Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Condition: As New. Unread book in perfect condition.
Condition: New.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: New.
Paperback. Condition: Brand New. illustrated edition. 128 pages. 8.25x6.25x0.25 inches. In Stock.
Condition: New.
Condition: New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . .
Condition: New.
Condition: New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . . Books ship from the US and Ireland.
paperback. Condition: VeryGood. Edges show some light shelf wear and spine has a slight slant which may be corrected by storage.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Seller: Black Gull Books (P.B.F.A.), St Leonard's on Sea, United Kingdom
Association Member: PBFA
paperback. Condition: Very Good.
Published by Editions Dis Voir Okt 1999, 1999
ISBN 10: 290657192X ISBN 13: 9782906571921
Language: English
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings.