Henry Moore Sculpture Trust (7 results)

(60)pp. Prof. illus. 4to. Cloth. Edition limited to 1000 copies. Published in conjunction with "New Works Made at the Henry Moore Sculpture Trust Studio,",Halifax, England, Oct. 1991-Feb. 1992 and "New Works Installation at Cornerhouse," Manchester, England, Sept.-Nov. 1991.

Paper Back. Condition: Very Good. 60 pages illustrated. Large format PB. Very good clean paperback with no creases or previous owner's markings.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Text in English, French and Italian. Slight edgewear and soil on dj, sunning on cover, else fine.Language: English, French & Italian.

Soft cover. Condition: Fine. 1st Edition. "Published on the occasion of the opening of the Henry Moore Institute, Leeds, [exhibition] 22 April-18 July 1993" - verso t.p. Description: 73 pages : illustrations (some colour) ; 30 x 24 cm.

Condition: Good. 18mo. [60 pp]. Red paper-covered boards with gold flecks and black cloth spine. Very good. Color plates, including endpapers. Includes writings by Miranda McClintic and Nima Poovaya-Smith. Catalogue for installation "Emily", exhibited at the Henry Moore Sculpture Trust Studio at Dean Clough, Halifax from October 16 through December 20, 1992. Limited edition: 1 of 2000 copies. From the Collection the Art Historian Peter Selz.

Condition: Good. 2 vols. 708 pp, Paperbound. Preface by Penelope Curtis.Essays by Yves Abrioux, Michael Archer, Dore Ashton, Paul Atterbury, Nick Baker, Stephen Bann, Anne Barlow, Martin Barlow, Bruce Bateman, Lee Beard, Jonathan Black, Jonathan Blackwood, Iwona Blazwick, Stacy Boldrick, Nigel Boonham, Paul Bonaventura, Alison Bracker, Will Bradley, Tim Brennan, Katrina Brown, Ron Brown, Ann Bukantas, Stuart Burch, Robert Burstow, Eric Cameron, Roger Cardinal, Andrew Causey, Keith Chapman, Zelda Cheatle, Andrew Clay, Elizabeth Clegg, David Cohen, Judith Collins, Judy Collischan, Ann Compton, Lynne Cooke, Suzanne Cotter, Cathy Courtney, Sacha Craddock, J Craig Stirling, Sarah Crellin, Andrew Cross, Penelope Curtis, Simon Cutts, Jo Darke, Fiona Darling-Glinski, Charles Darwent, Amanda Davidson, Richard Deacon, Hilary Diaper, Richard Dorment, Jonathan Drake, Martina Droth, Jason Edwards, Patrick Eyres, Jes Fernie, Ellie Finch, Tina Fiske, Penny Florence, David Fraser-Jenkins, William Furlong, Matthew Gale, Margaret Garlake, Steven Gartside, Sam Gathercole, David Getsy, Liam Gillick, David Gilmour, Alison Glew, Claire Glossop, Tony Godfrey, Mel Gooding, Hilary Gresty, Alastair Grieve, Hans Kurt Gross, John Haldane, Martin Harrison, Tanya Harrod, Arie Hartog, Gill Hedley, Simon Herbert, Jane Hill, Greg Hilty, Antony Hudek, Jonathan Hughes, Celina Jeffery, Alex Kader, Stefan Kalmar, Julia Kelly, Mike King, Catherine Kinley, Gabriel Koureas, Catherine Lampert, Axel Lapp, Margaret Lewis, Jeremy Lewison, Clare Lilley, James Lingwood, Stephen Little, Fran Lloyd, David Lomas, Sue Malvern, Jonathan Marsden, Tim Martin, Miranda Mason, John McEwen, Ray McKenzie, Catherine McMahon, Corinne Miller, Claudine Mitchell, Catherine Moriarty, Catherine Moseley, Paula Murphy, Martin Myrone, Andrew Naylor, Vanessa Nicolson, Claire Obussier, Paul Overy, Lisa Panting, Alexandra Parigoris, Toby Paterson, Lisette Pelsers, Inés Plant, Alex Potts, Cathy Putz, Niru Ratnam, Ben Read, Jasia Reichardt, Margaret Reid, Alastair Rider, Treve Rosoman, Natalie Rudd, Julian Satterthwaite, Alex Seago, Joseph Sharples, Robert Short, Evelyn Silber, Peyton Skipworth, Joy Sleeman, Stephen Snoddy, Robin Spencer, Chris Stephens, Andrew Stephenson, Mark Stocker, Anthony Stones, Angela Summerfield, Adam Sutherland, Allan Swan, Barbara Thompson, David Thorp, Edward Tillotson, Toby Treves, Paul Usherwood, Adriaan van Ravesteijn, Jonathan Vickery, Anne Wagner, Nigel Walsh, Victoria Walsh, Philip Ward-Jackson, Dennis Wardleworth, Stan Whatmore, Michael White, Gillian Whiteley, Alison Wilding, Keith Wilson, Matthew Withey, Jon Wood, Tamsyn Woollcombe, Greville Worthington, Victoria Worsley.This handbook represents the culmination of a long-held ambition. The Henry Moore Institute is proud to represent ''sculpture'' across various media, not simply sculpture itself. We regard graphic, archive and library material as equally important in terms of studying sculpture, and in terms of seeing how it has been studied in the past. Though we have earlier produced concise catalogues of the sculpture, graphics and archive holdings of Leeds Museums and Galleries, it is infinitely preferable to have, here in one handbook, a guide to all the 20th-century holdings and to see them as representing one collectionVolume I Identity, Infrastructures, Aesthetics, Display, Reception Volume II A Guide to Sculptors in the Leeds Collections ¿ Only now can we begin to fashion an understanding of 20th-century Britain, and with it, the meaning of sculpture, in this country, in these years. These two volumes start to retell the story of sculpture in Britain as being as much outside as inside the gallery, by immigrants as much as by the ''British'', and in the form of printed material as much as in primary production. Published to mark the tenth anniversary of the Henry Moore Institute, these books are a sign of the fact that the Institute has come to function as the centre of a network or community of information. * Volume I provides a new survey of the period, drawing on recent scholarship by twenty authors, which examines the various contexts in which sculpture was produced and interpreted. * Volume II offers lively introductions to 175 sculptors practising in 20th-century Britain, and is supplemented by a concise catalogue of the sculpture, archive and library holdings in Leeds. 1-900081-98-9.

Condition: Good. 4to. Hard Cover [ca. 65 pp.], First Edition, B&W and Color Plates. Very Good, Dust jacket also Very Good, with Creasing, Tearing.Provenance: Gagosian Gallery.