Goodes Don (7 results)

Soft Cover. Condition: Near Fine. First Edition; First Printing. Numerous illustrations. With essays by Renee Baert and Don Goodes. Published on the occasion of the exhibition at the Southern Alberta Art Gallery, December 8, 1990 to January 20, 1991. ; As New. Tight, clean and crisp. A gently browsed book in excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; Square 12mo ; 79 pages.

Illustrated Wraps. Condition: Very Good. Catalogue from the 1991 exhibition of the work of the Winnipeg-born, Toronto artist/curator at the Lethbridge gallery. Lexier is known for combining the traditions of conceptual art with sculpture. Square 12mo (7" x 7"). 80 pages with colour and B&W illustrations, list of exhibitions, bibliography and list of illustrated works. Near fine condition except for a 5 1/2" back cover crease.

Stapled in Wraps. Condition: Very Good. First Edition. Very slight moisture waviness throughout along the bottom of the pages. Documents the construction of "The Elephant's Graveyard, in Lethbridge, Alberta. Exhibition Catalogue.

Stapled in Wraps. Condition: Near Fine Plus. First Edition. Documents the installation during the three-week resiidency of Rahn and Campbell at the Patan Museum, Nepal. Exhibition Catalogue.

Trade Paperback. Condition: Very Good. 79 page exhibition catalog in small format for the show Dec. 8 1990 to Jan 20, 1991 at publisher's gallery. Covers are slightly curled at outside edges, last page has tiny tear at outside edge, book shows light use only. Lots of b&w photos, a few color. Selling books for 20 years, we pack books individually in appropriate shipping material to arrive undamaged.

Soft cover. Condition: Good. No Jacket. 58 pp. with B/W illustrations. Saddle-stitched. 1" closed tear at lower front edge of cover, with tinier tear at lower spine. "In the fall of 1999 my installation Monstrance took place at St. Norbert Arts Centre in Winnipeg. The exhibition was about our fascination with and reverence for carnal remains, humankind's compulsion to leave behind physical evidence of our temporary existence, and nature's insistence on returning lifeless bodies to earth. . Re/Monstrance presents twelve charcoal drawings of the rabbits that were once part of Monstrance and makes explicit my reverence towards their carnal remains." - Artist's Statement. Book also has an essay by the editor addressing the controversy surrounding the exhibit, an account of the town hall meeting held in St. Norbert to address the issue, a letter to the editor defending the exhibit, and a radio play inspired by the controversy.

Card Covers. First Edition, First Printing. pp. 60. Square 8vo., measuring 6.75" x 8.5". Illustrated, twice-stapled, card covers. Black-and-white illustrations, drawings, etc. Bright, clean, and unmarked with firm stapled binding; fine. Corresponds to OCLC #65398554. "Essays and editorials commenting on the media response to the exhibition by Winnipeg artist Diana Thorneycroft held at the St. Norbert Arts Centre in 1999". In the fall of 1999 my installation Monstrance took place at St. Norbert Arts Centre in Winnipeg. The exhibition was about our fascination with and reverence for carnal remains, humankind's compulsion to leave behind physical evidence of our temporary existence, and nature's insistence on returning lifeless bodies to earth. Re/Monstrance presents twelve charcoal drawings of the rabbits that were once part of Monstrance and makes explicit my reverence towards their carnal remains.