Et Al Paolozzi (13 results)

Softcover, 144 pages, very good condition, light rubbing to covers, pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Condition: MOLTO BUONO. Roma, Librerie Associate cm.11x18, pp.118,(10), brossura, cop. fig. a 2 colori. Ediz. f.c.

Softcover. Condition: Very Good. First Edition. Catalogue published to accompany the exhibition held from 13 October - 5 November 1999 at Spink-Leger Pictures in London. 30 exhibits from stellar names such as Lucian Freud, David Hockney, Alan Minton,Barbara Hepworth, Jacob Epstein, William Roberts, Mark Gertler, Ivon Hitchens, John Tunnard, William Scott, Bridget Riley, Alan Davie, Peter Lanyon, John Minton and more. Each work of art has a full-page colour illustration opposite another page with a short essay about the artist and their work. Green/purple card wrappers with minor wear and marking. Contents clean, tight and white without bookplates, inscriptions, foxing or other markings. 4to - over 9¾ - 12" tall. Scarce. All orders professionally packed, tracked and/or signed for, and insured. Epstein; Freud; Frink; Hepworth; Hockney; Minton; Paolozzi; Peploe; Riley et al (illustrator). …

Original Wraps. Condition: Near Fine. No Jacket, as Issued. First Edition. Ambit Number 40, published in 1969. Illustrated throughout in monochrome. Cover illustration by Eduardo Paolozzi, with the cover Robin Ray. With a seven-page poem "The House of Over-Dew" written and illustrated by Stevie Smith, and an eight-page spread entitled "Why We Are In Vietnam" by Eduardo Paolozzi. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***250mm x 185mm. 60 pages. ***Contents - work by: Stevie Smith; John Horder; Oswell Blakeston; Gavin Ewart; Juan-Agustin Palazuelos; Jim Burns; Eduardo Paolozzi; James Raimes; Boleslaw Tabotski; Martin Bax; David Trotter; Peter Angeles; Henry Graham; Mike Foreman; Henry Woolf; Stella Coleman; Taner Baybars; Oliver Stallybrass. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the poetry and illustrations of Stevie Smith, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Eduardo Paolozzi, Robin Ray, Stevie Smith, Michael Foreman et al (illustrator).…

HARDCOVER. Condition: Almost AS NEW. Dust Jacket Condition: Almost AS NEW. 1st Edition. Extra Large 4to. in black faux cloth, gilt lettering to spine. 104pp, some colour plates on glossy art paper, b/w illustrations in text, etc. . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (hint of tanning to leaves) in an almost AS NEW complete Dust Jacket (inner flaps slightly tanned). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condition: New.

Paperback. Condition: New.

Hardcover. Blue and photo-illustrated boards with white, blue and brown lettering; 500 pp.; richly illustrated in color. Text in Italian. Created on the occasion of an exhibition held at the Musee du Louvre in Paris, France from October 22, 2020 to June 21, 2021 and at the Castello Sforzesco in Milan, Italy from July 21 to October 24, 2021. VG (Some light bumping/scratching to boards; interior is in excellent condition.).…

Soft cover. Condition: Very Good. 1st Edition. 4to. Bound in plain blue covers with text. Exhibition catalogue for the British contribution to the XXX Venice Biennial, featuring work by artists named above. Not paginated. 16 pages card covers slightly soiled. Black and white photographs of some of the featured works plus a biography of each artist. The back cover has a small corner crease, the covers lightly dusty. Inside the book has suffered from some damp and therefore some off-setting and one page has some damage to surface but text complete. I have photographed the worst pages but it looks better in the flesh then the photographs suggest. Size 30 x 24 cm [12 x 9.5 inches]. VICTOR PASMORE, EDUARDO PAOLOZZI, GEOFFREY CLARKE, HENRY CLIFFE, MERLYN EVAN (illustrator).…

28 x 21cm. Paperback magazine, 63pp. Contains the artworks Wittgenstein in New York & Tortured Life by Eduardo Paolozzi (from the 'As Is When' series) and the rear cover is J.G. Ballard's spurious "Advertiser's Announcement" featuring a stylised photograph by John Blomfield. A significant issue of the magazine under Moorcock's editorship, which was published increasingly irregularly from this period onwards. The style and content differed from previous issues, focussing more on visual deployments (John Sladek supplies critiques of Marshall McLuhan's work), most notably in Paolozzi's work (the artist is credited as "Aeronautics Advisor") and J.G. Ballard's rear cover. The issue was reviewed in 'Psychotic: The Psychedelic Adult Pulp Fanzine' in 1968 by Richard E. Geis: "when I began Auto Ancestral Fracture by Brian Aldiss and C.C. Shackleton in New Worlds 178, I knew immediately I was reading experimental writing, but I didn't realize how experimental until I came upon printer's errors that I soon realized were not errors; they had been written that way, and were, to boot, word games and puns! And the deeper I sank into the story the more monstrous, unnerving and astonishing the puns and word ploys became. The story is one of a series about a post-war world recovering from almost universal bombing by psycho-chemicals. The effects have been culturally and psychologically shattering." Rare. Spine sunned and a Dymo label on upper spine flagging up Ed Emshwiller's presence, lower corner a little bumped, otherwise good condition.…

Paperback. Condition: As New.

Paperback. Condition: As New.

No Binding. Condition: Very Good. Folded (as issued) poster, 957 x 640 mm (unfolded), colour illustration. Very good, age-toning to edges and folds.