Higgins David William (15 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

pictorial hard cover. No Jacket. Wilkinson, Barry; Higgins, Don (illustrator). 1st edition. First edition in this format. 21 cm. Includes Illustrations. 'Davie's wee dog' originally published: as 'Wee Joseph', New York : McGraw-Hill, 1957 ; and as 'Davie's wee dog', London : Bodley Head, 1965. 'Rory the Roebuck' originally published: 1961. 125 pages VG. Very good condition with light shelf wear to covers, creases to title page. No dust jacket.

Paperback. Condition: Good. Glossy paper covers; edges worn; front cover lifts; 8vo - over 7 3/4" to 9 3/4" tall; illustrations in black and white; interior clean and unmarked; 104 pages.

Paperback. Condition: Very Good. 72pp, illustrated, card covers; Octavo; 72 pages.

Hardcover. Condition: Very Good +. Dust Jacket Condition: Near Fine. Simpson, William; Dillon, Steve; Higgins, John; Snejbjerg, Peter; Lloyd, David; Hoffman, Mike; Dillon, Glyn (illustrator). Priority and international shipping will much more than quoted price; this is a large heavy book. Second printing. A clean, tight copy with minor wear. Corners slightly bumped, small smudge on top outer page edges. DJ is preserved in mylar. Interior is unmarked. Collects Hellblazer #41-50, #52-83, and #129-133, as well as Hellblazer Special #1 and the graphic novel Heartland. 1340 pages plus art gallery.

Condition: Good. Dust Jacket Condition: No Dj. 8vo pp. 3 192.previous owners address label on title page, paperback edition. book.

First edition in publisher's original colour photographic card wrap covers (soft back), French flaps, deep navy end papers. 8vo. 8½'' x 5½''. Contains (xii), 179 + i pp. Feint vertical crease line to the front cover and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ANGLING & SPORT FISHING.

20p., 8.5x11 inch staplebound magazine; short stories, illustrations, anti-war content and poetry, spine edge is a bit toned, else very good condition.

[unpaginated]; 24 x 18 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. Hess, Ellen H. Johnson, Max Kozloff, Philip Leider, Annette Michelson, Pierre Restnay, Barbara Rose, Robert Rosenblum, William S. Rubin, William Seitz, Alan Solomon, Leo Steinberg, Calvin Tomkins, Yoshiaki Tono. Features year by year indexing of all exhibitions held in the gallery with dates and installation photographs. Including shows by Richard Artschwager, Lee Bontecou, John Chamberlain, Nassos Daphnis, Edward Higgins, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Larry Poons, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Frank Stella, Cy Twombly, Andy Warhol and others. Warhol's contribution to catalogue is a collage of photographic portraits of included artists. Fine. Covers and contents clean and unmarked. This copy lacking the bellyband.

16 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Real Life Magazine, edited by Thomas Lawson. Contents include: "Steve Gianakos," an interview by Susan Morgan; "Steelmill/Stahlwerk," a review of Richard Serra's film by Lisa Phillips; "Game Show," by Barbara Kruger; "Intelligence and the Desire to Draw: On David Salle," by Valentin Tatransky; "Untitled," four images by James Welling; "Every Picture Tells a Story, Don't it?," Thomas Lawson on the work of William Leavitt and "Dick Higgins and The Something Else Press," by Holly O'Grady. Cover by Steve Gianakos. Good. Significant yellowing, rubbing, and dusting of covers with 7.5 cm. dog-ear and bumping of bottom left corner of verso through to contents. Contents clean and unmarked.

16 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Real Life Magazine, edited by Thomas Lawson. Contents include: "Steve Gianakos," an interview by Susan Morgan; "Steelmill/Stahlwerk," a review of Richard Serra's film by Lisa Phillips; "Game Show," by Barbara Kruger; "Intelligence and the Desire to Draw: On David Salle," by Valentin Tatransky; "Untitled," four images by James Welling; "Every Picture Tells a Story, Don't it?," Thomas Lawson on the work of William Leavitt and "Dick Higgins and The Something Else Press," by Holly O'Grady. Cover by Steve Gianakos. Very Good. Large areas of yellow discoloration of covers. Contents clean and unmarked.

16 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Real Life Magazine, edited by Thomas Lawson. Contents include: "Steve Gianakos," an interview by Susan Morgan; "Steelmill/Stahlwerk," a review of Richard Serra's film by Lisa Phillips; "Game Show," by Barbara Kruger; "Intelligence and the Desire to Draw: On David Salle," by Valentin Tatransky; "Untitled," four images by James Welling; "Every Picture Tells a Story, Don't it?," Thomas Lawson on the work of William Leavitt and "Dick Higgins and The Something Else Press," by Holly O'Grady. Cover by Steve Gianakos. Good / Very Good. Light soiling to covers and yellowing of cover edges, with bumping of top right corner of publication and 7 cm. area of fingerprint soiling on verso. Contents clean and unmarked.

[28] pp.; 27.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. Artists included Anthea Alley, Stephen Antonakos, Hans Arp, Hubert Berke, Jose Bermudez, Ronald Bladen, Lee Bontecou, Harry Bouras, George Brecht, Alberto Burri, Alexander Calder, John Chamberlain, David Chapin, Chryssa, Christo Coetzee, Bruce Conner, Joseph Cornell, Roy De Forest, Sari Dienes, James Dine, Enrico Donati, Tom Doyle, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, William Giles, Charles Ginnever, Mathias Goeritz, Red Grooms, Grover Hendricks, Edward Higgins, Robert Indiana, Paul Jenkins, Jasper Johns, Zoltan Kemeny, Yffe Kimball, Yves Klein, Irving Kriesberg, Bernard Langlais, John Latham, John Little, Hubert Long, Anthony Magar, Robert Mallary, Glen Michaels, Manolo Millares, Renee Miller, Henry Moore, Louise Nevelson, Claes Oldenburg, George Ortman, Alfonso Ossorio, Lil Picard, Arnaldo Pomodoro, Leo Rabkin, Robert Rauschenberg, Irwin Rubin, Salvatore Scarpitta, Kurt Schwitters, Richard Stankiewicz, Takis, Antonio Tapies, Alice Terry, Sofu Teshigahara, Stanley Vanderbeek, Robert Whitman, May Wilson and Wilfred Zogbaum. Includes eight installation images by Rudolph Burckhardt and checklist of the exhibition with prices listed. Very Good. Light rubbing of covers and edges with 7.1 cm. of yellowing to recto. Contents are clean and unmarked.

No Binding. Condition: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.