Guston (683 results)

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

paperback. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Clean text, light wear to edges. Ships next business day from NC.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softbound. Condition: Very Good. Small quarto, paper covers, 80 pp., 58 items all illustrated in color, checklist by institution Edited by Judith M. Guston. A selections of the cream of the many fine collections of Judaica assembled by the many important Philadelphia Jewish institutions and collectors.…

Paperback. Condition: Fine.

Paperback. Condition: Good. Annotated.

Paperback. Condition: Acceptable. Annotated. Paperback book. Book edges have stains. The book has a curled and creased cover. There is damage on the corners of the cover.

paperback. Condition: Very Good. clean, sturdy, and unmarked - rw.

Condition: New.

Hardcover with dustjacket, 166 pages; very good condition, except light waterstain around bottom edge of dj no internal marks. Foreign shipping may be extra.

Paperback. Condition: New. Philip Guston's legendary, prescient political satire of Richard NixonPublished with National Gallery of Art.In the summer of 1971-two years before the Watergate hearings-Richard Nixon was an incumbent whose grip on power was being tested by the Pentagon Papers. Inspired in part by the work of his friend Philip Roth, who had just finished the novel Our Gang, Philip Guston began drawing the object of his political anger and despair-Richard Nixon, transformed into the character "Poor Richard," rendered with a distinctively phallic nose and scrotal jowls, and accompanied by henchmen Spiro Agnew, John Mitchell, and Henry Kissinger.Guston carefully sequenced the drawings in 1971 and planned to publish them as a book, even designing an original title page. But he held back, and the images were never released during his lifetime; only in 2001 were they first exhibited, accompanied by a publication of the series from the University of Chicago Press by Debra Bricker Balken. Today, as we face yet another moment of presidential crisis and global turmoil, Poor Richard is more relevant than ever.Poor Richard by Philip Guston brings Guston's series back into print. Following Guston's own sequencing, layout and original title page from 1971, Poor Richard by Philip Guston presents this shockingly fresh, delightfully profane series, with beautiful new reproductions. The publication marks the promised gift of these 73 drawings by The Guston Foundation to the National Gallery of Art, where they will be preserved and studied as a monument of contemporary satirical art and virtuoso drawing.…

Paperback. Condition: Very Good. The original 1818 text of Mary Shelley's classic novel, with annotations and essays highlighting its scientific, ethical, and cautionary aspects.Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, the modern Prometheus, tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms--as a seminal example of romanticism or as a groundbreaking early work of science fiction--Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. This edition of Frankenstein pairs the original 1818 version of the manuscript--meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text--with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written.Essays byElizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann.…

Paperback. Condition: Good. The original 1818 text of Mary Shelley's classic novel, with annotations and essays highlighting its scientific, ethical, and cautionary aspects.Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, the modern Prometheus, tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms--as a seminal example of romanticism or as a groundbreaking early work of science fiction--Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. This edition of Frankenstein pairs the original 1818 version of the manuscript--meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text--with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written.Essays byElizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century'Thank God for yellow ochre, cadmium red medium, and permanent green light'How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing.'Among the most important, powerful and influential American painters of the last 100 years . he's an art world hero' Jerry Saltz, New York Magazine'Guston's paintings make us think hard' Aindrea Emelife, Guardian.…

Paperback. Condition: New. Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century'Thank God for yellow ochre, cadmium red medium, and permanent green light'How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing.'Among the most important, powerful and influential American painters of the last 100 years . he's an art world hero' Jerry Saltz, New York Magazine'Guston's paintings make us think hard' Aindrea Emelife, Guardian.…

Condition: New.