Introduction Margery Mann (28 results)

Condition: Good. Profusely Illustrated (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Fair. No Jacket. Profusely Illustrated (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Profusely Illustrated (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. Profusely Illustrated (illustrator). 1st Edition. Very nice copy, clean inside and out.

Paperback. Condition: Very Good. Profusely Illustrated (illustrator). Softcover. Good binding and cover. Toning to edges. Pages unmarked.

Softcover. Condition: Fine. Profusely Illustrated (illustrator). This book was published in conjunction with an exhibition shown at the Henry Art Gallery, University of Washington March 23-April 21, 1974. Includes 2-page bibliography and 2-page chronological list of Cunningham's exhibitions, up to 1974. 110 pages.

paperback. Condition: Good. Profusely Illustrated (illustrator). Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Wraps. Condition: Very Good. Profusely Illustrated (illustrator). Third printing. Index of Art in the Pacific Northwest, Number 7. 4to, 110 pp., b/w plates.Wrappers sunned and handled, light soiling to page edges and first and last leaves.

Paperback. Condition: Near Fine. Profusely Illustrated (illustrator). Second printing. 110 pages; 8 x 11" Introduction by Margery Mann. Gift inscription inked on title page; very light wear along cover edges and corners.

paperback. Condition: Very Good. Profusely Illustrated (illustrator). First Edition. Unread. No markings in book. Binding is fine. 112pp.

Soft cover. Condition: Very Good -. Profusely Illustrated (illustrator). Exhibition catalogue published in connection with an exhibition at the Henry Art Gallery, March 23-April 21, 1974. Index of Art in the Pacific Northwest, Number 7. Introduction by Margery Mann. White pictorial glossy wraps. 112 pages filled with B&W photos. 4to - over 9¾ - 12" tall. Minor wear & slight creasing at upper edge with slight damage to top of some pages.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Illustrated by Imogen Cunningham (illustrator). 2nd Printing. B&W Photographs; This book is in Very Good+ condition and has a Very Good+ dust jacket. The book and its contents are in clean, bright condition. The text pages are clean and bright. The reverse of the front endpaper has a previous owner's inked gift notation. The price clipped dust jacket is in clean, crisp condition. This book includes an introduction by Margery Mann. "Imogen Cunningham took her first photograph in Seattle in 1901, following instructions which she obtained from the International Correspondence School. She learned commercial platinum printing in the studio of Edward Curtis and then studies in Europe on a scholarship. For a time she had her own portrait studio in Seattle, later moving to Oakland." (from Wikipedia) ; Vol. 7.

Paperback. Condition: Very Good. First Edition. 4to., b&w illustrations with annotations, [150] pp. Bumped/rubbed wraps, spine creased, bright unmarked interior. ; Well packaged in a box, ships with tracking.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Second Printing. Seattle: University of Washington Press, 1974. Hardcover. Collection published in honor of Cunningham's 90th birthday. Price clipped; dust jacket lightly soiled with some age toning. Very Good.

Fine and bright tall glossy stiff wraps with strong spine and clean text throughout. Wonderful portraits by the Western photographer crossing a long chronology of her career with landscapes and portraits.

Condition: Very Good. Softcover. Introduction by Margery Mann. A retrospective look at Cunningham's long career. Includes many of her best images. B&w images throughout. A clean copy in wrappers. Record # 375400.

paperback. Condition: Very Good. Profusely Illustrated (illustrator). First Paperback Edition. Publisher: Univ. of Washington Press, Seattle, 1974. NEAR FINE+ softcover in illustrated/pictorial wraps, as issued. Diagonal crease on bottom right corner of front cover, otherwise as new. First Softcover Edition, First Printing.

paperback. Condition: Good. Profusely Illustrated (illustrator).

Paper. Profusely Illustrated (illustrator). First Paper Edition. Very handsome over 100pg. catalog published in conj. with an exhibition of Cunningham's lovely photographs. Includes many of her portraits. Tiny spot on the top of the front edge. Light discoloration to the white covers. Near fine. Book.

Condition: Good. No Jacket. Hardcover: 10.75 x 8.75 x .75 in., Front and back cover: missing dust jacket, slight discoloration on spine, overall good condition; Pages: front endpaper has visible glue marks covering entire page; otherwise pages in very good condition; Overall good condition.

First Edition, Second Printing, 1971. A Fine hardcover copy in snow-white and jet-black cloth covered boards, in a Near Fine glossy white dustwrapper, not price-clipped, with a bit of mild spotting to one edge of the front panel. A 20 pages introd uction followed by a comprehensive selection of 94 of Cunningham's black and white photographic images.

Soft cover. Condition: Very Good. Profusely Illustrated (illustrator). Glossy stiff paper boards, clean, bright, lightly age darkened at top front and back, tips slightly worn, edges light shelf wear. Binding tight. Pages clean, unmarked. Flat signed by Imogen Cunningham in lack ink on full title page under subtitle. No other markings or stickers. Signed by Author(s).

paperback. Condition: New. Profusely Illustrated (illustrator). In shrink wrap. Looks like an interesting title!

Paperback. Condition: Near Fine. 1st. 110 pages, illustrations; 29 cm. Index of Art in the Pacific Northwest Series, no. 7. Published in connection with an exhibition shown at the Henry Art Gallery, University of Washington, March 23 to April 21, 1974. PRESENTATION COPY. Signed by the photographer Imogen Cunningham in the year of publication, with a personalized inscription. Age toning. *** CONTENTS: I. Early years in Washington, 1910-1915; II. Northern California portraits, 1921-1936; III. Artists, actors, writers, 1923-1940; IV. Plants, 1923-1946; V. Later portraits, 1953-1973; VI. Heads, legs, hands, 1965-1973. Size: 4to. SIGNED. Collectible.

Hardcover. Condition: Very Good +. Dust Jacket Condition: Very Good. First edition. SIGNED. Unpaginated. Quarto [28cm]. 1/4 white paper with black boards. Title stamped in black ink on spine. Spine just a touch rolled. Head of boards sunned. Dust jacket is a bit toned and soiled. Signed by Imogen Cunningham on the title page. Cunningham was a highly awarded photographer primarily known for her shots of urban landscapes, nudes and nature photography. This book represents the first full-length treatment of her work, presenting 94 of her finest photographs, dating from 1901-1970.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Imogen Cunningham (illustrator). 1st Edition. 1st. Edition 1970 , Black cloth hardcover with the dust jacket, unpaginated . With 94 black & white full page plates by Ms. Cunningham, this copy is inscriber and signed by her on the title page. Condition : Fine , with very light edge foxing . DJ is Very Good with light rubs and a very small tear at the top corner Size: 4to - over 9¾ - 12" tall. Signed By Photographer. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First Printing. A Fine copy in white and black canvas cloth, in a Fine glossy white dustwrapper, not price-clipped. Unpaginated. 94 black and white photographic plates. This copy SIGNED (no inscription) by Cunningham directly on the title page. Q14630.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Imogen Cunningham (illustrator). 1st Edition. First Edition (NAP; University Of Washington Press= NAP). Signed and inscribed by Imogen Cunningham to artist and photographer Ann Parker (her work is included in the collections of the Whitney Museum, The Metropolitan Museum of Art, and the Getty Museum) and her husband the artist and writer, Avon Neal. There's also a separate signed letter to Ms. Parker on Ms. Cunningham's stationary (see photo). The letter of thanks is unusual. Reference video of Ms. Cunningham telling Johnny Carson that she had come on his show to 'thank those who I never answered, this is going to thank them and tell them that I'm not going to answer.' In the letter she writes: 'By now you will understand what kind of a responder I am-- deviled to death and I have not thanked you for the beautiful shot done in Mexico,' You can see the textured black & white covers in the photos. They're exceptionally clean. The black lettering on the spine is nicely bright. The cover edges and corners are in very solid shape, no rubbing. The page edges look very good. The book is square and the spine is straight. The binding is very solid from cover to cover with nicely tight pages throughout and nicely tight covers as well. The interior of the book is in excellent condition. The inside covers and end papers are a textured light gray. They look very good, no soiling. The pages are exceptionally clean. There are two tiny, light tan spots on the half-title page. There is one tiny gray spot off the middle edge of one page, far from her photograph. I didn't find any other soiling (if you would even call either of those soiling) on any of the other pages. The pages are also free of any conspicuous wear. I didn't find any turned-down corners or placeholder creases. There is a tiny (1/4 inch), light crinkle off the top edge of the first seven pages. There are no tears on any of the book's pages. There are no markings in the book. There are no attachments of any kind. And Imogen Cunningham's signed inscription represents the only writing be found anywhere. The photographs are all in excellent condition. Her talent is on display throughout. Here are some of her subjects: Cary Grant, Joseph Sheridan, the Bruton Sisters, Marian Simpson, Upton Sinclair, Rebecca Hume, Amedee Ozenfant, Helena Mayer, Herbert Hoover, Gertrude Stein, Shen Yao, Lyonell Feininger, Morris Graves, David Park, Merce Cunningham, Ruth Asawa, Theodore Roethke, Anna Freud, Man Ray, August Sander, John Roeder, and Wynn Bullock. The Introduction by the photographer and critic Margery Mann runs twenty pages. The dust jacket presents nicely. I've had it in a fitted protective cover for all the years that I have owned the book. There is some toning at some of the edges, particularly on the rear cover adjacent to the top edge and the spine. The spine itself does not appear to be toned. There are also a few darkish spots. two off the top edge of the rear cover. There is a small (3/8th") tear off the top edge of the spine and one other small, thin tear (1/4") off the rear top edge. The large flaps look pretty much perfect, no soiling, no wear of any kind. The jacket is NOT price-clipped, not clipped at all. From the dust jacket: 'This book, the first full-length treatment of Imogen Cunningham's work, presents ninety-four of her finest photographs, dating from 1901 to 1970. Although she has photographed a variety of subjects, she is best known for her studies of individual plants and for her portraits. A portrait photographer, as she says, must be 'hung up on people,' and Margery Mann's warm and uninhibited Introduction shows this gifted artist as a woman of tremendous charm and unquenchable spirits. With Edward Weston, Ansell Adams, Paul Strand, and other photographers living in the San Francisco area she helped to change the direction of West Coast photography. The famous f/64 Group, which they founded, was dedicated to the honest, sharply defined image, rejecting the furry, soft-focus 'pictorialism' then in vogue.'. Inscribed by Author(s).