Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Condition: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.
Language: English
Published by Fondazione Prada, Milan, 1998
ISBN 10: 8887029008 ISBN 13: 9788887029000
Seller: Colin Martin Books, Near Hull, EY, United Kingdom
Paperback. Condition: Fine. Octavo, 334 pages, illustrated, mostly in colour. Unused, a Fine copy.
12 x 9.5 inches. 216 pages. Profusely illustrated. Pictorial wrappers. A fine copy.
Soft cover. Condition: Very Good. Paperback. Condition: Very Good. Paperback.Width: 15 cm. Height: 24cm. 334 pages. English text. This particular book was previously owned by the late fashion designer Karl Lagerfeld - not inscribed.
Softcover, 332 pages, in English and Italian, very good condition, light rubbing to covers with tiny crimps to top and bottom of spine; no internal marks. Foreign shipping may be extra.
paperback. Condition: As New.
Paperback. Condition: Brand New. Paperback.Width: 15 cm. Height: 24cm. 334 pages. English text.
Language: English
Published by Milano. Fondazione Prada., 1998
ISBN 10: 8887029008 ISBN 13: 9788887029000
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germany
Erste Auflage. 24 x 15 cm. 329 S., 1 Blatt. OKarton mit OKlappenumschlag. Einbandkanten marginal berieben, Preisetikett auf dem hinteren Einband, sonst gutes Exemplar. Texte in Italienisch und Englisch. Durchgehend mit farbigen Abbildungen versehen, teilweise auf Klapptafeln. Erschien anläßlich der Ausstellung von Sam Taylor-Wood, Fondazione Prada, Mailand, 19. November 1998 - 6. Januar 1999.
Paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Language: English
Published by Fondazione Prada, Milan, 1998
ISBN 10: 8887029008 ISBN 13: 9788887029000
Softcover. Condition: VG+. 1 volume (unpaged) : color illustrations (some folded) ; 24 cm. "Sam Taylor-Wood (London, 1967) is one of the most widely discussed and intriguing exponents of "New British Art". Initially devoting herself to sculpture, she has developed an interest in film and photography as means for narrating situations whose attention is invariably centred on the isolation of the human emotion: discomfort, solitude, provocation, euphoria, aggression and sexuality are all recurrent themes"--Book jacket. Published on the occasion of an exhibition, Milan, Fondazione Prada, Nov. 19, 1998 to Jan. 6, 1999./ Text in English and Italian./ Includes bibliographical references.