Language: English
Published by Southeastern Center ofr Contemporary Art, 1995
ISBN 10: 0961156066 ISBN 13: 9780961156060
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple bound, 32 pages; fair condition: ex-museum library copy with 1-inch square blank white sticker taped to upper left corner of front cover; library stamp and sticker on inside front cover; no other internal marks. As is; fine reference copy.
Published by Whitney Museum of American Art and Philip Morris, 1998
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple bound, 16 pages; fair condition: ex-museum library copy with two 1-inch square blank white sticker taped to upper left corner of front cover; library sticker on inside front cover; no other internal marks. As is; reference copy.
Language: English
Published by Bulfinch Press / Little Brown, 2001
ISBN 10: 0821227408 ISBN 13: 9780821227404
Seller: Old Scrolls Book Shop, Stanley, NY, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. William Christenberry, Lynn Davis, Terry Evans, Lee Friedlander, Annie Leibovitz, Karen Halverson, Sally Mann, Mary Ellen Mark, Richard Misrach, Hope Sandrow, Fazal Sheikh, William Wegman (photographers) (illustrator). Stated First Edition. Clean hardcover stated First Edition in clean unclipped dust jacket. Rust brown cloth boards with gold lettering on spine; no fraying, no fading, very small bump to bottom board edge near spine. Binding is tight and square, hinges are sound. All pages and edges are clean with clean dark green endpapers. No names, writing or marks. 130 four-color and duotone photographs by great nature photographers such as Annie Leibovitz, Sally Mann, William Wegman, William Christenberry and others who are tops in their field. Foreword by Terry Tempest Williams; Essay by Andy Grundberg. 160 pages. Clean dust jacket is unchipped, not price clipped, one 1" closed edge tear at bottom right flap fold; now enclosed in new archival quality removable mylar cover.
Language: English
Published by Bulfinch Press / Little, Brown and Company, 2001
ISBN 10: 0821227408 ISBN 13: 9780821227404
Seller: Stock & Trade LLC, Portland, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.
Language: English
Published by New York: Gracie Mansion Gallery, 1986
Seller: BOUQUINIST, München, BY, Germany
First Edition
Illustrierte Klappenbroschur. Condition: Wie neu. Erstausgabe. 10 Blatt Seiten mit vielen Abbildungen. 28 x 16,5 cm. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. The process of engaging the community in a dialogue with dominant and public discourses about the issue of homelessness is described in a statement by its founder, Hope Sandrow: "The relevancy of art to a community is exhibited in artworks where the homeless speak directly to the public and in discussion that consider the relationship art has to their lives. The practice of creating art stimulates those living in shelters from a state of malaise to active participation in the artistic process"[4] Aus: en-wikipedia-Protest_art Sprache: Englisch Gewicht in Gramm: 110.
Published by Artists Space New York, NY, 1984
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.
Published by Gracie Mansion Gallery New York, NY, 1990
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Condition: Very Good. Light edge wear. [6] pp.; 22.8 x 15.3 cm.; gatefold; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Three-fold announcement card published in conjunction with show held February 1 - February 24, 1990. Includes text by show curator, Juli Carson. Artists include Judith Barry, Daniel Buren, Kate Ericson and Mel Ziegler, Daniel Faust, Andrea Fraser, Ronald Jones, Silvia Kolbowski, Hope Sandrow, Fred Wilson, and Krzysztof Wodiczko.
Published by Gracie Mansion Gallery New York, NY, 1989
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[1] pp.; 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Press release for the opening of "The Seven Year Itch" at Gracie Mansion Gallery in the East Village featuring the work of Harry Kondoleon, Stephen Lack, Eva Lundsager, Ed McGowin, David Sandlin, Ken Warneke and Rhonda Zwillinger. Press release also announces the gallery will be moving out of the East Village on April 29, 1989 to a new location at 532 Broadway as well as staff changes and the representation of Gary Panter and Louis Sciullo. Artists represented by Gracie Mansion Gallery were (at time of press release): Buster Cleveland, Claudia DeMonte, Rodney Alan Greenblat, Al Hansen, Bruce Houston, Stephen Lack, Gary Panter, David Sandlin, Hope Sandrow, Louis Sciullo and Rhonda Zwillinger. Very Good. Folded in three as issued. Light handling wear and 2.5 cm. bend to upper left corner and additional light edge-wear. 3.4 cm. yellow staining to verso, otherwise clean and unmarked.