Greenstreet Hannah (12 results)

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Hardcover. Condition: Brand New. 240 pages. 8.50x5.43x1.00 inches. In Stock.

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Hardcover. Condition: new. Hardcover. This book offers radical new insights into the relation between realism, feminism and gender identities in contemporary theatre. It maps the theatrical forms emerging from a new wave of womens playwriting in Britain in the 2010s, unsettling the boundaries between what is conventionally considered realist and what is considered experimental. While realism has often been characterized as a politically conservative form in feminist criticism, the author argues that contemporary feminist plays demonstrate the potential of realism, both artistically and politically, to adapt and respond to our changing world. By re-encountering realism as an experimental form through close analysis of plays and productions, the author reveals the radicalism of realism anew. Reconsidering longstanding debates in feminist theatre scholarship in the light of contemporary theatre practice in the UK, this book also offers a new, feminist formalist theoretical approach to analyzing plays. Playwrights and practitioners studied include RashDash, Katie Mitchell, Alice Birch, Ella Hickson, Jasmine Lee-Jones, Tanika Gupta, Young Jean Lee, Lucy Kirkwood, Travis Alabanza, Yael Farber, Split Britches and Caryl Churchill. Case studies are enriched by original interviews with practitioners, as well as performance analysis, close reading and archival research. This book explores and celebrates the vitality and inventiveness of contemporary feminist playwriting. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: new. Hardcover. This book offers radical new insights into the relation between realism, feminism and gender identities in contemporary theatre. It maps the theatrical forms emerging from a new wave of womens playwriting in Britain in the 2010s, unsettling the boundaries between what is conventionally considered realist and what is considered experimental. While realism has often been characterized as a politically conservative form in feminist criticism, the author argues that contemporary feminist plays demonstrate the potential of realism, both artistically and politically, to adapt and respond to our changing world. By re-encountering realism as an experimental form through close analysis of plays and productions, the author reveals the radicalism of realism anew. Reconsidering longstanding debates in feminist theatre scholarship in the light of contemporary theatre practice in the UK, this book also offers a new, feminist formalist theoretical approach to analyzing plays. Playwrights and practitioners studied include RashDash, Katie Mitchell, Alice Birch, Ella Hickson, Jasmine Lee-Jones, Tanika Gupta, Young Jean Lee, Lucy Kirkwood, Travis Alabanza, Yael Farber, Split Britches and Caryl Churchill. Case studies are enriched by original interviews with practitioners, as well as performance analysis, close reading and archival research. This book explores and celebrates the vitality and inventiveness of contemporary feminist playwriting. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condition: Neu. Radical Realisms in Contemporary British Theatre | Rethinking Feminist Form in Plays by Women | Hannah Greenstreet | Buch | Englisch | 2025 | Methuen Drama | EAN 9781350425811 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book offers radical new insights into the relation between realism, feminism and gender identities in contemporary theatre. It maps the theatrical forms emerging from a 'new wave' of women's playwriting in Britain in the 2010s, unsettling the boundaries between what is conventionally considered realist and what is considered experimental.While realism has often been characterized as a politically conservative form in feminist criticism, the author argues that contemporary feminist plays demonstrate the potential of realism, both artistically and politically, to adapt and respond to our changing world. By re-encountering realism as an experimental form through close analysis of plays and productions, the author reveals the radicalism of realism anew. Reconsidering longstanding debates in feminist theatre scholarship in the light of contemporary theatre practice in the UK, this book also offers a new, 'feminist formalist' theoretical approach to analyzing plays.Playwrights and practitioners studied include RashDash, Katie Mitchell, Alice Birch, Ella Hickson, Jasmine Lee-Jones, Tanika Gupta, Young Jean Lee, Lucy Kirkwood, Travis Alabanza, Yaël Farber, Split Britches and Caryl Churchill. Case studies are enriched by original interviews with practitioners, as well as performance analysis, close reading and archival research. This book explores and celebrates the vitality and inventiveness of contemporary feminist playwriting.