Glasmeier (454 results)

Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Condition: Very Good. Satisfaction 100% guaranteed.

Soft cover. Condition: Near Fine. 1st Edition. Oblong format academic softcover clean square tight unmarked, CD-ROM in rear pocket appears unused.

Paperback. Condition: Fine. INCLUDES CD in NEW condition***EXCELLENT CONDITION*** CLEAN PAGES*** like new.light edge wear. We specialize in non-fiction books. Follow us on Facebook and Instagram.

Paperback. Condition: Very Good. Limited/Numbered. 42 page paperback gallery catalog with text insert "Painting from Time" (presented in German, Dutch and English), and 16 color plates of the artist work. Printing limited to 1200 copies - this being #353. Excellent color printing, excellent graphic design. Unmarked, tight and clean.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Pamphlet. Condition: Very Good. Vol 80, No 3, pp. 394-417, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, last page in facsimile, else VG.

Condition: Fine. - Octavo, softcover bound in printed gray wraps. 30 & [1] pages. Fine. Experimentelle Texte nr.10. Series edited by K. Riha und S. J. SchmidtThe text is in German.

First Edition. First edition. Softcover. Text in English and Italian with contributions by Markku Valkonen and Michael Glasmeier. Includes 16 color illustrations. A very near fine copy in wrappers. Uncommon.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Fair. Spuren von Feuchtigkeit / Nasse; Leichte Rillen / Abschurfungen / Risse / Knicke. Album/Tracks A+B is a comprehensive catalogue on the Belgian artist Ana Torfs, published on the occasion of her solo exhibitions in K21, Dusseldorf and Generali Foundation, Vienna. Its title refers to the idea of a photo album that starts out empty and slowly comes to tell a story as it is filled with pictures. Ana Torfs' oeuvre pays homage to characters and events in history, literature and film, pursuing the traces they have left behind-their "tracks"-in order to breathe new life into them. Her subjects include Ludwig van Beethoven's conversation books (for Zyklus von Kleinigkeiten [ Cycle of Trifles ], 1998), a play by Maurice Maeterlinck (for The Intruder , 2004) and the court records surrounding the murders of Rosa Luxemburg and Karl Liebknecht (for Anatomy , 2006). Torfs' media range from film, video, slide installation and photographic series to xerography and silkscreen. This monograph, designed by Jurgen Persijn, comprehensively documents Torfs' oeuvre between 1993 and 2010, with brief remarks on each individual work from critics Mieke Bal, Michael Glasmeier, Sabine Folie, Anselm Franke, Doris Krystof, Steven Jacobs, Gabriele Mackert, Friedrich Meschede and Catherine Robberechts. An introductory essay by Kassandra Nakas and an extensive correspondence between Gabriele Mackert and the artist complete this wide spectrum of perspectives on Torfs' work.

Hardcover. Condition: As New. Still in the Original Shrinkwrap!!! Brand New Text!!! Never Been Used!!!

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Trade Paperback. Condition: USED Very Good.

Softcover, 40 pages, in German, very good condition, no internal marks. Price list laid in. Foreign shipping may be extra.

Softcover exhibition catalog, 20 pages, in German, fair condition: bok is bent along edge opposite spine, no internal marks, with color reproductions. As is.

Condition: Very good. - Quarto [11 inches high by 8-1/4 inches wide], softcover bound in printed white wrappers with a decoration in red & black. The spine & extremities are slightly darkened & there is some light rubbing & soiling to the rear wrap. Title & 34 pages. Profuse illustrations in color and black & white, including a photographic portrait of each photographer. The contents are fine. Very good. Biographical information on the photographers and commentary on their work is printed in German and English.

Broschiert. Condition: Gut. 156 S. : Ill. ; Das Buch befindet sich in einem gut erhaltenen Zustand. Stellenweise Anstreichungen im Text. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 325.

Eingeschweißtes Ex., vergriffen, keine Neuauflage. »if I had a hammer« ist der Titel eines aus Kristallglas geformten Hammers, einem Multiple von Kirsten Klöckner. Das vorliegende Künstlerbuch ergänzt und erweitert das Kunstwerk. Kirsten Klöckners Buch beantwortet Fragen, die von verschiedenen Seiten gestellt wurden: Woher kommt die Idee? Wie ist der Weg von der Idee zum Objekt? Wohin geht ein Multiple? Wie hält man einen Glashammer? Wozu kann man ihn benutzen? Was sagt die Wissenschaft dazu? Mwst.: 7%. Wir verschicken keine Bestellbestätigung, Versand wenn möglich am Tag des Bestelleingangs. Gewicht in Gramm: 200 Oktav, 132 S. Deutschsprachige Augabe OBroschur. Neubuch.

Durchgehend mit s/w und farbigen Abbildungen, nicht signiert. Mwst.: 7%. Wir verschicken keine Bestellbestätigung, Versand wenn möglich am Tag des Bestelleingangs. Gewicht in Gramm: 300 Groß Oktav, 48 S. Deutschsprachige Ausgabe OPbd. Sehr Guter Zustand Gebundene Ausgabe.

Archivexemplar mit kleinem Rückenschild und geschwärztem Stempel auf Titelblatt, durchgehend s/w illustriert. Mwst.: 7%. Wir verschicken keine Bestellbestätigung, Versand wenn möglich am Tag des Bestelleingangs. Gewicht in Gramm: 600 Lexikon Oktav, 120 S. Deutschsprachige Augabe OBroschur. Guter Zustand Archivexemplar.

Condition: Good. Paperback, illustrations in b/w, 8vo.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: As New. As new in shrink wrap. Includes flexi disc of the Arditti Quartet performing Knizak's "Broken Music." Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. Broken Music focuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989. It also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak's "Broken Music." The centerpiece of the publication is a nearly 200-page bibliography of artists' records. Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists. Artists documented in the volume include Vito Acconci, albrecht/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O'Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner. .

72 pp.; 18.2 x 13.5 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Artist's book composed of descriptions and images of works given by Boltanski to the Valentin Musäum im Isartor in München, Germany. Book mimics traditional form of past catalogues produced by an archaeological museum. Conceived as a tribute to the German comic Karl Valetin of the 1920s, who is the inspiration for Boltanski's comic sketches. Reference : "Christian Boltanski : Artist's Books 1969 - 2007" by Christian Boltanski, Bob Calle. Paris, France : Éditions 591, 2008, pp. 80. Very Good. Light rubbing of covers and bumping of corners. Original price sticker on verso. Contents clean and unmarked.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.