Published by Gimpel & Hanover Galerie, Zurich, 1972
Seller: RogerCoyBooks, Fort Lauderdale, FL, U.S.A.
Paperback. Condition: Used: Very Good. no marks, clean and tight.
Published by Gimpel & Hanover Galerie, Zurich, 1972
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Wrappers. Condition: Near Fine. 16 pages. Slim exhibition brochure/catalogue. Texts in German and English. There are some stains on the otherwise blank last page with faint shelfwear rubbing to the edges and covers. Else, the binding is tight, the interior otherwise clean and clear of other markings. Staple-bound with stiff illustrated paper covers and published on the occasion of the exhibition held from January 15-February 19, 1972.
Published by Galerie Isy Brachot, 1989
Seller: Randall's Books, Cathedral City, CA, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. Galerie Isy Brachot, Paris 1989. Large softcover, 1st edition, 72 pages; In French with essays in English and German. Many large color plates, also black & white. Includes a section on the artist's sculpture, created in the last year of his life. Published in conjunction with Isy Brachot exhibitions of Magritte's work in Basel (Bale), Switzerland, and Paris, June and September 1989. Near fine, very light sunning to edges of wraps.
Published by Alexandre Iolas, Paris and New York, 1968
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Softcover. Features text by Alexandre Iolas in English and French. Includes numerous color and black and white illustrations. A close to near fine copy in wrappers with some light wear but internally a clean copy. A nicely printed and designed catalog.
Published by Alexandre Iolas, 1965
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Feb. 16 (Sale item)* 28 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Published by Alexander Iolas, 1970
Seller: Moe's Books, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very good. No jacket. Covers lightly rubbed, very slightly tanned from age. Very good condition overall.
Published by Alexandre Iolas Gallery, Paris, 1973
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Wrappers. Condition: Very Good. 56 pages. Paperback exhibition catalogue. The only text are captions for each artwork, but this text is in French. Sun darkening to the spine with some mild soiling to the covers, including a small brown stain to the top edge of the front cover. But the binding is tight, the interior clear of markings. Handsomely produced with color illustrations. Book.
Soft cover. Condition: Very Good. alexander iolas gallery paperback 26 pages of art no date orange covers brown eps, STaples a little rusty otherwise covers and inside in VERY GOOD CLEAN TIGHT READING ORDER LIKE NEW. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request.
Published by New York/Paris/Genève, 1965
Seller: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(38)pp. Prof. illus. Sm. 4to. Wraps. Loosely inserted: (8)-pp. booklet: "Oeuvres exposées.".
Published by Alexander Iolas [Paris], [France], 1968
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[40] pp.; 22.3 x 17.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the eight sculptures of Magritte, conceived of and sculpted in wax before he died, and cast in bronze posthumously. Introduction by Alexander Iolas, in English and French. Very Good. Light rubbing of cover edges and spine with 5 mm. surface tear to top edge of spine. Contents otherwise clean and unmarked.
Softcover. Cherry red matte wraps with yellow orange lettering and French flaps. [40] with duotone images throughout. Text in French and English. Catalogue from the gallery show of 1968. The 8 bronzes were executed in wax in Verona, and Magritte signed off on the waxes, from which molds and the eventual bronzes were made. Magritte never saw the actual bronze sculptures, as he died before they were completed. He died in August 1967, and the first two bronzes came out of the foundry in November. The sculptures included are: La Joconde, Madame Recamier, La Folie des Grandeurs, Le Puits de Verite, Le Therapeute, Les Graces Naturelles, La Race Blanche, and Les Travaux d'Alexandre. Each work is pictured in both study-drawings and the final piece. VG- internally with a gift inscription to former owner; spine rubbed at edges; covers age-toned along front spine.
Published by Milano, Sergio Tosi 1968 - I, Milano, 1968
Seller: Amarcord libri, Sesto San Giovanni, MI, Italy
Condition: Buono (Good). Alexandre Iolas Alexandre Iolas. Magritte. Milano, Sergio Tosi 1968 - I multilingual, in ottavo pp. non numerate Catalogo di sculture di Magritte. Copertina brossurata con sovraccoperta. Pagine ingiallite. Copertina usurata ad angoli, bordi e dorso. Dorso ingiallito. Testo in francese e italiano. . Book.
PB(Trade). Condition: Good. Dust Jacket Condition: No Dust Jacket. Cover has browning at top front; None.
Published by Galerie Alexandre Iolas, 1968
Seller: Librairie chemin des arts, PARIS, France
Couverture souple. Condition: Très bon.
Published by Hanover Gallery, 1968
Seller: Librairie chemin des arts, PARIS, France
Couverture souple. Condition: Très bon. Leporello .
Published by Alexandre Iolas, New York, Paris, Geneva, Milan, 1968
Seller: art longwood books, Gloucester, MA, U.S.A.
First Edition
Soft Cover. Condition: Near Fine. First Edition - Limited. soft cover, folded card covers. no flaws or wear. clean. no markings of any type. tight sewn binding. a well preserved copy.; number 346 from the edition of 800 copies printed., french text. unpaginated. illustrated throughout with drawings from brauner's sketchbook(s). nicely printed. small reference section at back of book. Size: 8vo - over 7¾" - 9¾" tall. Exhibition Catalogue.
Published by Sergio Tosi S.D., MILANO
ISBN 13: 2568912743333
Seller: Biblioteca di Babele, Tarquinia, VT, Italy
Condition: BUONO USATO. INTERLINGUE Coperta in cartoncino muta con sovraccoperta con alette, in cartoncino, con titolo in bianco solo in copertina, scolorita al dorso e con leggere abrasioni sparse. Pagine in buono stato, su carta lucida, con testo introduttivo in francese ed italiano seguito dalla riproduzione delle 8 sculture dell'artista belga. Pagine non numerate.
Published by Zürich: Gimpel & Hanover Galerie, 1972, 1972
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
First Edition
Soft cover. Condition: Very Good. 1st Edition. Sm.8° - unpaginated - B/w reproductions. Published as exhibition Catalogue: René Magritte (1898 1967) Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art. Text in German and English. Original wrappers. In very good condition.
Dos carré collé. In-8 (17,3 x 22,4 cm), dos carré collé, non paginé, sans date, introduction en français et en italien, photographies et dessins monochromes ; petite marque d'usage au mors supérieur, bords des pages légèrement jaunis, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
0. 8°, quer 12 Seiten, illustr. engl. brosch. Kleiner Stempel innen, sauber und schön erhalten! Sprache: Deutschutsch 0,350 gr.
Published by Alexandre Iolas, 1964
Seller: Moe's Books, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very good. No jacket. In French. Limited edition of 800 copies printed. Copy #515. Cover is slightly yellowed around edges. Spine is slightly creased, but binding is tight. Pages are lightly tanned, but otherwise clean and unmarked.
Language: French
Published by Galerie Alexandre Iolas, 1973
Seller: ralfs-buecherkiste, Herzfelde, MOL, Germany
Condition: Gut. Gebraucht; gut. Leichte Gebrauchsspuren, Schutzumschlag/Einband etwas berieben und bestoßen, Papier etwas gebräunt. In franz. u. italienisch 200743459 Sprache: Französisch Gewicht in Gramm: 750 Taschenbuch, Maße: 10 cm x 10 cm x 15 cm.
New York. Alexander Iolas in collaboration with Dwan Gallery. MARTIAL RAYSSE. 8 pages, 2 b&w illustrations. 8vo, stapled wraps. 1964.
Published by [Athens] : Galerie T. Zoumboulakis, 1974
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Soft cover. Condition: Very Good. Catalogue of the first exhibition of Takis in the Galerie Tassos Zoumboulakis in October 1974. Each text is printed in its own language and in Greek translation. The catalogue was designed by P.Z. Description: 79 pages, 2 unnumbered leaves of plates : illustrations, 2 colour plates, portraits ; 24 cm.
Language: French
Published by New York [u.a.] : Alexandre Iolas, [1967]., 1967
Seller: Licus Media, Utting a. Ammersee, Germany
kart. Condition: Gut. fr. 1 vol. (dépliant de [12] p.) : tout en ill. ; 23 cm In French language. 4 pages of text followed by an leporello style fold-out plate printed in sepia measuring. In good to very good condition. + + + In französischer Sprache. Broschiert, klammergeheftet mit sich anschließendem Leorello. Einband an wenigen Stellen etwas unfrisch, sonst sauber und wohlk erhalten. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Französisch Gewicht in Gramm: 220.
Published by Sergio Tosi Editore, Torino, 1968
Seller: Libreria Utopia Pratica, Torino, TO, Italy
First Edition
MORBIDA. Condition: OTTIME CONDIZIONI. Prima edizione. Alexandre Iolas - Mattiacci Sergio Tosi Editore Prima edizione 1968 Catalogo molto raro dell'opera di Mattiacci, in ottime condizioni, minimi segni del tempo. Non esitate a contattarci per altre foto o richieste. Libri.
Published by Alexandre Iolas Editeur, Paris / Milan, 1972
Softcover. plain white wraps w/ textured, light cream jacket, red printed. approx 42 unpaginated pgs w/ bw & color plates. Front endpaper and title page have a few scattered brown pen-like or stain marks. Remains tightly bound. Includes 25 illustrations, 3 being color. This is Copy 131 of 600 and remains Unsigned by either artist. VG-/Good+ (wraps have light scuffs, scratches; instances of light speckled staining. upper corners bumped & creaesed w/ light curl to upper pg corners. spine ends bumped. jacket scuffed & scratched; light pencil-like marks to lower front; smudge of foxing to front edge; upper corners lightly creased; spine ends bump w/ top having small, speckled staining).
Language: German
Published by Paris u.a., Iolas, 1965
Seller: Antiquariat Weinek, Salzburg, Austria
o. Pag. [19 Bll.] OBrosch. m. OSch. In franz. und engl. Sprache. Beiliegend: Eintrittskarten und Preisliste zur Ausstellung sowie das eingebunden Essay "Une Aventure Prométhéenne aus Service d'une Intuition Cosmique". - Angestaubt, leichte Gbrsp.
Published by Alexandre Iolas, Paris, 1967
Seller: Antonio Pennasilico, Carpiano, MI, Italy
Stampato in 800 copie numerate, nostra copia n° 570, brossura, copertina con alette, formato 17x22, pagine nn, illustrato in nero, ottime condizioni - 12514.
Published by The Artist / Expo 1969 - Galerie Alexandre Iolas, Paris, 1969
Seller: Michael Laird Rare Books LLC, Lockhart, TX, U.S.A.
Signed
Condition: Fair. Original photograph (243 x 167), horizontal crease through center, some wrinkling, impressions of handwriting vision on emulsion (see below). APPARENTLY UNPUBLISHED IMAGE, DEPICTING THE INTERIOR OF THE GALLERY ALEXANDRE IOLAS IN 1969, ONE OF THE VERY FIRST PROJECTIONS OF RAYSSE'S ICONIC "FORME EN LIBERTE." THIS HIGHLY RECOGNIZABLE SHAPE BECOME INEXTRICABLY LINKED WITH THE WORK OF THIS EARLY POP ARTIST. SIGNED ON THE VERSO IN PENCIL BY THE ARTIST, AND WITH HIS IDENTIFICATION OF THE PHOTOGRAPH IN FELT-TIP PEN. Raysse obsessively explored the iconic "Forme en liberte" head and shoulders / keyhole design, repeating it in many different media including commercial design, for which he created the eau de toilette "Democratie Pour Homme" (1970) and thus anticipating Warhol's consumer products. This design represents a significant period in Raysse's career when he was experimenting with new materials and techniques, including this "magic lantern" projection. In our photograph, not only can the projection of the "Forme en Liberte" be seen (on the ceiling) but the projector itself (on the lower left). There is an example of the projector at the Centre Pompidou and also at the Museum of Modern and Contemporary Art in Geneva. The present photograph was taken at the Galerie Alexandre Iolas Paris and is datable to September-October 1969. The work was first shown earlier in 1969 at the Galerie Der Spiegel de Cologne. Pop artist Martial Raysse (b. 1936) is well represented in major museums worldwide, but his photographic work is not. He was a co-signatory of the Manifesto of New Realism in 1960. Famous for his colorful female figures from classic paintings, he also painted stereotyped faces of women borrowed from advertising from the early 1960s. Over time his representations of faces became more and more simplified until they became archetypes, as here. The "Forme en Liberte" verges on structuralism, seeking a root common to all men and women. Concerning the present work, the artist stated that "I wanted to create through art a prototype that could be reproduced in thousands of copies, a kind of visual standard. That's why I took the shape out of its support, that's why I'm looking for other materials, less expensive than neon or plastic. A work is not something beautiful to look at - it is of no interest - its value is to be a school of thought. [.] I thus imagined a whole system of cut shapes, placed in front of a variable objective. The public will no longer need to have this form, it will simply grasp the idea." (Martial Raysse, cited by Lydie Brown, 1971).