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Published by Harry N. Abrams, 2000
ISBN 10: 0810945622ISBN 13: 9780810945623
Seller: Gulf Coast Books, Memphis, TN, U.S.A.
Book
hardcover. Condition: Good.
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Published by HarperCollins Publishers, 2008
ISBN 10: 0061492167ISBN 13: 9780061492167
Seller: Better World Books: West, Reno, NV, U.S.A.
Book
Condition: Very Good. Heebner, Mary (illustrator). Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Rayo/Harper Collins, 2003
ISBN 10: 0060591846ISBN 13: 9780060591847
Seller: BookEnds Bookstore & Curiosities, Ojai, CA, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Mary Heebner (illustrator). 1st Edition. Near Fine condition Hardcover blue cloth boards with silver lettering on the spine and cover. Includes color illustrations, 62 pages. The DJ is in Near Fine condition. Spanish and English Edition.
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Published by Edward Cella Art+Architecture, 2013
ISBN 10: 098009626XISBN 13: 9780980096262
Seller: W. Lamm, Los Angeles, CA, U.S.A.
Book First Edition
Soft Cover. Condition: Near Fine. First Edition; First Printing. Numerous full page color plates. With an essay by Bruce Robertson. Published on the occasion of the exhibition, November 2 - December 28, 2013. ; Tight, clean and crisp. A very minor crease to rear bottom corner, otherwise As New. No inscriptions. No remainder mark. Not ex-library. In excellent condition. ; 8vo; 51 pages.
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Published by Joseph Campbell & Marija Gimbutas Library, Carpinteria, CA, 1995
Seller: KULTURAs books, Los Angeles, CA, U.S.A.
First Edition
Paperback. Condition: Fine. First Edition. Softcover in brown wraps. 7 1/2" x 8 1/2". First printing. As New condition. A catalogue of Heebner's work, collage paintings modeled after cave paintings. Color plates. Text by Carolyn Radio. 33 pp.
Published by Joseph Campbell & Marija Gimbutas Library, 1995
Seller: PONCE A TIME BOOKS, SANTA BARBARA, CA, U.S.A.
Signed
1 33 p. Includes illustrations. Fine. Signed by author. light shelf wear, includes signed letter from the author, brick colored cover.
Published by Rayp, An imprint of Harper Collins, 2003, 2003
Seller: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.
With an excellent frontispiece photograph of the poet and paintings. English translations. Very close to fine bright in like illustrated dust jacket. Bilingual. Crisp bright text and gift quality.
Published by Tixcacalcupul Press, Santa Barba, 2012
ISBN 10: 0938531026ISBN 13: 9780938531029
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Published by Harry N. Abrams, 2000
ISBN 10: 0810945622ISBN 13: 9780810945623
Book Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Minor wear to binding on corners, edges & spine. Light discoloration to top edge. Inscribed by authors on half title page & signed by authors on title page. Price clipped dj has light shelf wear around edges. Dust Jacket protected by mylar cover. Signed by Author.
Published by HarperCollins,, NY:, 2006
ISBN 10: 0060591846ISBN 13: 9780060591847
Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Illustrated by Mary Heebner (illustrator). Bilingual edition: Spanish and English. Translated from the Spanish by Alastair Reid. First printing. Fine in a fine dust jacket.
Published by Joseph Campbell & Marija Gimbutas Library, [Carpinteria], 1996
Manuscript / Paper Collectible First Edition Signed
Paperback. 33p., 7.5x8.5 inches, essay, artist's descriptions, CV and exhibitions, very good paperback exhibition catalogue illustrated with color plates, signed by the artist on half-title, limited to 3000 copies in brown wraps.
Published by Tixcacalcupul Press, 2010
ISBN 10: 0982927002ISBN 13: 9780982927007
Seller: Flip Your Wig, Cloverdale, CA, U.S.A.
Book Signed
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Macduff Everton (illustrator). Signed by photographer. Dust Jacket in very good condition. Unmarked clean pages. Signed by Photographer.
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Published by University of California, Santa Barbara, Santa Barbara, CA, 2020
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
First Edition
stiff paper wrappers. large 4to. stiff paper wrappers. 95 pages. 25 Years: 1995-2020. First edition of this catalogue which was featured during an exhibition at UC: Santa Barbara from June 4 - August 30, 2020. A fine copy. Introduction by Danelle Moon, Director of Special Research Collections at UCSB Library. From the rear flap: "Mary Heebner's artwork and fine art limited-editions books are collected by institutions and special collections libraries that include The Library of Congress, The New York Public Library, The John Paul Getty Research Institute, The San Francisco Museum of Modern Art, Santa Barbara Museum of Art, Stanford University, Dartmouth College, Columbia University, The British Library, The national Museum of Women in the Arts, Indiana University, and the Universities of California." Beautifully illustrated with full color images.
Published by HarperCollins., New York., 2003
Seller: BookMine, Fair Oaks, CA, U.S.A.
First Edition
Decorated hard cover. Illustrated in black, white and color by Mary Heebner. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar). As new. 64 pps. Stated first edition. Number line begins with "2".
Published by Tixcacalcupul Press, 2012
ISBN 10: 0982927029ISBN 13: 9780982927021
Seller: GoldBooks, Denver, CO, U.S.A.
Book
Paperback. Condition: very good. Macduff Everton (illustrator). Very Good Copy. Customer Service Guaranteed.
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Published by Harper Collins., New York, 2008
ISBN 10: 0061492167ISBN 13: 9780061492167
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. First edition. Fine in fine dust jacket. (82pp. ) (9" X 10 1/4") Bi-lingual text. ; 9" X 10 1/4"; 82 pages.
Published by Santa Barbara: Simplemente Maria Press, 2005, 2005
Condition: as new. Hbk no pagination tall narrow 4to (11.75Ó x 6Ó) no dj as issued decorated paper-covered boards edition limited to 100 copies of which this is this number 68 excellent as new.
Published by [Simplemente Maria Press], [Santa Barbara, CA], 1999
Seller: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, U.S.A.
Signed
No binding. Condition: Fine. Heebner, Mary (illustrator). Limited Edition. No. 44 of 60 copies (total edition), folio size, with twelve giclée prints each encased in a letterpress-printed folio, signed by Mary Heebner on the verso of each print and at the colophon. Mary Heebner founded her Simplemente Maria Press in 1995, and her works can be found in museums and institutions throughout the world, including The John Paul Getty Research Institute, The San Francisco Museum of Modern Art, Santa Barbara Museum of Art, Stanford University, The British Library, and many more. Her work "unites poetry, ancient art, artifact, place-based inspirations, and images with studio practice, print, and papermaking to create hand-crafted books that couple visual art and writing in a varity of formats." This work was inspired by a three-week trip Mary took to Iceland in the late summer of 1995. Captivated by the landscape and scenery Mary "had the overwhelming urge to paint volcanically". Returning to her studio she created a body of work both visual and written which evoke the spirit of Iceland, a land which is about 17 million years old but was only populated by humans around the year 870 CE. The prints (see details below) are stunning in their variety and tonality, and perfectly paired with Mary's place-reminiscences. Note that of the 60 copies produced, ten were hors commerce with nine copies held by institutions per our OCLC search. Somewhat uncommon in the marketplace due to the limitation, as of this writing there is only one other copy online. ___DESCRIPTION: Twelve original watercolour monotypes which were then scanned to produce a suite of giclée prints on Somerset rag paper, to which Mary then added colour touches by hand and signed on the verso; each print is encased in a folio of hand-made Abaca paper created by Rie Hachiyanagi, the first serving as the title page with an outline of Iceland and a short introduction by Heebner, the next eleven with, on the front, a piece of prose or poem inspired by the locations visited with the front fore-edge uncut, the text printed letterpress from photo polymer plates by Lucy Brown; a thirteenth folio at the rear has the colophon only printed upon it. All thirteen folios are encased in a three-fold chemise wrap designed by Mary Heebner and Sandra Liddell Reese consisting of white Kyoseishi and indigo Kozo paper over an onyx board, with a black ribbon tie to hold the components in place; the chemise is then housed in a clear acrylic slipcase withe blue lettering on the spine. ___CONDITION: Fine overall; the giclée prints clean and without wear, the Abaca paper folios fine but for a short, shallow unintended crease to the bottom corner of the first folio as the uncut edge reachs out past the dimensions of the chemise, the chemise clean and without wear, the ribbon ties secure, and the work entirely free of prior owner markings. The acrylic slipcase near fine, strong and sturdy with some light scratch marks on the exterior. ___CITATION: Quotes from the exhibition catalogue "Mary Heebner, Simplemente Maria Press, Bridging Image & Word, 25 Years, 1995-2020" by UC Santa Barbara for an exhibit which was planned, but then cancelled due to covid. ___POSTAGE: Please note that this is an unusually heavy item and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.
Published by Simplemente Maria Press, (Santa Barbara, CA), 2020
Seller: Bromer Booksellers, Inc., ABAA, Boston, MA, U.S.A.
Signed
Heebner, Mary (illustrator). Octavo volume and strand of ten paper prayer flags. (22)ff., + 20ff. One of twenty copies, signed by the artist. Mary Heebner's flags bear her five invocations to a distressed planet, with one prayer for each element: fire, earth, air, water, and aether. Written in cursive sharply reproduced by photopolymer plates, the texts follow the format of traditional Tibetan prayer flags and are printed on Khadi paper paired with sheets of handmade pulp-painted paper. These alternate with folded Nepalese lokta paper, stamped with a lotus design on one side and ink-printed with elemental icons on the other. The two-sided strand of flags is then sewn on a length of bronze satin ribbon and housed in a sleeve of silk and ribbon. Alongside the flags is "A Tale of Longing," a wire-bound journal with hand-painted and foil-stamped covers. Likewise rendered in cursive reproduced by photopolymer plate, the journal's narrative follows Heebner's own 1993 journey to Sikkim, an Indian state near Bhutan, Tibet, and Nepal, where she visited Rumtek Monastery and observed a monk printing prayer flags from carved wooden blocks. The journal's scattered illustrations are hand-painted with the five colors representing each of the elements. The materials-together a profound rumination on human and environmental connection-are all housed with a paper tray in a beveled acrylic case. Very fine.
Published by Simplemente Maria Press, Santa Barbara, CA, 2020
Seller: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
The folded flag comes in a be-ribboned white cotton pouch. A Tale of Longing, the wiro-bound 22 page journal, with hand-painted and foil-stamped covers, rests beneath in a paper enclosure. The Tale, also written in cursive, and also printed letterpress from photopolymer plates, recalls a visit to a monk printing prayer flags from carved wooden blocks at Rumtek Monastery in Sikkim, India. Every Prayer Flag and all pages of the Tale of Longing are hand-painted with the 5 colors of each of the elements. Both books are placed in a polished, beveled acrylic sleeve. . This two-sided strand of flags is sewn on a length of bronze satin ribbon. The flags, sewn on satin ribbon, come folded in a cotton pouch. The 5 prayers may be read page by page or may be displayed as a banner of ten double-sided flags suspended along a 15-foot long ribbon. LIMITED EDITION OF 20 COPIES. Commemorative edition on the occasion of the 25th year of Simplemente Maria Press. 1995 - 2020. Invocations of prayers to the environment, hand-written in cursive, are based upon the format of traditional Tibetan prayer flags. The 5 prayers on Khadi paper are paired with sheets of handmade pulp-painted paper. They alternate with folded Nepalese lokta paper, stamped with a lotus design on one side and on the opposite side, ink-printed with icons representing the 5 elements (earth, air, fire, water, aether). This two-sided strand of flags is sewn on a length of bronze satin ribbon. The flags, sewn on satin ribbon, come folded in a cotton pouch. The 5 prayers may be read page by page or may be displayed as a banner of ten double-sided flags suspended along a 15-foot long ribbon.
Published by Simplemente Maria Press, Santa Barbara, CA, 2020
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
Signed
Simplemente Maria Press (illustrator). large square 4to. flags sewn together with ribbon, journal spiral bound, housed in a handmade paper covering, loosely inserted into a acrylic slipcase. 22 pages. Invocations to a distressed planet in the form of prayers to EARTH. AIR. FIRE. WATER. AETHER. Limited to only numbered 20 copies signed by the artist, Mary Heebner. Instructions on handling loosely inserted. Fine in fine polished, beveled acrylic sleeve. Invocations of prayers to the environment, hand-written in cursive, are based upon the format of traditional Tibetan prayer flags. The 5 prayers on Khadi paper are paired with sheets of handmade pulp-painted paper. They alternate with folded Nepalese lokta paper, stamped with a lotus design on one side and on the opposite side, ink-printed with icons representing the 5 elements. This two-sided strand of flags is sewn on a length of bronze satin ribbon. The folded flag comes in a be-ribboned white cotton pouch. A Tale of Longing, the wiro-bound 22 page journal, with hand-painted and foil-stamped covers, rests beneath in a paper enclosure. The Tale, also written in cursive, and also printed letterpress from photopolymer plates, recalls a visit to a monk printing prayer flags from carved wooden blocks at Rumtek Monastery in Sikkim, India. Every Prayer Flag and all pages of the Tale of Longing are hand-painted with the 5 colors of each of the elements. Both books are placed in a polished, beveled acrylic sleeve. The flags, sewn on satin ribbon, come folded in a cotton pouch. The 5 prayers may be read page by page or may be displayed as a ten panel double-sided strand hung by the 15' ribbon. The story was derived from journal notes that the artist took in 1993 during an assignment to Sikkim, an Indian state bordering Bhutan, Tibet, and Nepal, and especially about a visit that was made to Rumtek Monastery. Upon revisiting these notes in 2019, Heebner realized they told a tale of longing. What are we longing for when we travel, when we encounter another's culture and ways of being in the world? What do we expect from the experience, and why? The journey consisted of four individuals: a writer, a photographer, an artist, and a copy, traveling with two young Tibetans, Pema and Tempa, who are from Sikkim, India. They are our guides and translators as we venture from Gangtok, the state's capital, all the way to norther Sikkim . The six of them travel by jeep to the state's largest monastery, Rumtek, on the outskirts of Gangtok. During the drive out of town, dozens of Tibetan Buddhist prayer flags punctuate the skyline, snap in the wind, and brighten the roadsides near villages and sacred sites. Heebner wanted to see how the flags were made. This book is the retelling of that story. flags sewn together with ribbon, journal spiral bound, housed in a handmade paper covering, loosely inserted into a acrylic slipcase.
Published by Simplemente Maria Press, Santa Barbara, CA, 2011
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
Signed
Simplemente Maria Press (illustrator). large square 4to. hand-painted boards, sliced stone, wooden box. A Poem, paintins and a sketchbook . an excavation of images and impressions from Chilean Patagonia. Limited to only numbered 20 copies signed by the artist, Mary Heebner. A fine copy. "Six of us ride horses through whirlpools of dust, rain and wind to the summit of Sierra de los Baguales, in Patagonia, where Chile borders Argentian. In the distance, shadows swim up the sides of bare mountains washing their charcoal and russet flanks in deep purple. Spots of golden light rest on shelves of the steppe. Our horses love being worked. They pick their way carefully up the knobby mountain. The sky is a pearl, a smooth stone, a downpour." Unearthed is a book based upon explorations in the Western hemisphere - specifically below the equator in Chile - and was the result of various sketches, field notes, finished drawings, and paintings. When sketching from a collection of ancient pottery, Mary Heebner noticed marks on the surface - human thumbprints that were 1,500 - 1,800 years old. Heebner wanted to honor the maker, which led to an attempt to form vessel shapes with paint-covered hands, as it forming a clay pot. Heebner made large finger paintings, transposing a 3D form into 2D paintings. A selection of these appear as pigment-embellished prints. "The earth is a vessel, containing everything even that which is only dreamed or unbuilt." The poem is printed on translucent abaca paper, interleaved with hand-embellished prints from the Unearthed series of finger paintings. The bound book has a cover finger painted in earth pigments. Beneath this is the small chapbook, notes from below. One must "excavate" both books by lifting a travertine lid off the hand-crafted pinewood box. hand-painted boards, sliced stone, wooden box.
Published by Simplemente Maria Press, Santa Barbara, CA, 2024
Seller: Bromer Booksellers, Inc., ABAA, Boston, MA, U.S.A.
Signed
Heebner, Mary (illustrator). Three quarto vols. Each one of fifteen copies, and each signed by Mary Heebner at the colophon. A trio of Heebner's concerned meditations on the perilous status of the arctic landscape, based on two ship voyages undertaken in 2017 and 2023. In two volumes under the single title of Vanishing Tracks, Heebner mourns the current ephemerality of the polar bear. In Arctic Light, she narrates her experiences as visitor to and observer of the terrain, while impressing upon the reader how beautiful it all is, "more so knowing that it is leaving us." In Frazil: New Ice Forming, in terms both metaphorical and directly scientific she considers the regenerative cycle of water and ice and that cycle's frightening fragility. "Who will remember the ice?" she asks. Each book accordion-fold, with Heebner's prints throughout embellished by hand with pigment and ink. Text printed letterpress. Each book housed in a chemise with hand-painted covers. An emotional set, layered materially, artistically, and structurally. Very fine. Held in tripartite acrylic slipcase.
Published by Simplemente Maria Press, Santa Barbara, CA, 2008
Seller: Bromer Booksellers, Inc., ABAA, Boston, MA, U.S.A.
Heebner, Mary (illustrator). Small oblong folio. 42 + 13ff., + 20 plates. One of twenty copies. With twenty pigment prints in triptych format by Mary Heebner. According to the artist, these prints began as collage paintings, created as an emotional response to the characters of Gertrude and Ophelia in Hamlet. Each triptych incorporates an image of the female form to the left, followed by images of covered text that has been partly scraped back to reveal linguistic fragments. The process of revealing and concealing dovetails with the nature of the play itself, in which, as Heebner notes, "fragments of vital information are lost, manipulated, or misinterpreted." The phenomenon is most potent, and disastrous, for Gertrude and Ophelia, who time and again are trampled by their male counterparts, who themselves contend for power at any cost. The railroading of women and manipulation for the sake of political caché remains a frustration for the contemporary reader as much as it surely would have been for the play's female Elizabethan audience. Each illustration is contained within a bifolium with a corresponding passage from the play letterpress-printed on kozo paper. The semi-opaque quality of the paper allows the reader to partially view the illustration beneath, and the arrangement of the text fits into the center panel of the triptych, adding further texture to the experience of engaging with the work. The suite is contained within a handmade paper chemise. An "actor's copy" of the full text of the play, which includes an index to the plates, is housed in a folder underneath. A visually appealing, challenging, and carefully conceived artist's book. In a handsome red morocco-backed clamshell box with a skull and flower device inspired by the honeysuckle motif from the Second Folio debossed on upper cover. This device appears as the header on each of the excerpted passages.
Published by Simplemente Maria Press, Santa Barbara, CA, 2017
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
Signed
Simplemente Maria Press (illustrator). small folio. loose sheets, two accordian-style handmade paper-covered boards books, inserted into a large aluminum box. Unpaginated. Drawing with light, Drawn from stone. Limited to only numbered 20 copies signed by the artist, Mary Heebner. Instructions on handling and display loosely inserted. Fine in fine clamshell box. This is Mary Heebner's fourth book using watermarks, however, up until 2017, it was the most extensive. This book is a comparison to the effects of light through paper created from the pencil sketches inspired from Heebner's subjective impressions of marbled statues in Italy. Heebner created the paper in Fabriano, Italy, one of the most well-known and reputable locations in papermaking history, and is able to bring the watermark drawings to life using light as the medium. The two books inside, Marmo and Schizzi, contain additional text and illustrations. Marmo, printed in accordion-fold form, is printed with original text by the artist in both English and Italian. The text provides evidence of marble being a vessel in its connection to a higher order and as a source of wisdom. Schizzi contains a suite of fourteen prints which were created by Heebner in her Rome Sketches series. From the colophon: "Assisting in the production: Handmade paper produced at Museo Della Carta e Della Filigrana, Fabriano, Italy with Luigi Mecella and Bruno Angelo Stroppa, Giorgio Pelligrini, Director & Dieu Donne Paper Mill, New York with Paul Wong and Lisa Switalski. Letterpress printing, John Balkwill, The Lumino Press, typeset in Centaur and Latin Uncial. Italian Translations by Lise Apatoff, Latin Type Names & Editing by Nancy Winter. Marble carving on box by Anders Johnson, Anodized Aluminum box, Neal Feay Co. with Sawyer Tautz." Twelve watermarked sheets of handmade paper, pigmented ivory or ultramarine blue, with graphic elements printed in letterpress and embellished on verso with graphite or watercolor, a plexiglass viewing easel, and two 6" x 4" books, containing a suite of twelve prints from the Rome Sketches series, and an accordion fold book, original text about the livingness of marble, in English translated into Italian, set within an anodized aluminum box, with carved marble as an addition to the lid. loose sheets, two accordian-style handmade paper-covered boards books, inserted into a large aluminum box.
Published by Simplemente Maria Press, Santa Barbara, CA, 2013
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
Signed
Simplemente Maria Press (illustrator). folio (68 x 35 in). four scrolls nestled in niches beneath a bronzed metal tray holding the accordion book 'Apsara'; and the bound codex book 'Silent Faces / Angkor', all housed in a handcrafted wooden box. "Painter Mary Heebner calls 'Silent Faces / Angkor' an artist's book, but it helps to think of it as a many-layered treasure chest. It's a celebration of timeless artistry." -Joan Tapper. Limited to only numbered 20 copies signed by the artist, Mary Heebner. Instructions on handling loosely inserted. Fine in fine hardwood box. "A richley conceived contemporary interpretation of an aesthetically sophisticated ancient culture. Heebner's journeys to the ancient ruins of Angkor inspired this multi-faceted artwork." A handcrafted red cedar box contains three forms of the book: Accordion: Gold stamped and painted paper chemise contains two accordion fold books: Apsara, line drawings derived from on-site drawings, and The Churning of the Sea of Milk, an artist's interpretation of myth. Both printed letterpress. Codex: Impressions of the Angkor temple complex with vignettes, sketches and photographs. Letterpress with printed portrait on cover, goatskin spine. These two books rest on a crafted patinaed metal tray, beneath which lie. 4 Scrolls: Handmade watermarked paper and paper-lined silk frames four gold-edged prints from the silent faces series of paintings. When unrolled for viewing or display each scroll measures 37" x 18" four scrolls nestled in niches beneath a bronzed metal tray holding the accordion book 'Apsara'; and the bound codex book 'Silent Faces / Angkor', all housed in a handcrafted wooden box.