Editor William Vogel (8 results)
FANTASTIC - Volume 3, number 1 - January February 1954
Browne, Howard (editor) (Ray Bradbury; Walter M. Miller Jr.; Algis Budrys; Wallace West; John Hillyard; Frank Freeman; Jerome Bixby; Vern Fearing; William P. McGivern; Sam Merwin; Gordon Schendel)
Published by Ziff Davis Publishing, New York, 1954
- Softcover
- First Edition
Seller: WF Sandercombe, Burlington, ON, CanadaWF Sandercombe
Contact seller4-star sellerCondition: Used - Very good
£ 7.65
£ 7.43 shippingShips from Canada to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good-. First Edition. 130 pp. Digest format. Wear on the corners with a few short nicks around the edges and some rubbing on the front cover. Cover art by Vernon Kramer; portfolio by Ernest Schroeder; cartoons by Gahan Wilson; illustrations by Sanford Kossin; Ernie Barth; Frosty; Jay Landau; Carl Gere…n; Augusto Marin; David Stone; De Persiis; Lee Teaford; and Vogel. This issue contains: The Dwarf by Ray Bradbury; The Will by Walter M. Miller Jr; Scream at Sea by Algis Budrys; The Disenchanted by Wallace West and John Hillyard; Wish It Away by Frank Freeman; The Good Dog by Jerome Bixby; The Odyssey of Henry Thistle - a novelette by Vern Fearing; Mr Dittman's Monsters by William P. McGivern; A Nice Thing to Know by Sam Merwin; and The Sisters by Gordon Schendel. Size: 12mo. Vernon Kramer; Ernest Schroeder; Sanford Kossin; Ernie Barth; Frosty; Jay Landau; Carl Geren; Augusto Marin; David Stone; De Persiis; Lee Teaford; Vogel; (illustrator). Book.
Published by The Bobs Merrill Company, 1961
- Hardcover
Seller: Blair Books & Antiques, Spring, TX, U.S.A.Blair Books & Antiques
Contact seller4-star sellerHardcover. Condition: Good. No Jacket.
Published by New York, 1969
- Softcover
Seller: Anthology Booksellers, Portland, OR, U.S.A.Anthology Booksellers
Contact seller1-star sellerAssociation member: CBA
Staplebound Wraps. Condition: Good Minus. 4to. Illus. Wrappers worn, corners bumped, tear at rear.
Published by New York - Gent [Ghent], Belgium: Museum for African Art - Snoeck-Ducaju & Zoon, 2003., 2003
- Softcover
Seller: David Hallinan, Bookseller, Columbus, MS, U.S.A.David Hallinan, Bookseller
Contact seller5-star seller179 pages. Large paperback: H 30cm x L 23cm. Paper covers rubbed with slight curling and wear at corners. Slight staining to text block's bottom edge adjacent to spine. Interior pages are clean. Binding is firm. Published in conjunction with an exhibition organized by New York City's Museum for African Art. ISBN 094580234X.
Published by Military Pub. Institute, Inc, New York, NY, 1960
Seller: Riverow Bookshop, Owego, NY, U.S.A.Riverow Bookshop
Contact seller5-star sellerNew York, NY: Military Pub. Institute, Inc. Good plus condition: upper margins water-stained, yellowing/No Dustjacket. 1960. 12mo., 350 pp. . Good plus condition: upper margins water-stained, yellowing/No Dustjacket. Photographs (Black & White) (illustrator).
More images- Hardcover
- First Edition
Seller: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.Palimpsest Scholarly Books & Services
Contact seller5-star sellerCondition: Used - As new
£ 46.14
£ 4.85 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: As New. Dust Jacket Condition: Very Good. 1st Edition. With an essay by Peter Mark. Large-format volume, measuring approximately 9.5" x 12.5", is bound in black cloth, with stamped silver lettering to spine. Book is like new. Dust jacket shows light shelfwear and is preserved in mylar cover. 255 pages. "The… earliest objects from Black Africa to reach European collections were ivories brought from West Africa to Portugal in the last years of the 15th century. Records of import duties paid at Lisbon for the year 1504-05 show that on eighteen occasions in the course of that year alone sailors and merchants returning from the coast of West Africa paid taxes on ivory spoons and "saleiros", or saltcellars. Between 1490 and 1600 African artists working for European patrons carved exquisite ivory saltcellars, hunting horns, spoons and other commissions for the royal households of Europe. The ivories' exotic origin, together with their exquisite craftsmanship and precious material, made them worthy gifts to persons of importance. In 1500, an Afro-Portuguese ivory hunting horn bearing the arms of Castile, Aragon, and Portugal was given as a wedding gift to a daughter of Ferdinand and Isabella. This is the earliest instance of cross-cultural interaction between Europeans and West Africans and it produced a series of remarkable works of art. These works crystallize an important historical event and express the first impressions Africans had of Europeans before the large scale slave trade, the industrial revolution and colonial rule distorted relations between them. Portuguese who came to the ivory workshops in Sierra Leone, Nigeria, and the Congo brought models of hunting scenes, coats of arms, decorative motifs and chalice shapes. African artists, already skilled carvers of wood, stone, and ivory, interpreted these in their own style, and added their own motifs to produce a new, highly original art in ivory. "Africa and the Renaissance" retraces the African and European sources of ivories, and interprets these works of art as documents of the first contact. The objects reveal the sophistication of Africans in the 15th and 16th centuries, and correct the misconception that Africa was devoid of history and culture, closed to the outside world until the colonial era.".
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 65.58
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Paperback. Condition: Brand New. 605 pages. 10.00x7.00x1.25 inches. In Stock.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 181.98
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 605 pages. 10.25x7.25x1.50 inches. In Stock.
