Published by Hungerford Press, 1960
Seller: HPB-Diamond, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Published by Hungerford Press
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Published by Gramercy Publishing Company, New York, NY, 1981
ISBN 10: 0517354403 ISBN 13: 9780517354407
Language: English
Seller: Russian Hill Bookstore, San Francisco, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 272 pages, 8vo. Jacket price clipped. Shelfwear to DJ: scuffing along edges and covers, heavy creasing on front inside flap, a few small tears along edges. DJ in mylar. Tanned page leafs. Tight binding, no marks. Volume is in Very Good condition.
Published by Simon And Schuster, New York, 1960
Language: English
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 260 Pp. Gray Cloth Spine, Yellow Boards. First Printing Stated. Near Fine In Near Fine Dust Jacket, Price Clipped.
Published by Doubleday, New York, 1946
Language: English
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
First Edition
Hardcover. Condition: Very Good +. No Jacket. Watercolors By Guy Huze, Line Drawings By William M. Kay (illustrator). 1st Edition. 272 Pp. Tan Cloth Stamped In Brown And Green, First Edition Stated. Light Wear, Hinges Tight, No Marks.
Published by Doubleday & Company, Inc., 1946
ISBN 10: 1126031348 ISBN 13: 9781126031345
Language: English
Seller: Griffin Books, Stamford, CT, U.S.A.
Hardcover. Condition: Very Good. Huze, Guy (illustrator); Kay, William F. M. (illustrator); Over 20 Color & B/w Illustrations; Decorative Title Page (in Brown) (illustrator). 1946 Doubleday stated first edition in price intact jacket chipped at the head of the spine, now in mylar. Contemporary gift note Christmas 1946 to flyleaf, otherwise tight and unmarked.F32 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.
Small 8vo.; illustrated cloth covered boards, hardcover; 272 pages; black and white and color illustrations; very lightly edge-rubbed boards else very good clean, tight copy.
Published by The Ballet Theatre, New York, 1940
Seller: Le Bookiniste, ABAA-ILAB-IOBA, Hopewell, NJ, U.S.A.
First Edition
First Edition, First Printing. Quarto (12 3/8 x 8 7/8 inches; 313 x 225 mm), [32] pages, in stapled pictorial wrappers (soft cover).Scarce program for the first season of the company that is now known as American Ballet Theatre. The profusely illustrated program for 1940 includes synopses of 17 ballets, profiles of choreographers and dancers, stage designs, and an introduction by Lucius Beebe. Laid in is a single page announcing that The Red Poppy would be performed in place of Etude on April 13 (although this would not have been 1940).Ballets that first year included La Fille Mal Gardée, Giselle, Swan Lake, Les Sylphides, Carnaval, Death and the Maiden, Judgment of Paris, Voices of Spring, Ode to Glory, Peter and the Wolf, and a "ballet play" by William Saroyan called "The Great American Goof." Cover illustration by Nicholas de Molas.In 1939, a group of dancers, choreographers, and producers associated with Russian-born Mikhail Mordkin's ballet company joined together to establish a new dance company they called Ballet Theatre. The company premiered in New York on January 11, 1940, to great critical acclaim. Its repertory included not only 19th-century classical ballets, but also works by living choreographers, including Bronislava Nijinska from Russia, Antony Tudor from England, and Eugene Loring from the United States. Ballet Theatre was renamed American Ballet Theatre in 1957. (Reference: Library of Congress, 2015 exhibition).OCLC shows about a dozen institutional holdings of this program, but it's very scarce in the antiquarian book trade. An excellent, well-illustrated overview of the first year of America's premier ballet company.CONDITION: Soiling to wrappers, a bit of rusting to staples. A Very Good or better copy.
Published by David Kemp, 1934., 1934
Seller: The BookChase, Wiscasset, ME, U.S.A.
First Edition Signed
Hardcover. Condition: Very Good. No Jacket. 1st Edition. First edition (same date on copyright and title pages). NVG/-. Yellow paper over boards (frequently described as yellow cloth, but, in fact, it is paper covering the boards), black lettering. Light soiling on edges, light rubs with paper loss at corners, top front corner bumped (visible in picture). Contents clean throughout, binding and hinges are sound. This copy is SIGNED by Zerbe on the front free endpaper. Very nice copy, lacking jacket. Signed by Author(s).
Boards w/DJ. Condition: G/G. Black & White Photographs (illustrator). New York, NY: David Kemp. G/G. 1934. . Boards w/DJ. Sm 4to., 110 pp., DJ rubbed, frayed, toned and soiled, cover edges rubbed, soiled, corners bumped, page toning .
Published by Privately Printed / Federal Printing Service, N.Y.C., 1937
Seller: The Cary Collection, Bristol, CT, U.S.A.
First Edition
Hardcover. Condition: Fine. No Jacket. 1st Edition. with photographs by Jerome Zerbe and an introduction by Lucius Beebe Federal Printing Service, N.Y.C. [62] pp. 1937 15" x 11" The scarce privately printed photo album of legendary nightclub "El Morocco" documents its many famous members, including Cary Grant, Douglas Fairbanks, Franklin Roosevelt, and other notables This privately printed book has become as elusive as a table at El Morocco was in the 1930s. Folio-size, it is filled with half-tone portraits of the eclectic mix of Park Avenue society, Hollywood celebrity, and European nobility who frequented the club, all in evening wear and posed with the zebra-patterned banquettes as a backdrop. Divine! Those first years of El Morocco were stupendous. There wasn t a celebrity or a socialite who didn t clamor to get in. Evening dress was mandatory, and so large were the crowds that there was often a waiting line a block long to get in. --Jerome Zerbe.