Ettenberg Eugene (38 results)

HARDCOVER. Condition: G / NONE. GOOD HARDBACK (NO DJ) 3 PAGES FOUND WITH SHORT EDGE TEARS, NOT AFFECTING TEXT. SLIGHTLY MUSTY.

Hardcover. Condition: Fine. Clean, crisp hardcover in fine condition. No DJ, as issued.

Hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover with dustjacket, 160 pages; fair condition; dj very torn at spine; foxing to top outer edge of pages; inside covers and some pages. Foreign shipping may be extra.

Softcover exhibition catalog, 56 pages; good condition: cover has abrasion from removed price sticker; no internal marks.

Soft cover. Condition: Very Good. Staple binding. Very good copy with minor shelfwear.

cloth, dust jacket. 4to. cloth, dust jacket. 160 pages. First edition, second printing. "A detailed, comprehensive handbook on the many varied applications of all the phases of typography." Jacket worn with pieces chipped away.

Softcover. Condition: Very Good-. Chart and facing page are slightly darkened. Spine margins between these two pages are browned and have two rusty paper clip impressions. Corners have some slight creasing. Upper outer corners have very small chips. ; Approx. 9" wide by 12" open. Folded in half horizontally as issued. Contents include "Fifty Books of the Year" Chart - showing publishers, designers and printers who are represented in the exhibitions from 1923 (first year) through 1937, by five or more books. ; 8 pages.

cloth, dust jacket. 4to. cloth, dust jacket. 158 pages. Reprint of the first edition. Jacket is very worn with pieces missing.

cloth, dust jacket. 4to. cloth, dust jacket. 160 pages. First edition. "A detailed, comprehensive handbook on the many varied applications of all the phases of typography." Well preserved copy in lightly chipped dust jacket. From the Thomas M. Whitehead Collection of Books About Books.

cloth. 4to. cloth. 160 pages. First edition, later printing. "A detailed, comprehensive handbook on the many varied applications of all the phases of typography." A very good copy.

Hardcover. Condition: Fine. Green cloth gilt, 8vo., 36, pages, (xix) plates. One of 1,000 copies, designed by Jerry Kelly. Laid in are a folded, unbound set of the color illustrations and a 16 page copy of the Quarterly News Letter, Fall, 1962, of the Book Club of California, reprinted by Chiswick Book Shop, and with their Hammer Creek Press price list. This News Letter is the first appearance of the essay by Burke and the checklist by Herman Cohen. Fine copy, in archival mylar.

cloth, dust jacket. 4to. cloth, dust jacket. 160 pages. First edition. "A detailed, comprehensive handbook on the many varied applications of all the phases of typography." Jacket chipped with tears along edges.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Reprint. Very good or better in a Very good plus dustwrapper. Book and dustwrapper rubbed at spine ends and corners, book foredges lightly soiled, dustwrapper soiled and worn.

cloth. 4to. cloth. 160 pages. First edition. "A detailed, comprehensive handbook on the many varied applications of all the phases of typography." Presentation on free endpaper "To my good friend, George L. McKay, Gene Ettenberg, May 7, 1947" and with a one page handwritten copy of a note to "Gene" thanking him for sending along this inscribed copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. first edition,reprinted. VERY GOOD CONDITION IN GOOD UNCLIPT(S6.00) DUST JACKET clean, solid,bright BOOK, DJ has 2 1" chips along edges.else dj is ok ; GOLD titles on Black spine title box.Dark Red Cloth hard covers.Basic letting to dj.no artwork to covers. Book itself has a great many photo examples of old book PRINTING TYPES, ANTIQUE PRINTING PRESSES, TYPOGRAPHY STYLES.Old books sown & described. MASTERS OF TYPOGRAPHY IN THE 20TH CENTURY.SHOWS MANY EXPERTS & SAMPLES OF THEIR ART. white endpapers.; 160pg pages; big basic book on every aslpect of type & typesetting.everyone who works with type & the printed word.all elements of layout with careful skill; from 15th century to present.master printers for each century.their own comments.

Hardcover. Condition: Very Good. 1st Edition. Magenta covers, Tall format. Small inscription to lower front paste down. No jacket. Many line and photo illustrations. A very clean and tidy copy.

1998, First trade edition. 36pp. plus 15 plates. Illustrated. Cloth. Edition of 1000 copies. In very good condition. John Fass and His Work at the Hammer Creek Press are practically unknown today except to a small group of devoted cognoscenti. Unlike Rogers, Updike, or Dwiggins, Fass was essentially a private printer, working alone at his own pace. What he did was done for his own pleasure. But his work, small in size and issued in minuscule editions, was exquisite and executed with impeccable taste. He was a genius at the arrangement of type, ornaments, and wood engravings. Every piece he produced was a small gem, for Fass had the time, skill, and materials to print everything by hand patiently and perfectly. No wonder the emblem he chose for his press was a turtle.

cloth. 4to. cloth. 160 pages. First edition, later printing. "A detailed, comprehensive handbook on the many varied applications of all the phases of typography." Inscribed on free endpaper "March 26, 1949. In memory of a happy day in Utica, To Howard Coggeshall, Gene Ettenberg, O. Alfred Dilman, Lawrence B. Siegfrid" where each of the three have signed their names.

Printed Wrapper, Staplebound. Condition: Very Good. First Edition. 4to. 24 pp., illus. No date (circa mid-1950's) Creasing to spine and page corners but still a very nice copy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Illustrations And Photographs (illustrator). 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Architect Robert P. Meyerghofl, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. ] Hardback, quarto, appx 8 3/4 x 11 1/4 inches, [vi] + 137 pages, VG+ to Near Fine in VG to VG+ dj (dj in new protective mylar). Book itself tight binding, very light bit of rubbing corners and ends, entirely clean internally. DJ very clean, very light bit of rubbing spine-ends + very short split and small crinkle bottom edge of front panel near heel of spine. Numerous color reproductions + pen & ink drawings + numerous Kingman magazine covers reproduced in color. Kingman essays "My Art in Films" & "Staging Brilliant Watercolors." Ettenberg essay "The Intimate World of Dong Kingman." Saroyan essay "The Eye and Hand of Dong Kingman." RWR5 Art Monograph Painting Watercolor.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Illustrations And Photographs (illustrator). 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Art Expert And Publisher Ruth Westphal, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Inscribed by Author(s).

First Edition. Near fine copy in the original title-blocked cloth. Slightest suggestion only of dust-dulling. Remains particularly well-preserved overall; tight, bright, clean and strong. Minor library marks remain internally. ; 160 pages; Description: 160p. ; extensively illustrated ; 31 cm. Subjects: Type and type-founding --typography. Printing --History --Book history. 3 Kg.

Hardcover. Condition: VG. Quarto. Hardcover. Bound in wheat with a navy cloth band around the bottom quarter and silver titles. 423 pages with chapter tabs on the text block fore edge. 29 cm.

Hardcover. Condition: Near Fine. Dust Jacket Included. Black-and-white plates and many other illustrations within the text. Mauve cloth, upper cover titled in blind, spine label titled in gilt, red printed dust-jacket (just a little faded). A very good to fine copy.

First Edition. Very good copy in a good, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Provenance: From the library of Vivian Ridler with personalized bookplate to front pastedown. Vivian Ridler, CBE (2 October 1913-11 January 2009), ex-Faber executive was also a printer, typographer and scholar in Britain. He was Printer to the University of Oxford at Oxford University Press from 1958 until his retirement in 1978; and also established his own Perpetua Press. ; 8vo 8" - 9" tall; 160 pages; Description: 160 p. illus. 31 cm. Subject: Type and type-founding. Printing -- History. Printing. 3 Kg.

Hardcover in cream and blue boards without dustjacket, 424 pages, covers and worn and dirty; internally very good condition; no internal marks. Foreign shipping may be extra.

First Edition. First edition, slim folio, pp. 160; illustrated throughout; glossary; very good copy in original red cloth. Tools, classes, periods and masters of typography.

Cloth. Condition: Very Good Minus. No Jacket. Spine ends sunned and slightly discolouration to board edges, content clean and firm. Size: Folio.