Introduction Quentin Bell (30 results)

Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. All orders ship by next business day! This is a used book. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. We are a small company and very thankful for your business!

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Good. Good condition with wear and markings.

Hardcover. Condition: Book fine, Dust jacket fine. Illus. With Photos (illustrator). 1st.

Paperback. Condition: Very Good. Publisher: Pimlico, London, 1997. First Softcover Edition, First Printing. FINE- softcover book in pictorial/illustrated wraps, as issued. A previous owner's gift inscription on the first page. Not remainder marked. Not a book club edition. Not an ex-library copy.

Paperback. Condition: New. In shrink wrap.

Soft cover. Condition: Good. London: Chatto & Windus/ The Hogarth Press, 1983. Soft cover. 61 p; photos. Good: the cover has faded along the spine and edges; the edges are tanned, as are the edges of the endpapers; the flyleaf has a small missing bit at the lower corner, and there is a faint watermark underneath this on the title page. Internally it is good. With an introduction by Quentin Bell, this is the tale of a 1910 hoax where friends including Virginia Woolf pretended to be the Emperor of Abyssinia and entourage and paid a ceremonial visit to the Royall Navy. The details and the Navy's revenge are very entertaining.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. A bright copy.

Soft cover. Condition: Good. Dust Jacket Condition: No Jacket as issued. 1st Edition. First printing in this paperback format. Not to be confused with the 1990 hardback limited edition although the content is the same with illustrations and list of variants as between the first English and American editions. Some foxing to the preliminary pages and edges otherwise a good copy.

paperback, 61pp, clean and tight, no inscriptions, corners slightly rubbed, spine not creased, Very Good condition. ISBN: 0701127473.

Paperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Paperback. Condition: Very Good Plus. Soft cover. 38 pages. Flat covers. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner, securely boxed in cardboard. ref C559. The Word and The Image VII: Bloomsbury Group. Exhibition Catalogue. Introduction by Quentin Bell. Published in 1976 by National Book League; The Hogarth Press, London.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Stated 1St Edition. Volume 1 Only! Clean And Square. No Interior Markings. But Black Marker Very Close To The Spine On The Top Of The Page Block Edges. Back Hinge Has Began To Crack. Dust Jacket Now In Protective Mylar Has Little Shelf Wear And Small Bumps. Front Flap Had A Crease To It And A Crease Near The Unclipped Price. Email For Pictures.

Cloth. Condition: Very Good. Dust Jacket Condition: Good. Gertler, Mark; Rutherston, Albert (illustrator). First Edition. First edition. 271 pp. Publisher's full cloth in dust jacket. With 25 full-page illustrations in black and whiteJacket edgeworn with some darkening to rear cover. Internally clean. 8vo. Illustrated.

Hardcover. Reprint. Octavo, 356 pages. In Very Good condition with a Very Good dust jacket. Spine blue with black lettering. Dust jacket protected with mylar covering, price clipped. Small bump to top edge of front board. Slight scuffing to top edge of text block. Interior pages clean. Shelved Literary Criticism. 1402057. Shelved Dupont Bookstore.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. First Edition, First Printing. Octavo, 356 pages. In Very Good condition with a Very Good dust jacket. Spine blue with black lettering. Dust jacket protected with mylar covering, price clipped. Slight wear to head of spine. Slight scuffing to edges of text block. Interior pages clean. Shelved Case 4. 1402050. Shelved Dupont Bookstore.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Mark Gertler (illustrator). First Edition. First impression of the true first edition. Illustrated with 24 full-page monochrome plates. Introduction on Mark Gertler's work as an artist by Quentin Bell. ***A very good copy in a variant binding - turquoise cloth-covered boards (rather than brown) with gilt titles to the spine. Please note that the boards have some light staining marks to the cloth. No bumps, creases or tears. No reading lean. Spine tight. Internally near fine with no inscriptions. Pages clean. No creases or tears. ***In a very good colour-illustrated dustwrapper which has not been price-clipped, retaining the original publisher's printed price of 63s net. The dustwrapper is complete, with no significant chips or tears, but please note there is some loss along the top edge where the dustwrapper is not laminated. Edges of dustwrapper also rubbed, nicked and creased. Virtually no fading to the spine of the dustwrapper, which is unusual for this book. Dustwrapper bright. ***242mm x162mm. 271 pages including a Select Bibliography, Index of Correspondents, and detailed Index at the back of the book. ***'Mark Gertler (9 Dec 1891 - 23 Jun 1939), born Marks Gertler, was a British painter of figure subjects, portraits and still-life. His early life and his relationship with Dora Carrington were the inspiration for Gilbert Cannan's novel "Mendel". The characters of Loerke in D. H. Lawrence's "Women in Love", and Gombauld in Aldous Huxley's "Crome Yellow" were based on him. During his time at the Slade, Gertler met the painter Dora Carrington, whom he pursued relentlessly for many years. His obsessive love for Carrington is detailed in his published letters.' (Wiki) ***'Mark Gertler was born of Polish parents in the poorest of East London homes. Between the two wars he achieved considerable success and fame as an artist, but overwork and ill-health led him to a tragic death in 1939. His letters reveal an almost fanatical devotion to his art, and an attitude to it alternating between exaltation and despair. Most of those were written to "Carrington", as she was always called, who had been a fellow-student at the Slade and with whom his love affair lasted some years. Integrity of character as much as personal charm won him the friendship of a group of writers and intellectuals which at various times included Eddie Marsh, Lytton Strachey, D. H. Lawrence, Middleton Murry, Katherine Mansfield and S. S. Koteliansky. Many of his letters were written from Garsington Manor and give an intimate picture of Lady Ottoline Morrell's Garsington circle. Among his early friends was Gilbert Cannan, who made Gertler and his affair with Carrington the subject of "Mendel", a novel of London's Bohemia that caused great outcry at the time. This, his tortured relationship with Carrington, his self-examination as an artist, his aims and doubts, his friendships and dislikes are unselfconsciously revealed in this selection of his letters (which have been arranged by Carrington's brother). It is a valuable first-hand account of the mind of an artist, a way of life and of a society. The book is illustrated with examples of Gertler's painting--particularly those of which the artist's own conception is revealed in the letters--and Professor Quentin Bell has contributed an introduction assessing Mark Gertler as an artist.' (Quote taken from the front flap of the dustwrapper) ***A first impression of the true first edition, complete in its original dustwrapper, profusely illustrated. A very good reading copy of this first edition, of interest to enthusiasts of the writing and artwork of the Bloomsbury Group, and in particular the artists Mark Gertler and Dora Carrington. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Papered Boards. Condition: Very Good. Dust Jacket Condition: Good. First Edition. 24 cm, xxviii, 356 pp, d/w - 3.5 cm closed tear to front, neatly mended at verso with archival tape. VG in good d/w. A heavy book - overseas buyers please ask regards postage.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First printing in the Definitive Collected Edition. Limited to 1000 numbered copies, this being number 332. Some faint oxidation marks to the pastedowns otherwise virtually as new in slightly marked unclipped dustwrapper.

Hardcover. First American Edition, Mixed Printings. Octavos, Five Volumes. In Very Good condition with Very Good dust jackets. Spines green, dark blue, red, blue, and gray, respectively, with white lettering. Dust jackets protected with plastic sleeves, prices uncut. Rubbing and wear along edges of dust jackets. Light age toning to dust jackets. General shelf wear to boards. Bookplates to front pastedowns in Volumes I & II. Light penciling scattered throughout Volume I. Light penciling to rear free endpaper in Volume II. Mild tearing to front pastedown in Volume IV. Shelved above Lit Crit. Volumes I-II & IV-V First American Editions, First Printing. Volume III First American Edition, Second Printing. 1402171. Shelved Dupont Bookstore.

Printed wrappers. Advance Proof Copy. Nice copy.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Mark Gertler (illustrator). First Edition. First impression of the true first edition. Illustrated with 24 full-page monochrome plates. Introduction on Mark Gertler's work as an artist by Quentin Bell. ***Near fine in brown cloth-covered boards with gilt titles to the spine. The boards are clean and unmarked. Head and tail of spine slightly creased. Corners sharp. No bumps or tears to the cloth. Slight reading lean. Spine tight. Top edge of page block stained dark-brown by the publisher to match the boards. Internally also near fine with no inscriptions. Pages clean. No creases or tears. ***In a very good colour-illustrated dustwrapper which has not been price-clipped, retaining the original publisher's printed price of 63s net. The dustwrapper is complete, with no chips or tears. just some very slight loss at the extremities, mainly at the top of the spine and corner tips. Edges of dustwrapper slightly rubbed, nicked and creased. Virtually no fading to the spine of the dustwrapper, which is unusual for this book. Dustwrapper bright. ***242mm x162mm. 271 pages including a Select Bibliography, Index of Correspondents, and detailed Index at the back of the book. ***'Mark Gertler (9 Dec 1891 - 23 Jun 1939), born Marks Gertler, was a British painter of figure subjects, portraits and still-life. His early life and his relationship with Dora Carrington were the inspiration for Gilbert Cannan's novel "Mendel". The characters of Loerke in D. H. Lawrence's "Women in Love", and Gombauld in Aldous Huxley's "Crome Yellow" were based on him. During his time at the Slade, Gertler met the painter Dora Carrington, whom he pursued relentlessly for many years. His obsessive love for Carrington is detailed in his published letters.' (Wiki) ***'Mark Gertler was born of Polish parents in the poorest of East London homes. Between the two wars he achieved considerable success and fame as an artist, but overwork and ill-health led him to a tragic death in 1939. His letters reveal an almost fanatical devotion to his art, and an attitude to it alternating between exaltation and despair. Most of those were written to "Carrington", as she was always called, who had been a fellow-student at the Slade and with whom his love affair lasted some years. Integrity of character as much as personal charm won him the friendship of a group of writers and intellectuals which at various times included Eddie Marsh, Lytton Strachey, D. H. Lawrence, Middleton Murry, Katherine Mansfield and S. S. Koteliansky. Many of his letters were written from Garsington Manor and give an intimate picture of Lady Ottoline Morrell's Garsington circle. Among his early friends was Gilbert Cannan, who made Gertler and his affair with Carrington the subject of "Mendel", a novel of London's Bohemia that caused great outcry at the time. This, his tortured relationship with Carrington, his self-examination as an artist, his aims and doubts, his friendships and dislikes are unselfconsciously revealed in this selection of his letters (which have been arranged by Carrington's brother). It is a valuable first-hand account of the mind of an artist, a way of life and of a society. The book is illustrated with examples of Gertler's painting--particularly those of which the artist's own conception is revealed in the letters--and Professor Quentin Bell has contributed an introduction assessing Mark Gertler as an artist.' (Quote taken from the front flap of the dustwrapper) ***A first impression of the true first edition, complete in its original dustwrapper, profusely illustrated, and in nice collectable condition. Of interest to collectors and readers of the members of the Bloomsbury Group, and in particular the artists Mark Gertler and Dora Carrington. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Hard. Condition: Very Good. Dust Jacket Condition: Good. Volumes 1-5 of the diaries of Virginia Woolf. Pages clean and bright, previous owner inscription on front pastedown and endpaper of volume 1, bindings firm, shelf wear to boards of some volumes, dust jacket of vol. 1 price clipped, 3 tape repairs to closed tears on jackets, shelf wear to jackets with some chipping to edges. Please inquire for photos of condition Size: 8vo. Diaries.

[Literary Diaries] COMPLETE FIRST US EDITIONS. Five volumes. Octavo (24 x 16 x 16cm), pp.xxviii; 356; pp.xii; 371 [1]; pp.xiv; 384 [2]; pp.xiv; 402; pp.xiv; 402. Sketch-maps to endpapers of all volumes except I. Publisher's black cloth with gilt titles to spines and gilt device to upper boards. With the typographic dust-jackets in various colours, priced between $12.95 and $19.95. Each volume except the final one with a black ink gift inscription to the front fly-leaf. Spotting to top edges, otherwise internally clean. All jackets price-clipped, otherwise bright, with a little edge wear. Very good.