Farbaky Peter (17 results)

Hardcover. Condition: As New. 359 pp. Bound. Copy as new, minor bump to a hinge. English language title. [HK13P6].

Condition: NEW.

Brossura. Condition: new. Edited by Barral i Altet X., Lucherini V. and Lövei P.English Text.Roma, 2018; paperback, pp. 732, b/w and col. ill., cm 17x24.(Accademia Ungheria. 7). Libro.

Hardcover. Octavo. Hardcover. Bound in red cloth with illustrated jacket. xli, 728 pages : illustrations (chiefly color), color maps ; 25 cm.12 contributions in English and 10 in Italian. In the later fifteenth century, the Kingdom of Hungary became the first land outside Italy to embrace the Renaissance, thanks to its king, Matthias Corvinus, and his humanist advisors, Janos Vitez and Janus Pannonius. Matthias created one of the most famous libraries in the Western World, the Bibliotheca Corviniana, rivaled in importance only by the Vatican. The court became home to many Italian humanists, and through his friendship with Lorenzo the Magnificent, Matthias obtained the services of such great Florentine artists as Andrea del Verrocchio, Benedetto da Maiano, and Filippino Lippi. After Matthias's death in 1490, interest in Renaissance art was continued by his widowed Neapolitan queen, Beatrice of Aragon, and by his successors Vladislav I and Louis II Jagiello. The twenty-one essays collected in this volume provide a window onto recent research on the development of humanism and art in the Hungary of Matthias Corvinus and his successors. Richly illustrated with new photography, this book eloquently documents and explores the unique role played by the Hungarian court in the cultural history of Renaissance Europe. VG+. Clean and unmarked. Close to new.

Condition: NEW. Roma: Viella, 2018 9788867286614 Bibliotheca Academiae Hungariae 7 1409 732 p., clxxvi p. of plates : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. Lõvei,Pál - Lucherini,Vinni - Takács,Imre.

Condition: NEW.

Condition: New. 2008. Paperback. . . . . .

Condition: New. 2008. Paperback. . . . . . Books ship from the US and Ireland.

Brossura. Condition: fine. Firenze, Museo Di San Marco, 10 ottobre 2013 - 6 gennaio 2014.A cura di Magnolia Scudieri, Lia Brunori, Péter Farbaky, Dániel Pócs.Firenze, 2013; br., pp. 358, ill. e tavv. b/n e col., cm 21x29. Catalogo della mostra: Firenze, Museo di San Marco, Biblioteca di Michelozzo, 10 ottobre 2013-6 gennaio 2014. Nel 2008 il Museo Storico di Budapest ha organizzato a Budapest una grande mostra per il 550° anniversario dell'inizio del regno di Mattia Corvino in Ungheria, che ha aperto, insieme ad altre esposizioni in diverse sedi museali di quella città, nuove e stimolanti prospettive di conoscenza sui rapporti intercorsi tra l'Ungheria e l'Italia già a partire dal Trecento e sulla diffusione dell'Umanesimo in terra ungherese. È nata così l'idea di realizzare a Firenze nel 2013, in cui si celebra l'anno ungherese in Italia, una mostra che sviluppasse il tema del rapporto privilegiato che re Mattia Corvino ebbe con Firenze, con i suoi artisti, i suoi miniatori e tutta la cerchia culturale che gravitava intorno a Lorenzo de' Medici. L'idea è diventata un progetto elaborato congiuntamente da studiosi ungheresi e fiorentini, quali Péter Farbaky, storico dell'arte e vicedirettore del Museo Storico di Budapest, Dániel Pócs, storico dell'arte dell'Istituto di Storia dell'Arte dell'Accademia della Scienza, Eniko Spekner storico e András Végh archeologo, entrambi del Museo Storico di Budapest e di Magnolia Scudieri e Lia Brunori, rispettivamente direttore e vicedirettore del Museo di San Marco, prescelto come sede della mostra. La scelta di San Marco non è casuale, dato il ruolo ricoperto nello sviluppo della cultura umanistica dalla Biblioteca domenicana. Libro.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First English Edition. "Studia Humanitatis" Publications of the Centre for Renaissance Research, being Volume 8, and this volume being edited by Peter Farbaky, and with translation from the original Hungarian by Gyorgyi Jacobi. An ode to the centrality of King Matthias (1458-1490) in the humanistic origins of the European Renaissance. Fine-looking, structurally sound hardcover, little discernible wear to the brick-red cloth over boards, bright interior, unmarked. Bright and shiny dust jacket, illustrated, little worn but slightly rubbed, and machine- but not price-clipped. A range of black-and-white illustrations including facsimile, printed on high-gloss paper. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. [8], 9-179 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Condition: Very Good. 4to., pp.608, pictorial hardcover, colour illustrations and maps, b/w figures, colour frontispiece; light rubbing to corners of boards, a very good copy. No dust-jacket.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Oversized hardcover, fully bilingual (Hungarian & English), 363 pages, copiously illustrated with unique historic photos and plans, glossy paper, NOT ex-library. Weight: 1865g. Near fine in a gently worn, very good dust jacket. Clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. -- The book is based on an exhibition presenting materials from the Architectural and Photo Collections of Kiscelli Museum, held in the stations of the Millenary Underground in Budapest. -- This work provides a detailed architectural and urban history of the development of Budapest's iconic Andrássy Avenue and the surrounding Terézváros district during the city's "golden age" of construction. It chronicles the entire process, from the initial urban planning concepts to the final execution of the magnificent palaces and apartment buildings that line the boulevard. The book focuses not just on the famous architects but also on the builders, craftsmen, and the social context of this monumental undertaking in the late 19th and early 20th centuries. Richly illustrated with historical photographs, plans, and documents, it serves as a key resource on the urban and architectural history of Budapest during the Austro-Hungarian era. -- Contents: Preface; The Millenary Underground; Vorosmarty Square [Vorosmarty Square; German Theatre and the Redoute; Frigyes Feszl]; Deak Square [Lutheran Church in Deak Square; Mihaly Pollack]; Bajcsy-Zsilinszky Street [St Stephen's Basilica; Jozsef Hild; Andrassy Avenue]; Opera House [Opera House; Miklos Ybl]; Oktogon [Grand Boulevard; Alajos Hauszmann]; Vorosmarty Street [The Old Art Hall and the Model School of Design]; Kodaly Circus [Kodaly Circus; Calvinist Church in Varosligeti Fasor]; Bajza Street [Mulberry Garden; City Park Lane]; Heroes' Square [Heroes' Square; Albert Schickedanz; City Park]; Szechenyi Bath [The Szechenyi Bath; City Park Skating Hall; Odon Lechner]; Mexikoi Street [Elizabeth Women's School; Bela Lajta]; References; Sources of the pictures.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. prima edizione. Mattia Corvino e Firenze. Arte e umanesimo alla corte del re di Ungheria. Catalogo della mostra (Firenze, 10 ottobre 2013-6 gennaio 2014) Descrizione libro: Giunti Editore, 2013. Condizione libro: New. Catalogo della mostra: Firenze, Museo di San Marco, Biblioteca di Michelozzo, 10 ottobre 2013-6 gennaio 2014. Nel 2008 il Museo Storico di Budapest ha organizzato a Budapest una grande mostra per il 550° anniversario dell'inizio del regno di Mattia Corvino in Ungheria, che ha aperto, insieme ad altre esposizioni in diverse sedi museali di quella città, nuove e stimolanti prospettive di conoscenza sui rapporti intercorsi tra l'Ungheria e l'Italia già a partire dal Trecento e sulla diffusione dell'Umanesimo in terra ungherese. È nata così l'idea di realizzare a Firenze nel 2013, in cui si celebra l'anno ungherese in Italia, una mostra che sviluppasse il tema del rapporto privilegiato che re Mattia Corvino ebbe con Firenze, con i suoi artisti, i suoi miniatori e tutta la cerchia culturale che gravitava intorno a Lorenzo de' Medici. L'idea è diventata un progetto elaborato congiuntamente da studiosi ungheresi e fiorentini, quali Péter Farbaky, storico dell'arte e vicedirettore del Museo Storico di Budapest, Dániel Pócs, storico dell'arte dell'Istituto di Storia dell'Arte dell'Accademia della Scienza, Eniko Spekner storico e András Végh archeologo, entrambi del Museo Storico di Budapest e di Magnolia Scudieri e Lia Brunori, rispettivamente direttore e vicedirettore del Museo di San Marco, prescelto come sede della mostra. La scelta di San Marco non è casuale, dato il ruolo ricoperto nello sviluppo della cultura umanistica dalla Biblioteca domenicana. Codice libro della libreria 007444 - Language : Italian Text Size: 210 X290 mm. Coll.C 9.

kart. Condition: Sehr gut. it. 357 S. : zahlr. Ill. ; 29 cm Sehr gut erhalten. Hs. Besitzvermerk a. Vorsatz. 9788809787506 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Italienisch Gewicht in Gramm: 1429.

kart. Condition: Neu. it, 1. ed. 357 S. : zahlr. Ill. ; 29 cm NEW ! 9788809787506 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Italienisch Gewicht in Gramm: 1200.

Hardcover. Condition: gut. 2009. Die geplanten und realisierten Erweiterungen der Wiener Hofburg unter Kaiser Franz Joseph I. (reg. 18481916) sind europaweit das letzte Experimentierfeld höfischen Bauens und sie verdeutlichen, was im 19. Jahrhundert unter dem Begriff Residenz" verstanden wurde. Das zentrale Anliegen des vorliegenden Bandes ist die Diskussion der Frage, wie die internationale Dimension des umfangreichen Planungs- und Baugeschehens der Wiener Hofburg zwischen 1835 (Regierungsantritt Kaiser Ferdinands I.) und dem Ende der Monarchie zu sehen ist. Dazu gehören Aspekte der Funktionsgeschichte ebenso wie die formale Erscheinung der Palastkomplexe. Dem zeitweise parallel sowie unter günstigeren Voraussetzungen vonstatten gehenden Burgbau in Buda als auch den Planungen für den Prager Hradschin wird ebenso Aufmerksamkeit geschenkt wie den Vorhaben in anderen europäischen Großstädten. So wird es erstmals möglich, eine differenzierte Bau- und Ausstattungsgeschichte der Wiener Hofburg im 19. Jahrhundert in ihrer internationalen Dimension zu präsentieren. Autor: eboren am 17. 08. 1960 in Opava 1979 Matura in Opava Vom 1979 bis 1984 Studium der Bohemistik und der Geschichte an der Pädagogischen Hochschule in Ostrava (PaedDr., Dissertation: Troppauer Architektur in den Jahren 1918-1938) Vom 1983 bis 1987 Studium der Kunstgeschichte an der Universität in Brünn (PhDr., Dissertation: Architekt Leopold Bauer) Im WS 1995 Postgradualstudium der Kunstgeschichte am Courtauld Institute of Art in London 1997 Vollendung des Postgradualstudiums am Institut für Kunstgeschichte der Tschechischen Akademie der Wissenschaften (CSc., Dissertation: Die Architektur Südböhmens in der Epoche des Historismus) 1998 Sommerakademie »Art History and Visual Studies« an der University of Rochester, USA 2001 Humbold-Forschungstipendium, Zentralinstitut für Kunstgeschichte, München Von 1986 bis 1989 Assistent an der Pädagogischen Hochschule in Ostrava Von 1989 bis 1997 Wissenschaftlicher Mitarbeiter in der Nationalgalerie Prag, ab 1993 Leiter der Architektursammlung Ab 1996 Assistenzprofessor an der Akademie der Künste, Architektur und Design in Prag Von 1997 bis 2003 Vizerektor der Akademie der Künste, Architektur und Design in Prag 1999 Habilitation und Ernennung zum ausserordenlichen Professor 2004 Ernennung zum ordenlichen Professor Wichtigste Publikationen: zrození velkom?sta. Architektura Moravské Ostravy v letech 1890-1938 (Die Geburt einer Grossstadt. Architektur im Bild von Mährisch-Ostrau 1890-1938). Ostrava 1997, 71 S. Zweite Ausgabe Brno 2003, 219 S. Století d?dic? a zakladatel?: Architektura jiních ?ech v období historismu (Das Jahrhundert der Erben und der Gründer. Die Architektur Südböhmens in der Epoche des Historismus). Praha 1999. 214 S. Die Geburt einer Großstadt. Architektur im Bild von Mährisch-Ostrau 1890-1938. Ostrava 2001, 133 S. Mladi mist?i. Architekti ze ?koly Otto Wagnera na Morav? a ve Slezsku Bernadette Reinhold ist Leiterin des Oskar Kokoschka Zentrums sowie Senior Scientist am Institut Kunstsammlung und Archiv an der Universität für angewandte Kunst Wien seit 2008. Die promovierte Kunsthistorikerin studierte Geschichte und Philosophie in Wien, war freie wissenschaftliche Mitarbeiterin des Bundesdenkmalamtes (BDA) Wien (1991-2008), der Kommission für Provenienzforschung im BDA (1997-2008) und an der Österreichischen Akademie der Wissenschaften (2004-2008) beschäftigt. Vorstandstätigkeit u.a. in der Österreichischen Gesellschaft für Architektur (2000-2005) und der Oskar Kokoschka Dokumentation (seit 2008). Zahlreiche Publikationen, Forschungs- und Ausstellungsprojekte sowie Lehrtätigkeit zu Kunst und Architektur der Moderne, österreichischer Kulturpolitik, Biographieforschung und nicht zuletzt zu Oskar Kokoschka. Zuletzt erschien: Oskar Kokoschka. Neue Einblicke und Perspektiven / New Insights and Perspektives, hg. mit Régine Bonnefoit, Berlin/Boston 2021. Karin Schneider ist wissenschaftliche Mitarbeiterin am Institut für Neuzeit- und Zeitgeschichtsforschung der Österreichischen Akademie der Wissenschaften und Leiterin des FWF-Projekts Die Kongresse von Troppau und Laibach 1820/21". Michaela Marek war Professorin für Kunstgeschichte Osteuropas an der Humboldt-Universität zu Berlin. Dr. Andreas Nierhaus Kunsthistoriker. 2005-2008 Mitarbeiter der Kommission für Kunstgeschichte der Österreichischen Akademie der Wissenschaften Die Wiener Hofburg und der Residenzbau in Mitteleuropa im 19. Jahrhundert: Monarchische Repräsentation zwischen Ideal und Wirklichkeit Andreas Nierhaus (Herausgeber), Richard Kurdiovsky (Herausgeber), Werner Telesko (Herausgeber), Helmut Engel (Mitwirkende), Peter Rostas (Mitwirkende), Peter Farbaky (Mitwirkende), Jörg Stabenow (Mitwirkende), Jindrich Vybíral (Mitwirkende), Wolfgang Sonne (Mitwirkende), Bernadette Reinhold (Mitwirkende), Markus Jager (Mitwirkende), Karin Schneider (Mitwirkende), Heidrun Laudel (Mitwirkende), Michaela Marek (Mitwirkende) In deutscher Sprache. 394 pages. ? 17.3 x 2.3 x 24 cm.

4°. OPp. (kl. Gebrssprn.). 556 S. mit zahlr. teils ganzeit., großteils farb. Textabb. Erste Ausgabe. - Katalog zur Ausstellung im Museum Kiscell des Historischen Museums der Stadt Budapest (in den Mauern der einstigen Wallfahrtskirche Klein-Mariazell von Obuda) 2004 über den Kult Mariazells und dessen Filiationen in Ungarn. - Deutsche Ausgabe. Deutsche Übersetzung: Aniko Harmath. - Leicht gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 2600.