Foreword Joshua Taylor (10 results)

hardcover. Condition: New.

First 4to, wrappers. 141 pp, 656 illustrations (most of them small); frontispiece in color. A catalogue raisonne, published in conjunction with an exhibition December 6, 1979 - February 3, 1980 and at the Fogg Art Museum, Cambridge, MA from February 22 to April 6, 1980. Very good except for discoloration along the backsrip.

Paperback. Condition: Very Good. First Edition. City of Washington: Smithsonian Institution Press, 1973. 78 pages. 40 catalogued works; 45 illustrations. M. Zorach destroyed much of her early work: paintings in this exhibition were newly discovered at the time. The text is informative of her student years in Paris, her meeting William, the following time abroad and in California, finally Maine. Bibliography. First Edition. Pictorial Wrapper (softcover). Very Good. 4to. Exhibition Catalogue.

Pictorial Cover. Condition: Near Fine. 35 pages. 26 cm. Colored pictorial stapled card cover. Frontispiece (b/w portrait by M. Levitt). Illustrated with b/w photographs (10 drawings). Bibliography. Catalogue of 86 works ; exhibition held Sept. 20 - Nov. 7, 1971 , National Collection of Fine Arts, Smithsonian Institution. Light shelf wear. Else an unmarked, bright book.

Paperback. Condition: Near Fine. 1st. 167 pages, illustrations (some colour); 27 cm. Exhibition held February 23 to May 13, 1973. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

Soft cover. Condition: Fine. 1st Edition. Published in conjunction with an exhibition at the National Collection of Fine Arts, Smithsonian Institution, July 29, 1977 - January 8, 1978 and Teachers College, Columbia University, New York, New York, February 27, 1978 - March 31, 1978. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. 159pp 1.30lb 10.3x8.5x0.6in.

Staplebound. 35p., 8.5x10.25 inches, foreword, essay and biography, catalog of the exhibition, bibliography, monochrome plates, very good booklet in stapled pictorial wraps.

Softcover. Condition: Near Fine. First Edition. NEAR FINE. Presumed FIRST softcover edition, first printing. Jacket color is bright, corners sharp all around. Very light sunning to spine. Interior is bright and clean. Very faint freckling to top edge of text block. Spine shows mild creasing -- gently read. Unmarked.

Cloth in Illustrated Jacket. Condition: Near Fine. First Edition. 218pp, profusely illustrated in color and b&w. With an exhibition checklist. This is the comprehensive catalogue published in conjunction with the 1976 Robert Rauschenberg retrospective held in honor of America's Bicentennial at the National Collection of Fine Arts that subsequently traveled to the Museum of Modern Art, New York, San Francisco Museum of Modern Art, Albright-Knox Art Gallery in Buffalo, and The Art Institute of Chicago. An otherwise most handsome example of the hardbound first printing of this important document showing some light rubbing and sunning to the dust jacket along with the discreet ink ownership stamp of the director of one of Rauschenberg's galleries at the time on the front pastedown. It has been priced accordingly. Artist Monograph.

Illustrated Wrappers. Condition: Near Fine. First Edition. 218pp, profusely illustrated in color and b&w. With an exhibition checklist. This is the comprehensive catalogue published in conjunction with the 1976 Robert Rauschenberg retrospective held in honor of America's Bicentennial at the National Collection of Fine Arts that subsequently traveled to the Museum of Modern Art, New York, San Francisco Museum of Modern Art, Albright-Knox Art Gallery in Buffalo, and The Art Institute of Chicago. An internally bright, most handsome example of the paperbound first printing of this important document additionally BOLDLY SIGNED "BOB RAUSCHENBERG" in blue ink across the title page showing some typical light sunning to the spine. Signed by the Artist. Artist Monograph.