Fleming Sally (28 results)

hardcover. Condition: Good. The dust jacket shows normal wear. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations. Lambert, Sally Anne (illustrator).

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Lambert, Sally Anne (illustrator).

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Lambert, Sally Anne (illustrator).

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Lambert, Sally Anne (illustrator).

Condition: like_new. The cover shows no damage or marks! Ship within 24 hours!. Lambert, Sally Anne (illustrator).

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Lambert, Sally Anne (illustrator).

Condition: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Lambert, Sally Anne (illustrator). …

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Lambert, Sally Anne (illustrator).…

Hardback. Condition: Good. A new take on The Little Red Hen -- Cajun stylePoor Monsieur Gator is getting old and is moving so slow he can't catch himself a taste of possum or otter, or even a whiff of skunk. Day after day those animals tease and taunt him until, finally, he decides to cook up some gumbo just like Maman used to make. But who will help him boil, catch, sprinkle, and chop? Certainly not rude Mademoiselle Possum, ornery Monsieur Otter, or sassy Madame Skunk. But when the gumbo is ready, they're more than eager to enjoy the result of Gator's hard work and as they run to get a taste - Slurp Slip Plop Them animals go into the pot. Mmm-mmm, says Monsieur Gator. Now, this is gumbo just like Maman used to make.Illustrated with wit and whimsy, this mischievous tale will have young readers laughing out loud. Lambert, Sally Anne (illustrator).…

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Lambert, Sally Anne (illustrator).

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Lambert, Sally Anne (illustrator).

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Lambert, Sally Anne (illustrator).

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Lambert, Sally Anne (illustrator).

Condition: good. Lambert, Sally Anne (illustrator).

Hardback. Condition: Good. A new take on The Little Red Hen -- Cajun stylePoor Monsieur Gator is getting old and is moving so slow he can't catch himself a taste of possum or otter, or even a whiff of skunk. Day after day those animals tease and taunt him until, finally, he decides to cook up some gumbo just like Maman used to make. But who will help him boil, catch, sprinkle, and chop? Certainly not rude Mademoiselle Possum, ornery Monsieur Otter, or sassy Madame Skunk. But when the gumbo is ready, they're more than eager to enjoy the result of Gator's hard work and as they run to get a taste - Slurp Slip Plop Them animals go into the pot. Mmm-mmm, says Monsieur Gator. Now, this is gumbo just like Maman used to make.Illustrated with wit and whimsy, this mischievous tale will have young readers laughing out loud. Lambert, Sally Anne (illustrator).…

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail. Lambert, Sally Anne (illustrator).…

Condition: acceptable. Lambert, Sally Anne (illustrator).

Paperback. The Fall 2009 issue of Aperture magazine, No. 196, with: a portfolio of drawings by William Eggleston; portfolios of photographs by William Klein, Rob Hornstra, Sally Gall, Debbie Fleming Caffery, and Gerald Slota; Luc Sante on the early-20th-century photographic postcard; essays by Neil LaBute, Phillip Lopate, Mary-Charlotte Domandi, Graham Nash, and others; Mark Alice Durant on Photography and Monumentality; and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 88 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

First Edition. First edition. Softcover. 88 pages. Features articles like: Alessandra Mauro writing on William Klein's images of Rome, Neil Labute's words accompanied by images by Gerard Slota, Melissa Harris writing on William Eggleston's drawings, Phillip Lopate on Sally Gall, and a profile of Debbie Fleming Caffery by Mary-Charlotte Domandi. A near fine copy in wrappers.…

Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Lambert, Sally Anne (illustrator).

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Cloth, sl faded & frayed dw; some pencil scoring and [highly critical] notes.

Hardcover. Condition: Good. No Dustjacket. First Edition. ISBN . Hardback. Annual publication. No dust jacket; bound in textured blue and gold boards. Signatures throughout. Minor wear and dust soiling/staining to boards; slight wear to corners and edges of pages; slight dust soiling and browning throughout; otherwise tight, sound and unmarked in Good to Very Good condition. No Signature.…

Blue Cloth. Condition: As New. Dust Jacket Condition: Near Fine. First Edition Thus. A Fingerprint Book. The story of a newly-released-from-gaol George Sudley falls in love and becomes involved in a murder. 208 pp. Book has blue cloth covered boards with as-new gilt text and fingerprint`` on spine. Price clipped DJ (Sally Davies) has slight age toning, loosening lamination at top of rear panel. Bookseller's Inventory # 155103. Sally Davis (jacket design) (illustrator). …

Condition: New. Satisfaction Guaranteed or your money back. Underwood, Kay (illustrator).

hardcover. Condition: New. In shrink wrap. Looks like an interesting title. Lambert, Sally Anne (illustrator).

Paperback. Condition: Very Good. 2005 John Donald paperback edition. Light reading wear else very good condition. Contents: Sally Mapstone, 'Introduction: Older Scots and the Fifteenth Century'; Julia Boffey and A.S.G. Edwards, 'Bodleian MS Arch. Selden. B. 24: The Genesis and Evolution of a Scottish Poetical Anthology'; Alessandra Petrina, 'Donne Gentili and Courtly Ladies: A Comparison Between Dante's Beatrice and the Lady of the Kingis Quair'; Jonathan A. Glenn, 'The Manuscript History of Sir Gilbert Hay's Buke of the Law of Armys: A Study'; Rosemary Greentree, 'Literate in Love: Makyne's Lesson for Robene'; Klaus Bitterling, 'Insular and Continental Traditions Behind Robert Henryson's Fables'; R.J. Lyall, 'Henryson, the Hens and the Pelagian Fox: a Poet and the Intellectual Currents of his Age'; John McNamara, 'Folkloric Patterns in Henryson's Fables: A Sociolinguistic Approach'; John MacQueen, 'Lent and Henryson's 'The Fox, the Wolf, and the Cadger''; R.W. Smith, 'The Meaning of the 'Nekhering' in Henryson's Fable of 'The Fox, the Wolf, and the Cadger''; Edward W. Bradburn, ''Prolog' and 'Moralitie': Authorial Apostrophe in Robert Henryson's Fables'; Anne M. McKim, 'Henryson's Use of the Conjunctive Phrase 'with that' in the Moral Fables'; J. Derrick McClure, 'Blind Hary's Metrics'; Marace Dareau, Lorna Pike, and Harry D. Watson, 'DOST and Older Scots Scholarship'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth Century'; Priscilla Bawcutt, 'Manuscript Miscellanies in Scotland from the Fifteenth to the Seventeenth Century'; Ma. Nieves Rodriguez Ledesma, 'Linguistic Anglicisation in The Complaynt of Scotland: A Study of Further Diagnostic Variables'; A.A. MacDonald, 'On First Looking into the Gude and Godlie Ballatis (1565)'; Joanne Norman, 'William Dunbar and the Bakhtinian Construction of the Self'; Robert Drexler, 'Dunbar, Douglas, and the Art of Memory'; C. Marie Harker, 'Skirting the Issue: Misogyny and Gender in Lyndsay's Ane Supplication Directit - to the Kingis Grace, in Contemptioun of Syde Taillis'; Evelyn S. Newlyn, 'The Female Voice in Sixteenth-Century Scots Poetry'; Keely Fisher, 'Eldritch Comic Verse in Older Scots'; Theo van Heijnsbergen, 'Modes of Self-Representation in Older Scots Texts'; Janet Hadley Williams, ''We had the ky and thai gat bot the glaikis': Catching the Echoes in Duncan Laideus' Testament'; William Gillies, 'Gun ann ach an ceo 'Nothing Left but their Mist': Farewell and Elegy in Gaelic Poetry'; Michael Chesnutt, 'Otterburn Revisited: A Late Medieval Border Ballad and its Transmission'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth and Seventeenth Centuries'; Anneli Meurman-Solin, 'Women's Scots: Gender-Based Variation in Renaissance Letters'; Sarah M. Dunnigan, 'Feminising the Early Modern Erotic: Female-voiced Love Lyrics and Mary Queen of Scots'; Jamie Reid-Baxter, ''Judge and revenge my cause': the Earl of Morton, Andro Blackhall, Robert Sempill and the Fall of the House of Hamilton in 1579'; David J. Parkinson, 'Alexander Montgomerie: Scottish Author'; Regina Scheibe, 'The Function of the Animal Massacre in John Burel's Passage of the Pilgremer'; Daniel Fischlin, 'Like a Mercenary Poet': the Politics and Poetics of James VI's Lepanto'; Morna R. Fleming, ''The End of an Auld Sang'? Scottish Poetry of the English Reign of James VI and I'; Louise Yeoman, 'James Melville and the Covenant of Grace'; David W. Atkinson, 'More than One Voice: the Poetic Accomplishment of William Alexander'; David Reid, 'Hume of Godscroft on Kings and Subjects'; Margery Palmer McCulloch, 'Liz Lochhead, Mary Queen of Scots, and the Suppression of the Female Principle'.…

Vintage borderless photograph from the 1968 film. Mimeo snipe on the verso. Based on the 1964 novel by Ian Fleming, about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. Set in and shot on location in England and France. 10 x 8 inches. Very Good plus, some edgewear, very small hole and dimples on lower right and very light creasing.…