Jaeggy Fleur (695 results)

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Fleur Jaeggy is often noted for her terse and telegraphic style, which somehow brews up a profound paradox that seems bent on haunting the reader: despite a sort of zero-at-the-bone baseline, her fiction is weirdly also incredibly moving. How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don't rest at that, but endlessly disturb your mind. …

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Outer page edges have a moisture stain that DOES NOT AFFECT text. Residue of price sticker on the bottom of rear cover. Good Reading Copy. NOT A FORMER LIBRARY BOOK.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. Good: The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections.…

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Used - Very Good.

paperback. Condition: Very Good.

Paperback. Condition: Good. Even among Fleur Jaeggy's intricate and prickly works, The Water Statues is a shiningly peculiar work. Concerned with the long shadows cast by family and privilege, this early novel is in part structured as a play: the dramatis personae include the various relatives, servants, and by-blows of a man named Beeklam, a wealthy recluse who keeps statues in his villa's flooded basement, where memories shiver in uncertain light and the waters run off to the sea. Dedicated to Ingeborg Bachmann and fleshed out with Jaeggy's austere yet voluptuous style, The Water Statues --with its band of deracinated, loosely related souls (milling about as often in the distant past as in the mansion's garden full of intoxicated snails and conversing less with each other than with inert marble figures)--delivers like a slap an indelible picture of the swampiness of family life. …

Paperback. Condition: Good. New Directions is proud to present Fleur Jaeggy's strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey's early nineteenth-century world we hear of the habits of writers: Charles Lamb spoke of 'Lilliputian rabbits' when eating frog fricassse; Henry Fuseli ate a diet of raw meat in order to obtain splendid dreams; Hazlitt was perceptive about musculature and boxers; and Wordsworth used a buttery knife to cut the pages of a first-edition Burke. In a book of blue devils and night visions, the Keats essay opens: In 1803, the guillotine was a common child's toy. And poor Schwob's end comes as he feels like a 'dog cut open alive' His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief. Fleur Jaeggy's essays--or are they prose poems?--smoke of necessity: the pages are on fire. …

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Fleur Jaeggy is often noted for her terse and telegraphic style, which somehow brews up a profound paradox that seems bent on haunting the reader: despite a sort of zero-at-the-bone baseline, her fiction is weirdly also incredibly moving. How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don't rest at that, but endlessly disturb your mind. …

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: acceptable.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Paperback. Condition: New. New Directions is proud to present Fleur Jaeggy's strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist ofhyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey's early nineteenth-century world we hear of the habits of writers: Charles Lamb "spoke of 'Lilliputian rabbits' when eating frog fricassse"; Henry Fuseli "ate a diet of raw meat in order to obtain splendid dreams"; "Hazlitt was perceptive about musculature and boxers"; and "Wordsworth used a buttery knife to cut the pages of a first-edition Burke." In a book of "blue devils" and night visions, the Keats essay opens: "In 1803, the guillotine was a common child's toy." And poor Schwob's end comes as he feels "like a 'dog cut open alive'": "His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief." Fleur Jaeggy's essays-or are they prose poems?-smoke of necessity: the pages are on fire. …

Paperback. Condition: Good. A novel about obsessive love and madness set in postwar Switzerland, Fleur Jaeggy's eerily beautiful novel begins innocently enough: At fourteen I was a boarder in a school in the Appenzell. But there is nothing innocent here. With the off-handed remorselessness of a young Eve, the narrator describes her potentially lethal designs to win the affections of Frederique, the apparently perfect new girl. In Tim Parks' consummate translation (with its spare, haunting quality of a prose poem, TLS), Sweet Days of Discipline is a peerless, terrifying, and gorgeous work.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. Seven stories, each at some deep level in dark complicity with the others, as terse and spare as if etched with a steel tip. A brooding atmosphere of horror, a disturbing and subversive propensity for delirium haunts the violent gestures and chilly irony of these tales. Full of menace, the air they breathe is stirred only by the Fohn, the warm west wind of the Alps that inclines otherwise respectable citizens to vent the spleen and angst of life's last vanities. …

Paperback. Condition: Good. Even among Fleur Jaeggy's intricate and prickly works, The Water Statues is a shiningly peculiar work. Concerned with the long shadows cast by family and privilege, this early novel is in part structured as a play: the dramatis personae include the various relatives, servants, and by-blows of a man named Beeklam, a wealthy recluse who keeps statues in his villa's flooded basement, where memories shiver in uncertain light and the waters run off to the sea. Dedicated to Ingeborg Bachmann and fleshed out with Jaeggy's austere yet voluptuous style, The Water Statues --with its band of deracinated, loosely related souls (milling about as often in the distant past as in the mansion's garden full of intoxicated snails and conversing less with each other than with inert marble figures)--delivers like a slap an indelible picture of the swampiness of family life. …

Condition: New.

Paperback. Condition: New. "Reading time is approximately four hours. Remembering time, as for its author, the rest of one's life," said Joseph Brodsky of Fleur Jaeggy's novel, Sweet Days of Displine. Now Jaeggy has come up with seven stories, each at some deep level in dark complicity with the others, all as terse and spare as if etched with a steel tip. A brooding atmosphere of horror, a disturbing and subversive propensity for delirium haunts the violent gestures and chilly irony of these tales. Full of menace, the air they breathe is stirred only by the FÜhn, the warm west wind of the Alps that inclines otherwise respectable citizens to vent the spleen and angst of life's last vanities.…