Goines David Lance 1945 (13 results)

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 105 pages; Description: [105] p. : chiefly col. Ill. ; 29 cm. Subjects: Goines, David Lance, 1945- --Catalogs. 1 Kg.

Softcover. Quarto, 47 pages. In Good minus condition. Spine is white with black print. Cover is illustrated, green print. Light wear to spine caps and slight curl to fore corners, vendor label on rear. Text block has penciled note on contents page: poster on page 13 is bound in upside down. Illustrated: color. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in the Back Area, Oversized Folios. 1393426. FP New Rockville Stock.

Condition: Good. Folio folded into three pages, each 6 x 11 inches. Lettepress in two colors. Portrait of the artist with list of speakers family members and text by Pascal Déau and text of Amazing Grace.

Condition: Good. Edition of 1900 of which 300 copies are signed 1-300, 26 are signed A-Z as artist's proofs, and five sets of progressives are signed out of 20 sets of progressives. The poster was printed at Tea Lautrec Litho.August 6, 1977 Four colors 18" x 24".Client: Dennis Mosgofian, Tea Lautrec Litho, 65 Sheridan, San Francisco CA A-Z: Artist's own use.

Condition: Good. Edition of 2965 of which 300 are signed 1-300, 26 are signed A-Z as artist's proofs, and 3 sets are signed as progressives.April 14, 1983.8 colors 16-3/4" x 24".Influence: Carl Otto Czeschka (Austrian, 1878 - 1960).Client: George Gund III for The San Francisco Film Festival.1-300: Saint Hieronymus Press, Inc. A-Z: artist's own use.Progressives: 1 set to George Gund III, 2 sets to Saint Hieronymus Press, Inc.(Communication Arts 83 Design Annual).The quest for the Holy Grail can be undertaken with any hope of success only by the pure in mind, body and heart. Lancelot, the best knight in the world, was disqualified because of his carnal love for Guenevere. Perceval didn't love anybody or anything, except his own purity. His strength was as the strength of ten because his heart was pure, and whenever he found himself in danger of becoming impure he was saved by some simple act of faith. Fiends burst like sausages all around him as soon as he made the sign of the cross, which he always did just in the nick of time. He was, in fact, too pure for the mundane altogether, and after attaining the object of his quest, passed out of this world without even bothering to die.

Condition: Good. Edition of 916 of which 125 copies are signed, 1-125 26 copies are signed A-Z as artist's proofs, three sets are signed as progressives and 25 are signed as dedication copies.May 22, 2005.16-3/16" x 24", 9 colors, Paper: Mohawk Superfine 80# Cover.Model: Jenna ArcherClient: Self-promotion1-125: Saint Hieronymus Press, Inc.A-Z: Artist's own useDedication copies: Jenna ArcherProgressives: One set to Jenna Archer, two sets to Saint Hieronymus Press.

Condition: Good. Edition of 1000 copies of which 100 are signed. Three sets of signed progressives.Printed on a text weight, laid sheet. September 11, 1973 4 colors 18" x 24"(Print September/October 1974: Print's Poster USA 74)Second printing 1100 copies of which none are signed. Printed on heavier paper than the first edition, & a Roman numeral II inside a circle is printed in red next to the signature block. February 9, 1977Client: Victoria WiseThe time has come," the Walrus said, "to talk of many things: of shoes-and ships-and sealing wax-of cabbages-and kings-And why the sea is boiling hot-and whether pigs have wings." So Lewis Carroll whiled away the hours writing for the amusement of little Alice Liddell. Surrealists have attempted to read into his works early embodiments of their own principles, and Freudians have had a field day with the symbolism. As well they might. Though there are some things better left alone: the innocent pleasure that you take in twisting about with Alice in her looking-glass world might be marred by too close a look into the workings of the author's Victorian mind, and you should likewise avoid witnessing the manufacture of sausages or the making of civil and criminal law."Laws are like sausages: it is better not to see them being made." Otto von Bismark (1815-1898), attributed.

Condition: Good. Edition of 1000 copies of which 100 are signed. Three sets of signed progressives.Printed on a text weight, laid sheet. September 11, 1973 4 colors 18" x 24"(Print September/October 1974: Print's Poster USA 74)Second printing 1100 copies of which none are signed. Printed on heavier paper than the first edition, & a Roman numeral II inside a circle is printed in red next to the signature block. February 9, 1977Client: Victoria WiseThe time has come," the Walrus said, "to talk of many things: of shoes-and ships-and sealing wax-of cabbages-and kings-And why the sea is boiling hot-and whether pigs have wings." So Lewis Carroll whiled away the hours writing for the amusement of little Alice Liddell. Surrealists have attempted to read into his works early embodiments of their own principles, and Freudians have had a field day with the symbolism. As well they might. Though there are some things better left alone: the innocent pleasure that you take in twisting about with Alice in her looking-glass world might be marred by too close a look into the workings of the author's Victorian mind, and you should likewise avoid witnessing the manufacture of sausages or the making of civil and criminal law."Laws are like sausages: it is better not to see them being made." Otto von Bismark (1815-1898), attributed.

Condition: Good. Edition of 3776 of which 300 are signed 1-300, 26 copies are signed A-Z as artist's proofs, and three sets are signed as progressives.April 18, 1983 17 colors, including gold foil stamping, done by Marier Engraving 17 3/8" x 24".Client: The Oakland Symphony (Arthur Jacobus).

Condition: Good. One of 125 pencil signed, numbered and dated impressions. Edition of 1792 of which 125 copies are signed 1-125, 26 copies are signed A-Z as artist's proofs.January 21, 2012. 17-1/2" x 24"10 Colors.Paper: Starwhite Vicksburg Sirius 110# Cover.Models: Mina Melinda Reimer. Client: McManis Faulkner.Dedication copies: James McManis; William Faulkner; Catherine Bechtel; Marwa Elzankaly; Sharon Kirsch; Neda Mansoorian; Elizabeth Pipkin; Michael Reedy; Sara Wigh; Jyl Savard.

Condition: Good. One of 125 pencil signed, numbered and dated impressions. Edition of 1613 of which 125 copies are signed 1-125, 26 copies are signed A-Z as artist's proofs. No progressives.March 30, 2009.16-1/4" x 24" .12 colors.Paper: Starwhite Vicksburg Sirius 110# Cover.Model: Margarita Ilinishna Zaydman.Influence: Alphonse Maria Mucha (Czech, 1860 - 1939).Client: Paul Doty, Berkeley Horticultural Nursery,1310 McGee Avenue,Berkeley California 94703Telephone: (510) 526-47041-125: Saint HieronymusPressA-Z: Artist's own use.

Condition: Good. First edition before the signature in the plate. 130 copies of which none are signed.Light foxing and creasing.1971 Four colors 18" x 24"Client: Pro Bono Publico for the Berkeley Venereal Disease Clinic.(Print: Poster USA 73; Communication Arts; January/February 1977; Images of an Era: The American Poster 1945-1975, The National Collection of Fine Arts, Smithsonian Institution, 1975; Designing With Illustration, Steven Heller & Karen Pomeroy, Van Nostrand Reinhold, 1990) (facsimile)Second edition of 1000 of which 25 copies are signed. Three sets signed as progressives. Alteration of text, signed in the plate. 1972 Four colors Client: Pro Bono Publico/Berkeley VD Clinic All signed copies to The Poster, San FranciscoClient: Pro Bono Publico/Berkeley VD ClinicInfluence: René MagritteBack in the good old days, we only had to worry about what we called "venereal disease." They were all curable, as far as we knew, and there was even at some point a reasonable hope of eradicating them entirely. The heavy hitters-genital herpes, AIDS and all the other antibiotic-resistant Sexually Transmitted Gargoyles-hadn't been invented yet. You didn't even need to worry about unplanned pregnancy, at least not around here. One in five American women was on The Pill. Believe it or not, in thirty years or so people will look back on the 'nineties as the good old days. What appalling things will cast this dreary time in a rosy light? Carpe diem.** Carpe diem, quam minimum credula postero. Seize the day, put no trust in the morrow. - Horace, Odes (23 bc), ode xi, last line. 1972.

Condition: Good. Signed and dated 1978 in pencil. One of 300 signed, numbered and dated copies .Edition of 1952 of which 300 copies are signed 1-300, 26 copies are signed A-Z as artist's proofs, and five sets are signed as progressives.September 8, 1978 Seven colors 18" x 24"Client: Ernest E. Karsten, Jr. A-Z: Artist's own use.(Communication Arts CA79; Color in Art and Design, Mary Pat Fisher and Paul Zelanski, John Calmann & King, LTD, London, 1988) (facsimile).Influence: Japanese design motifsMy high school Latin teacher, Ernie Karsten, provided support and encouragement that idealizes the student-teacher relationship. He befriended me through heartbreak and joy, and made sure that I had enough to eat in lean student days. He even paid my college tuition one semester. He offered praise at every turn, overlooking my shortcomings and never trampling on tender budding efforts.How do you repay such generosity? Fifteen years later, Ernie got stuck with the publicity for a conference of high school English teachers at Asilomar. At last I was given the opportunity to repay a fraction of what I owed. Asilomar liked the poster so well that they made tiles and rugs from the design. I even got to stay there free one night and admire my own handiwork.