Flannery O'connor (Over 2,000 results)

Hardback. Condition: Good. "I would like to write a beautiful prayer," writes the young Flannery O'Connor in this deeply spiritual journal, recently discovered among her papers in Georgia. "There is a whole sensible world around me that I should be able to turn to Your praise." Written between 1946 and 1947 while O'Connor was a student far from home at the University of Iowa, A Prayer Journal is a rare portal into the interior life of the great writer. Not only does it map O'Connor's singular relationship with the divine, but it shows how entwined her literary desire was with her yearning for God. "I must write down that I am to be an artist. Not in the sense of aesthetic frippery but in the sense of aesthetic craftsmanship; otherwise I will feel my loneliness continually . . . I do not want to be lonely all my life but people only make us lonelier by reminding us of God. Dear God please help me to be an artist, please let it lead to You." O'Connor could not be more plain about her literary ambition: "Please help me dear God to be a good writer and to get something else accepted," she writes. Yet she struggles with any trace of self-regard: "Don't let me ever think, dear God, that I was anything but the instrument for Your story." As W. A. Sessions, who knew O'Connor, writes in his introduction, it was no coincidence that she began writing the stories that would become her first novel, Wise Blood, during the years when she wrote these singularly imaginative Christian meditations. Including a facsimile of the entire journal in O'Connor's own hand, A Prayer Journal is the record of a brilliant young woman's coming-of-age, a cry from the heart for love, grace, and art.…

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Paperback. Condition: Fair. First published in 1960, The Violent Bear It Away is now a landmark in American literature. It is a dark and absorbing example of the gothic sensibility and bracing satirical voice that are united in Flannery O'Connor's work. The orphaned Francis Marion Tarwater and his cousin, Rayber, struggle to defy the prophecy of their dead uncle--that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. As Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet, Rayber tries to draw Tarwater into a more reasonable modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul. O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos. The result is a novel whose range and depth reveal a brilliant and innovative writer acutely alert to where the sacred lives and where it does not.…

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Paperback. Condition: Fair. This bold and brilliant collection is a must for all readers, writers, and students of American literature When she died in 1964, Flannery O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her lifetime. The brilliant pieces in Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the boldness and simplicity of her style, a fine-tuned wit, understated perspicacity, and profound faith. The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. There are three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two on teaching literature, including "Total Effect and the Eighth Grade"; and four on the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are gems. Their value to the contemporary reader--and writer--is inestimable.…

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Paperback. Condition: Good. ONE OF THE GREATEST AMERICAN SHORT STORY COLECTIONSIn 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique, grotesque view of life-- infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. With these classic stories-- including The Life You Save May Be Your Own, Good Country People, The Displaced Person, and seven other acclaimed tales-- O'Connor earned a permanent place in the hearts of American readers.Much savagery, compassion, farce, art, and truth have gone into these stories. O'Connor's characters are wholeheartedly horrible, and almost better than life. I find it hard to think of a funnier or more frightening writer. -- Robert Lowell In these stories the rural South is, for the first time, viewed by a writer who orthodoxy matches her talent. The results are revolutionary. -- The New York Times Book Review Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her M.F.A. at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post-World War I authors-- a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work-- novels, short stories, letters, and criticism-- received a number of awards, including the National Book Award.…

Paperback. Condition: Fair. ONE OF THE GREATEST AMERICAN SHORT STORY COLECTIONSIn 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique, grotesque view of life-- infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. With these classic stories-- including The Life You Save May Be Your Own, Good Country People, The Displaced Person, and seven other acclaimed tales-- O'Connor earned a permanent place in the hearts of American readers.Much savagery, compassion, farce, art, and truth have gone into these stories. O'Connor's characters are wholeheartedly horrible, and almost better than life. I find it hard to think of a funnier or more frightening writer. -- Robert Lowell In these stories the rural South is, for the first time, viewed by a writer who orthodoxy matches her talent. The results are revolutionary. -- The New York Times Book Review Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her M.F.A. at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post-World War I authors-- a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work-- novels, short stories, letters, and criticism-- received a number of awards, including the National Book Award.…

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Paperback. Condition: Fair. Flannery O'Connor's haunting first novel of faith, false prophets, and redemptive wisdom Wise Blood, Flannery O'Connor's astonishing and haunting first novel, is a classic of twentieth-century literature. It is the story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his inborn, desperate fate. He falls under the spell of a blind street preacher named Asa Hawks and his degenerate fifteen-year-old daughter, Sabbath Lily. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawks, Motes founds the Church Without Christ, but is still thwarted in his efforts to lose God. He meets Enoch Emery, a young man with wise blood, who leads him to a mummified holy child and whose crazy maneuvers are a manifestation of Motes's existential struggles. This tale of redemption, retribution, false prophets, blindness, blindings, and wisdom gives us one of the most riveting characters in American fiction.…

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Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.