Furst Michele (9 results)

Soft cover. Condition: Fine. 1st Edition. Fine condition in original softcover. Apparent first edition. "Published in conjunction with an exhibition at The Massachusetts College of Art, March 6 - May 4, 1991." (88 pages.) Ships from NC. All paperbacks are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information.

paperback. Condition: Good. Good condition paperback. Pages are clean and unmarked. Minor rubbing on upper edge. Strong binding. Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.

Softcover. Condition: Very Good. Very good, tight copy with some curl to the tips. Presumed first softcover printing. Oblong softcover. 88 pp. Organized by Massachusetts College of Art and the Department of African-American Studies. Select black & white photographs by Memphis photographer, Ernest C. Withers, who captured stunning images of the Civil Rights movement as it unfolded.

paperback. Condition: Good. Unmarked paperback, lightly bumped corners.

Condition: NEW.

Brossura. Condition: new. A cura di Foletti I., Nokkala Miltová R. e Jakubec O.Roma, 2021; br., pp. 248, ill., cm 18x24,5.(I Libri di Viella. Arte. 11). Libro.

Condition: NEW. Roma: Viella, 2021 9788833138459 I libri di Viella. Arte 11 809 248 p. : ill. col., indice, biografia ; 24 cm. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. Foletti,Ivan - Jakubec,Ondrej - Miltová,Radka Nokkala.

Soft cover. Condition: Very Good. No Jacket. Withers, Ernest C. (photographs) (illustrator). LET US MARCH ON!: SELECTED CIVIL RIGHTS PHOTOGRAPHS OF ERNEST C. WITHERS, 1955-1968, edited by Ronald W. Bailey and Michele Furst, illustrated by Ernest C. Withers, softcover, 1992. ITEM CONDITION: very good. The text block and illustrations are in near fine condition, with no tears, dogears, or marks. No bookplate nor signature of prior owner. Not a remainder nor library item. The wraps are in good condition but for a torn spot at the bottom of the front cover and some small worn spots near the spine. 8 ½ x 11, 86 pages, 15 ounces XX Ernest C. Withers (August 7, 1922 - October 15, 2007) was an African-American photojournalist. He documented over 60 years of African American history in the segregated Southern United States, with iconic images of the Montgomery bus boycott, Emmett Till, Memphis sanitation strike, Negro league baseball, and musicians including those related to Memphis blues and Memphis soul. Withers's work has been archived by the Library of Congress and has been slated for the permanent collection of the Smithsonian Institution's National Museum of African American History and Culture, in Washington, D.C. Withers exhibited interest in photography from a young age. He took his first photograph in high school after his sister gave him a camera she received from a classmate. During World War II, he received training at the Army School of Photography. After the war, Withers served as one of Memphis' first African American police officers. Withers was active for approximately 60 years, with his most noted work being the images captured of the Civil Rights Movement. He traveled with Martin Luther King Jr. during his public life. Withers's coverage of the Emmett Till murder trial brought national attention to the racial violence taking place during the 1950s in Mississippi, among other places. Withers served as official photographer for Stax Records for 20 years.

Trade Paperback. Condition: Very Good. Presumed First. Presumed first trade paperback edition w/NAP, has a tiny lean to the binding, a touch of faint bowing to the text block, slight bumps to the spine ends and cover corners, mild shelfwear to the edges, and a few areas of rubbing with very small scrapes along the hinges, otherwise a solid, tight, clean VG copy.