Fernand Rivers (12 results)

Couverture souple. Condition: Bon. Un volume in12 , broché , couverture illustrée , ( 12 x 18,8 cm ) , 306 pages , 2 portraits.Les 10 dernières pages donnent les noms des personnes citées . Bon exemplaire .

23x15. 61-61-79-95-94-87 pags. 6 números encuadernados en un volumen. Conserva las cubiertas en rústica ilustradas, color. Fotos. Texto en francés.

Bon état. Paris. 23 cm x 31 cm. 1948. recto/verso. 2 pages. Paris Films Fernand Rivers 1948. 1 feuille recto/verso 23 cm x 31 cm. Film de Fernand Rivers avec Hélène Perdrière Jean Chevrier Jeanne Provost Luce Feyrer ? résumé du scénario. Bon état. Bon état.

softcover. Condition: very good. THÉÂTRE CLUNY / [Program] Saison 1932 - 1933 / BOURRACHON. Well-preserved theatre program from the 1932 - 1933 season of the famous Théâtre Cluny - Saint-Germain. The program has a front cover illustration by Pietri. It's a wonderful relic from inter-war Paris. 5½" - 7½" pictorial wraps, stapled printed in color on the front (which has a picture depicting a dancer Josephine Baker style in a stage production. book.

"Paris-theatre" n.24, revue mensuelle, 1949. Format 15x24 cm, broche. Bon etat.

couverture souple. Les films Fernand Rivers | Paris 1957 | 14 x 19 cm | broché | Edition originale, un des 300 exemplaires numérotés sur alfa et réservés au service de presse. Dos ridé, sinon agréable exemplaire. Préface de Henri Jeanson, iconographie. Envoi autographe signé de Fernand Rivers à Marcel Achard. | [ENGLISH DESCRIPTION FOLLOWS] First edition, one of 300 numbered copies on alfa paper reserved for the press service. Spine creased, otherwise handsome copy. Preface by Henri Jeanson, iconography. Signed autograph inscription from Fernand Rivers to Marcel Achard. *.

Pas de couverture. Condition: bon. RO80117439: Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 plaquette de 8 pages, illustrée de quelques photos en noir et blanc. . . . Classification Dewey : 791.43-Cinéma.

Pas de couverture. Condition: bon. RO80117453: Non daté. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 1 plaquette dépliantes en 3 volets, illustrée de quelques photos en 2 couleurs. . . . Classification Dewey : 791.43-Cinéma.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Pas de couverture. Condition: Très bon. Guy Gérard Noel (illustrator). Sans date (1947). Affiche du film (avec Hélène Perdrière, Jean Chevrier), scénario dossier de presse. 62x47 cm. Pliée en quatre pages.

Pas de couverture. Condition: Bon. J. E. Goossens (illustrator). Sans date (circa 1947). Affiche ressortie du film (avec Pierre Renoir, Valentine Tessier et Jules Berry). 80x120 cm. Pliée. Anciens renforts de papier au dos, petites restaurations.

Vintage oversize reference photograph from the 1955 French film, showing actors Lia Di Leo and Marcel Raine in an intimate moment. Annotations in manuscript ink and pencil on the verso. Based on the 1832 play by Alexandre Dumas and Frédéric Gaillardet, about Queen Margaret of Burgundy, who kills her partners after their dalliances have ended in order to leave no trace of her sexual misdeeds. Partially shot on location in Paris. 11.5 x 9.25 inches. Very Good, with multiple pinholes and accompanying wear at the corners, and light soil on the verso.