Hatch Barbara (13 results)

Paperback. Condition: Very Good. Diane O'Brien (illustrator). 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condition: Fine. 1st Edition. First edition, first printing. Fine- trade paperback with french flaps, clean and unmarked.

Hardcover. Condition: Very Good. No Jacket. Very good condition oversize hardcover. 513 pages including index.

Paperback. Condition: Very Good. Illustrated by Barbara Louise Davis (illustrator). First Edition. Signed and Inscribed By Author on inside cover: "2011 - To Nora - a most special friend my best wishes for a continued life of giving - Nancy Gokay". Size: 4to - over 9¾" - 12" tall. Signed and Inscribed By Author. Book.

Hardcover. Condition: Near Fine. No Jacket. the boards are edge worn and shelf rubbed. a bit marked. internally clean and tightly bound. [P.K.]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Brand New. 10.25x7.50x1.00 inches. In Stock.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

69 pp.; 25.3 x 21.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1994 issue of Wedge. Issue guest edited by Silvia Kolbowski. Periodical editors: Brian Wallis and Phil Mariani. Published in conjunction with show "Difference: On Representation and Sexuality," held at The New Museum of Contemporary Art, New York, August 12, 1984 - February 2, 1985. Traveled to I.C.A. in London, and Renaissance Society of the University of Chicago in 1985. Exhibition curated by Kate Linker. Contents include: "Desiring Images/Imaging Desire," by Mary Kelly; "At the Threshold: Feminists and Modernity," by Alice Jardine; "Untitled," by Jane Warrick; "The Desublimation of Romance," by Connie Hatch; "Some of the Things at Stake in Women's Struggles," by Jean-François Lyotard; "Painters' Wee Wees, or, The Confoundations of Painting," by Lea Lublin; "New French Feminisms: Some Points Re-Viewed," by Rosi Braidotti and Jane Weinstock; "Tea with Madeleine," by Victor Burgin; "Fit to Print," by Barbara Kruger and Carol Squiers; "From 'Haunted Houses,'" by Lynne Tillman; "Representation's Reproduction," by Silvia Kolbowski "Subway Station Print Ad Project," by Judith Barry. Covers designed by Sherrie Levine. Very Good. Rubbing of covers and light edgewear. Contents clean and unmarked.

Second English language edition hard back binding in publisher's original dove grey cloth covered boards, black lettering to the spine and author's monogram to the front board, black and white illustrated lining papers. 8vo. 9½'' x 6¼''. Printer's code 6 5 4 3 2. Contains [lxiii], pp 1092-1417 with monochrome illustrations throughout. Fine condition book in Fine condition dust wrapper. Member of the P.B.F.A. MAGIC & CONJURING.

First English language edition hard back binding in publisher's original dove grey cloth covered boards, black lettering to the spine and author's monogram to the front board, black and white illustrated lining papers. 8vo. 9½'' x 6¼''. Full printer's code 6 5 4 3 2 1. Contains [xxxvii], pp 495-790 with monochrome illustrations throughout. Fine condition book in Fine condition dust wrapper. Member of the P.B.F.A. MAGIC & CONJURING.

First English language edition hard back binding in publisher's original dove grey cloth covered boards, black lettering to the spine and author's monogram to the front board, black and white illustrated lining papers. 8vo. 9½'' x 6¼''. Full printer's code 6 5 4 3 2 1. Contains [xiii], pp 251-494 with monochrome illustrations throughout. Fine condition book in Fine condition dust wrapper. Member of the P.B.F.A. MAGIC & CONJURING.

First English language edition hard back binding in publisher's original dove grey cloth covered boards, black lettering to the spine and author's monogram to the front board, black and white illustrated lining papers. 8vo. 9½'' x 6¼''. Full printer's code 6 5 4 3 2 1. Contains [xlix], pp 791-1091 with monochrome illustrations throughout. Fine condition book in Fine condition dust wrapper. Member of the P.B.F.A. MAGIC & CONJURING.

First English language edition hard back binding in publisher's original dove grey cloth covered boards, black lettering to the spine and author's monogram to the front board, black and white illustrated lining papers. 8vo. 9½'' x 6¼''. Full printer's code 6 5 4 3 2 1. Contains [xiii], 250 pp with monochrome illustrations throughout. Fine condition book in Fine condition dust wrapper. Member of the P.B.F.A. MAGIC & CONJURING.