness over memory, he explores the darkly intense Irish-American family romance and the love-hate relationship between an unusually bright boy and his eternally wise mother, who harbored an excruciating guilty secret. With Joycean panache, McCourt then takes us to the wake, where his aunts recall their sister as if they are the Fates; he has a late-night dialogue with a former showgirl turned hash-slinging waitress; and he then anticipates his own death with the some of the most lyrical cadences in recent literature, wondering whether his ashes will be scattered on the waters of that little rivulet emerging from Central Park's Ramble, where in his grandfather's day, real Venetian gondoliers, imported from Venice, plied their trade. Reflecting McCourt's belief that the perfectly diagrammed sentence has become the secret weapon of nice people, Lasting City, written as much for the ear as the reading eye, unfolds in multiple voices that are at times like theater and at times the reverie of a mind lost in memory. It is a heartfelt aria to a lost time and to an eternal city.…

Condition: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Good. Well, it just sings. -Susan Sontag'Drugs, dick, disco, and dish-remember?' That's how the drag queen Miss Mae Mae describes the good times in James McCourt's 1993 novel, Time Remaining. She is on her deathbed, clutching a stuffed bear, and she marvels at how suddenly those words have been replaced by 'dysentery, dementia, despair, and death.' Miss Mae Mae's final quip is relayed by Odette O'Doyle, a 'polymath drag-queen diva, ' to Daniel Delancey, an orphaned performance artist, as they ride the midnight train to Montauk. Odette and Delancey are the sole survivors of a raucous group of drag queens called the Eleven Against Heaven, which AIDS has decimated. Odette has just returned from depositing the ashes of the Eleven in various European bodies of water: Miss Mae Mae in the Rhine, Miss Faith Healy in the Liffey, Miss Charity Ward 'upon still waters in the fjord at lesund. As she recounts the rites for Delancey, she immerses us in stories of the Eleven, and surfaces a singular history of mid-century queer New York. -The New YorkerMcCourt is that rarest of contemporary American authors-a true iconoclast, a devoted high stylist, and a holder of the unfashionable opinion that prose is a natural extrovert and beauty that deserves the brightest polish, the best accessories, the most extravagant costumes. -Dennis Cooper, author of Closer and FriskWhat makes Time Remaining an extraordinary animal among so many, varied gay books that came to life in the 1970s, 80s and 90s? It's a celebration of the survival instincts that define gay life. The use of dark humor is the building and defense of our semantic canon which results in an aggressively earned comfort with the world. -Tim Young, from his introduction to the new edition James McCourt is the author of multiple works of fiction and nonfiction. He is best known for his acclaimed 1971 debut novel Mawrdew Czgowchwz (pronounced Mardu Gorgeous) which is currently available with the New York Review Books Classics imprint. Queer Street: The Rise and Fall of an American Culture, 1947-85, published in 2003, was identified by The New York Times as an heroically imaginative account of gay metropolitan culture, an elegy and an apologia for a generation. Tim Young has been thinking and writing about the role of literature and music in the narrative of life for many decades. In addition to a series of essays on popular culture for Design Observer, he has contributed work for The Yale Review.…

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Hardcover. Condition: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardback. Condition: Good. A fierce critical intelligence animates every page of Queer Street. Its sentences are dizzying divagations. The postwar generation of queer New York has found a sophisticated bard singing 'the elders' history' (The New York Times). James McCourt's seminal Queer Street has proven unrivaled in its ability to capture the voices of a mad, bygone era. Beginning with the influx of liberated veterans into downtown New York and barreling through four decades of crisis and triumph up to the era of the floodtide of AIDS, McCourt positions his own exhilarating experience against the whirlwind history of the era. The result is a commanding and persuasive interlocking of personal, intellectual, and social history that will be read, dissected, and honored as the masterpiece it is for decades to come. A Publishers Weekly Best Book of 2003; a Lambda Award finalist.…

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Hardback. Condition: Very Good. Enjoined by his dying mother to tell everything, James McCourt was liberated by this deathbed wish to do just that. The result is Lasting City, a gripping, uniquely McCourt invention: an operatic recollection that braids a nostalgic portrait of old-Irish New York with a boy's funny, gutter-snipe precocity and hardly innocent coming-of-age in the 1940s and '50s. A literary outlaw in the poetic tradition of Verlaine and Baudelaire, McCourt tells his own story, his mother's, his family's, and that of a lost New York, the lasting city. While ostensibly an account of the author's first seven years, Lasting City expands into a philosophical exploration of memory, perhaps as daring a statement on perception as anything since Faulkner-a kaleidoscopic unraveling of time. Mating fact with fantasy, or fantasy with fact, McCourt takes us from his deeply moving bedside account of his mother Catherine's death to its traumatic aftermaths both real and imagined, which are-as McCourt tells it-equally real. He revisits the fantasy city of his youth, sometimes in soliloquy, as well as in the plaintive threnody of an older man who recounts his tales of woe to a Hindu cabdriver named Pramit Banarjee on Broadway, only hours after leaving his mother's bedside. By celebrating our powerlessness over memory, he explores the darkly intense Irish-American family romance and the love-hate relationship between an unusually bright boy and his eternally wise mother, who harbored an excruciating guilty secret. With Joycean panache, McCourt then takes us to the wake, where his aunts recall their sister as if they are the Fates; he has a late-night dialogue with a former showgirl turned hash-slinging waitress; and he then anticipates his own death with the some of the most lyrical cadences in recent literature, wondering whether his ashes will be scattered on the waters of that little rivulet emerging from Central Park's Ramble, where in his grandfather's day, real Venetian gondoliers, imported from Venice, plied their trade. Reflecting McCourt's belief that the perfectly diagrammed sentence has become the secret weapon of nice people, Lasting City, written as much for the ear as the reading eye, unfolds in multiple voices that are at times like theater and at times the reverie of a mind lost in memory. It is a heartfelt aria to a lost time and to an eternal city.…

Hardback. Condition: Good. Enjoined by his dying mother to tell everything, James McCourt was liberated by this deathbed wish to do just that. The result is Lasting City, a gripping, uniquely McCourt invention: an operatic recollection that braids a nostalgic portrait of old-Irish New York with a boy's funny, gutter-snipe precocity and hardly innocent coming-of-age in the 1940s and '50s. A literary outlaw in the poetic tradition of Verlaine and Baudelaire, McCourt tells his own story, his mother's, his family's, and that of a lost New York, the lasting city. While ostensibly an account of the author's first seven years, Lasting City expands into a philosophical exploration of memory, perhaps as daring a statement on perception as anything since Faulkner-a kaleidoscopic unraveling of time. Mating fact with fantasy, or fantasy with fact, McCourt takes us from his deeply moving bedside account of his mother Catherine's death to its traumatic aftermaths both real and imagined, which are-as McCourt tells it-equally real. He revisits the fantasy city of his youth, sometimes in soliloquy, as well as in the plaintive threnody of an older man who recounts his tales of woe to a Hindu cabdriver named Pramit Banarjee on Broadway, only hours after leaving his mother's bedside. By celebrating our powerlessness over memory, he explores the darkly intense Irish-American family romance and the love-hate relationship between an unusually bright boy and his eternally wise mother, who harbored an excruciating guilty secret. With Joycean panache, McCourt then takes us to the wake, where his aunts recall their sister as if they are the Fates; he has a late-night dialogue with a former showgirl turned hash-slinging waitress; and he then anticipates his own death with the some of the most lyrical cadences in recent literature, wondering whether his ashes will be scattered on the waters of that little rivulet emerging from Central Park's Ramble, where in his grandfather's day, real Venetian gondoliers, imported from Venice, plied their trade. Reflecting McCourt's belief that the perfectly diagrammed sentence has become the secret weapon of nice people, Lasting City, written as much for the ear as the reading eye, unfolds in multiple voices that are at times like theater and at times the reverie of a mind lost in memory. It is a heartfelt aria to a lost time and to an eternal city.…

Condition: New.

Paperback. Condition: Good. Good paperback. Text is unmarked. Covers show edge wear with some rubbing, scuffing and a crease on the front corner. First Printing. Previous owner's name is on the inside cover.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Very Good. Trade paperback in illustrated wraps. From the personal library of Mona Van Duyn and Jarvis Thurston.