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Add to basketCondition: Used - Like New. Fine. Cloth, D-j. 2016. May contain remainder mark. Originally published at $34.95.
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Add to baskethardcover. Condition: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.
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Seller: Books Puddle, New York, NY, U.S.A.
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Add to basketCondition: New. pp. 320.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
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Add to basketCondition: New. Editor(s): Alberro, Alexander. Series: Writing Art. Num Pages: 344 pages, 47 color illus., 18 b&w illus. BIC Classification: 1DFG; 1KBB; 3JJ; ACXJ8; AGB. Category: (G) General (US: Trade). Dimension: 239 x 189 x 26. Weight in Grams: 918. . 2016. 1st Edition. Hardcover. . . . .
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Hardcover. Condition: Brand New. 1st edition. 290 pages. 9.50x7.50x1.25 inches. In Stock.
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Add to basketCondition: New. Editor(s): Alberro, Alexander. Series: Writing Art. Num Pages: 344 pages, 47 color illus., 18 b&w illus. BIC Classification: 1DFG; 1KBB; 3JJ; ACXJ8; AGB. Category: (G) General (US: Trade). Dimension: 239 x 189 x 26. Weight in Grams: 918. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
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Add to basketSoftcover. Condition: Sehr gut. 1. Auflage. 15 x 21 cm, 222 pages, 10 b/w illustrations - The essays collected in this volume have been selected from the first 25 years of "Parachute"'s publication history and are dealing with museums, art history, and theory.
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Add to basketCondition: New. pp. 320.
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Add to basketBuch. Condition: Neu. Neuware - Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires.This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, Working Conditions, which discusses corporate influence on the art world; Haacke's thinking about real-time social systems ; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Published by MIT Press, Cambridge, MA, 2016
First Edition
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Add to basketHardcover in dust jacket. First edition, first printing. Fine in fine dust jacket, in mylar cover.
Published by MIT Press, Cambridge, MA, 2016
ISBN 10: 0262034832 ISBN 13: 9780262034838
Language: English
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Add to basketCloth. Condition: Near Fine. 290 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Note: Remainder mark (one small dot) on bottom fore-edge.
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Add to basketCondition: New. Hans Haacke is a German-born artist who lives and works in New York. From 1967 to 2002, he taught at The Cooper Union.Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and.
Published by MIT Press Ltd, Cambridge, Mass., 2016
ISBN 10: 0262034832 ISBN 13: 9780262034838
Language: English
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Add to basketHardcover. Condition: new. Hardcover. Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context-the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires.This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 S o Paulo Biennial; the title piece, "Working Conditions," which discusses corporate influence on the art world; Haacke's thinking about "real-time social systems"; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEV LKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015. Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Add to baskethardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Add to baskethardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.
Published by Mit Press September 2016, 2016
ISBN 10: 0262034832 ISBN 13: 9780262034838
Language: English
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
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Add to basketHardcover. Condition: New. Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context -- the economic, social, and political conditions of the art world and the world at large. Among his best-known works are 'MoMA-Poll' (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; 'Gallery-Goers' Birthplace and Residence Profile '(1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 Sao Paulo Biennial; the title piece, 'Working Conditions,' which discusses corporate influence on the art world; Haacke's thinking about 'real-time social systems'; and texts written for museum catalogs on various artworks, including 'GERMANIA,' in the German Pavilion of the 1993 Venice Biennial; 'DER BEVOLKERUNG' (To the Population) of 2000 at the Berlin Reichstag; 'Mixed Messages,' an exhibition of objects from the Victoria and Albert Museum (2001); and 'Gift Horse,' unveiled on the fourth plinth in Trafalgar Square in 2015.'.
Published by MIT Press Ltd, Cambridge, Mass., 2016
ISBN 10: 0262034832 ISBN 13: 9780262034838
Language: English
Seller: AussieBookSeller, Truganina, VIC, Australia
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Add to basketHardcover. Condition: new. Hardcover. Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context-the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires.This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 S o Paulo Biennial; the title piece, "Working Conditions," which discusses corporate influence on the art world; Haacke's thinking about "real-time social systems"; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEV LKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015. Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Museo Nacional Centro de Arte Reina Sofía, Museo Nacional Centro de Arte Reina Sofia, 2012
ISBN 10: 8480264535 ISBN 13: 9788480264532
Language: English
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. Condition: As New. 1st Edition. Thick 4to in colour printed stiff card covers, 185pp on thick art paper, illustrated in colour. Text in English throughout . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy. An excellent copy is the very elusive English edition ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.
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Add to basketHardback. Condition: New.
Published by The MIT Press, Cambridge, 2016
ISBN 10: 0262034832 ISBN 13: 9780262034838
Language: English
Seller: art longwood books, Gloucester, MA, U.S.A.
First Edition Signed
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Add to basketHard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition /First Printing. hard cover in dust jacket., no flaws or wear. clean, no markings. appears unused.; this copy signed by hans haacke on the half-title page with a black marker. no added inscription.; english text., lii-290pp., 65 illustrations in color, b/w, 52 page introduction by the editor. anthology of haacke's writings spanning decades. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.