Edwin Meek (15 results)

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Acceptable. There may be a price sticker on the front or back of the book.

Soft Cover. Condition: Good. Softcovers; ex-corporate library; minor shelfwear w/ light creasing of corners of wraps and leaves; light foxing of endpages and edges; o/w in good condition.

"Prepared in cooperation with the Lauderdale citizens, the State Planning Commission, and the WPA [Works Project Administration] as a report on O.P. 465-62-3-275" (as stated upon title page). 246 pages. Staple-bound paperback: H 23cm x L 15.25cm. Gray paper covers toned with some light soiling and staining, several small patches of surface peeling, creasing and curling at corners, minor chipping at front cover's top fore-edge corner; spine paper toned with shallow chipping at ends and short tear at head of rear joint. Faint to light moisture staining and associated slight curling at lower fore-edge corners of pages 101 to rear free endpaper. Past owner's name/address ink inscription on front cover's blank verso. Interior pages are otherwise clean. Staples rusted but binding is firm. A good+ copy. With b/w photographs and illustrations, tables, and foldout map tipped-in to rear cover recto.

Softcover. Condition: Ex-Library. 1941 First Edition. Softcover. Fair. Ex-Library with standard markings. Wearing on covers and spine. Interior is clean and unmarked. Includes original foldout map still attached. 87p.

Softcover. Dust Jacket Condition: No Dust Jacket. Spine fading and torn. Ink name front; Includes a fold-out map.; 8vo; 87 pages Very Good- cover. Back cover crease.

Soft cover. Condition: Very Good. First edition. 232 pages with photographs, tables, charts and index. Foldout maps inside the front and rear covers plus six foldout plates bound in. Bound in original gray thick paper covers printed in black. Owner's name stamped on the front cover and title page. A very good copy. Book.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Presumed first edition (no direct statement provided) INSCRIBED AND/OR SIGNED BY ALL CONTRIBUTORS. [10], 147 pages. Hardcover: H 23.5cm x L 31.25cm. Black dust jacket lightly rubbed; minor bumping at edges; inelegant "Signed by the Author" sticker affixed at front panel's lower right; some scuffing and scratch at rear panel's lower left; front flap is not price-clipped. Black boards; light bumping at spine heel; strong bumping to boards' bottom fore-edge corners. Black ink signatures/inscriptions by Edwin Meek, Curtis Wilkie, William Winter, Lucia Vinograd, and Lawrence Wells on title page; interior leaves are otherwise clean. Binding is firm. Please note that this large book has an approximate shipping weight of 3.5 pounds (1.58 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 9780916242794.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Author (illustrator). 1st Edition. 1st. Edition 2015 , Black cloth hardcover with the dust jacket, 160 page book. Illustrated with black & white images taking by Edwin Meek back when the federal authorities trying to insert James Meredith onto the University of Mississippi . This copy is also signed by the author/ photographer Edwin E. Meek on the title page scarce signed copy .Condition : Fine Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book.

First edition, first printing (with publisher's requisite statement for latter upon copyright page) INSCRIBED, DATED, AND SIGNED BY THE ARTIST. 96 pages. Hardcover: H 31cm x L 23.25cm. Dust jacket rubbed with slight soiling and foxing; nicks, short tears, and some creasing/bumping; shallow chipping at top of front flap with publisher's printed price still present at top right; dj now presented in a mylar Brodart protector. Green cloth; impressions/residue of removed tape strips near top and bottom fore-edge corners of both boards with free endpapers having associated impressions too; front board's top right corner bumped. Some foxing to text block edges. Usual toning to endpapers from binding glue; two slender patches of horizontal peeling to rear free endpaper verso (hinting at the past presence of past institutional sheet but no associated stamps/markings); interior foxing but strongest on several initial and rear text leaves. Binding is firm. Glued slightly below center of front free endpaper is color illustrated postcard (H10 cm x L 14.25cm) with a reversed image of Hamblett's painting "Carrying Cotton to the Gin" with the artist's three-line ink inscription "Wayman Covington | Theora Hamblett | 1975" written immediately above (inscribee is Ripley, Mississippi local historian and Hamblett collector Waymon Thomas Covington, 1943-2024). Binding is firm. With Foreword by Dorene Weaver Angeles, b/w photographs, and color illustrations. A now uncommon monograph of which artist-signed copies are exceptionally uncommon. Oxford, Mississippi artist Theora Hamblett (1895-1977) only started painting in the late 1940s but her talent and distinctive style were recognized promptly for famed New York gallery owner Betty Parsons acquired one of her works from Andy Warhol in 1954 and quickly sold it to the Museum of Modern Art. Hamblett remains among the most collected Mississippi artists. {Art Shelf #19|CMS-00870} ISBN 0878050698.

First edition (not stated) SIGNED BY THEORA HAMBLETT. 66 pages (plus covers). Spiral-bound paperback with wire coil binder: H 14cm x L 21.5cm. White pictorial paper covers lightly rubbed and soiled. Theora Hamblett's ink signature upon the title page immediately written underneath her printed name along with Hamblett's handwritten correction to the booklet's price on the front cover verso. Interior pages are otherwise bright and clean. Features 42 color reproductions of Hamblett's paintings divided into their respective dream or vision sequences with explanatory text reviewing the inspiration and artistic approach to the important images in each series. Born in the rural Lafayette County community of Paris, Mississippi, Theora Hamblett (1895-1977) is now recognized as one the state's premier twentieth century artists with her distinctive primitive folk art style and outward simplicity belying abstract religious imagery frequently displayed within the context of rustic Mississippi scenes. A very good+ copy of a quite uncommon publication of which most copies were sold directly in the artist's Oxford, Mississippi studio. {Art-Shelf#4}.

Soft cover. Condition: Near Fine. 1st Edition. Theora Hamblett (January 15, 1895 - March 6, 1977) was an American painter, one of the first Mississippi folk artists to achieve national prominence.[1] Hamblett's paintings can be divided into three categories: memory paintings, dream paintings, and landscape paintings. A lovely oblong ring bound book. Quite uncommon. Book.