Istrate Ana Mihaela (8 results)

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Master's Thesis from the year 2001 in the subject Literature - Comparative Literature, grade: 10, University of Bucharest (Faculty of Letters), course: Comparative Literature, language: English, abstract: The present study represents an iconological approach of Western and Eastern literature and arts, during the 18th century. It is a synchronic analysis of two literary texts, the Chinese novel, Dream of the Red Chamber, written by the Chinese writer Cao Xue Qin and Samuel Richardson¿s novel Pamela, with the help of visual element, as an intermediary between the author and the interlocutor. The works of art used for the study are the two feminine portraits Lady Graham and Lady Sheridan, by Thomas Gainsborough and Spring Morning in the Han Palace, by Qiu Ying, in the Chinese artistic space.The comparative approach is supported by the theory of intertextuality, which offers us the freedom of understanding two literary texts as a common structure. Although in point of techniques, there are huge differences between the two cultural environments discussed, which are mainly determined by the artistic taste of the societies, as well as a result of the cultural canon imposed by territorial limits, we have to admit that the artistic representations have a common point of view: the woman and the world surrounding her beauty.The point of convergence between the two literary texts, one from China and the other one from England, refers to the common ideology referring to decency and promiscuity, perception upon the gender differences, and the conclusion that we can draw is that, in spite of the differentiating cultural element, human relationships appear as natural and normal all over the world, woman¿s status being perceived in the same way, the social code and the level of civilisation of a society, at a specific historical moment being the one that makes the difference.

Taschenbuch. Condition: Neu. Literary and Artistic Portraits of the Eighteenth Century Oriental and Occidental Woman | An iconological Approach | Ana Mihaela Istrate | Taschenbuch | 60 S. | Englisch | 2019 | GRIN Verlag | EAN 9783668902145 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering.

Taschenbuch. Condition: Neu. Enchanted Realms. Exotic Influence in European Romanticism | An iconological approach | Ana Mihaela Istrate | Taschenbuch | Englisch | 2024 | GRIN Verlag | EAN 9783389115633 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Master's Thesis from the year 2001 in the subject Literature - Comparative Literature, grade: 10, University of Bucharest (Faculty of Letters), course: Comparative Literature, language: English, abstract: The present study represents an iconological approach of Western and Eastern literature and arts, during the 18th century. It is a synchronic analysis of two literary texts, the Chinese novel, Dream of the Red Chamber, written by the Chinese writer Cao Xue Qin and Samuel Richardson¿s novel Pamela, with the help of visual element, as an intermediary between the author and the interlocutor. The works of art used for the study are the two feminine portraits Lady Graham and Lady Sheridan, by Thomas Gainsborough and Spring Morning in the Han Palace, by Qiu Ying, in the Chinese artistic space.The comparative approach is supported by the theory of intertextuality, which offers us the freedom of understanding two literary texts as a common structure. Although in point of techniques, there are huge differences between the two cultural environments discussed, which are mainly determined by the artistic taste of the societies, as well as a result of the cultural canon imposed by territorial limits, we have to admit that the artistic representations have a common point of view: the woman and the world surrounding her beauty.The point of convergence between the two literary texts, one from China and the other one from England, refers to the common ideology referring to decency and promiscuity, perception upon the gender differences, and the conclusion that we can draw is that, in spite of the differentiating cultural element, human relationships appear as natural and normal all over the world, woman¿s status being perceived in the same way, the social code and the level of civilisation of a society, at a specific historical moment being the one that makes the difference. 60 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 136 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Master's Thesis from the year 2001 in the subject Literature - Comparative Literature, grade: 10, University of Bucharest (Faculty of Letters), course: Comparative Literature, language: English, abstract: The present study represents an iconological approach of Western and Eastern literature and arts, during the 18th century. It is a synchronic analysis of two literary texts, the Chinese novel, Dream of the Red Chamber, written by the Chinese writer Cao Xue Qin and Samuel Richardson¿s novel Pamela, with the help of visual element, as an intermediary between the author and the interlocutor. The works of art used for the study are the two feminine portraits Lady Graham and Lady Sheridan, by Thomas Gainsborough and Spring Morning in the Han Palace, by Qiu Ying, in the Chinese artistic space.The comparative approach is supported by the theory of intertextuality, which offers us the freedom of understanding two literary texts as a common structure. Although in point of techniques, there are huge differences between the two cultural environments discussed, which are mainly determined by the artistic taste of the societies, as well as a result of the cultural canon imposed by territorial limits, we have to admit that the artistic representations have a common point of view: the woman and the world surrounding her beauty.The point of convergence between the two literary texts, one from China and the other one from England, refers to the common ideology referring to decency and promiscuity, perception upon the gender differences, and the conclusion that we can draw is that, in spite of the differentiating cultural element, human relationships appear as natural and normal all over the world, woman¿s status being perceived in the same way, the social code and the level of civilisation of a society, at a specific historical moment being the one that makes the difference.Books on Demand GmbH, Überseering 33, 22297 Hamburg 60 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Doctoral Thesis / Dissertation from the year 2025 in the subject Art - History of Art, , language: English, abstract: This study is the result of almost seven years of doctoral studies that tried to unveil a connection between the way we interpret the common elements of the literary text and the visual representation. More specifically, the question that guided my entire research stage was if we can interpret a specific theme, such as that of exoticism in the Romantic period, though the system of symbols common to the two arts: literature and painting. 136 pp. Englisch.