Edited Robert Dean (32 results)

Hardcover. Condition: Fair. Hardcover. No DJ. Ex-College Library with usual library stamping/filing sticker on spine and card folder on inside cover. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Spine edge wear. Hinges cracked and loose.; 100% Satisfaction Guaranteed! Ships same or next business day.…

Mass Market Paperback. Condition: Good+. No Jacket. First Thus. Standard used condition. Reading copy or better. Used Book.

Mass Market Paperback. Condition: Good. First Edition. New York: Ballantine Books [1974]. Good. 1974. First Edition. Mass Market Paperback. 0345239628 . First edition. "Eight all-new stories by tomorrow's stars". Collects 8 stories. 211 pages. Good or better copy with spine and cover creasing, paper tanning. See photos sr 4/8.…

Paperback. Condition: Fine. First Edition. [Montreal]: DC Books / Livres DC [1997]. Fine. 1997. First Edition. Trade Paperback. 0919688373 . First edition. 72 pages. Fine copy. clphE.

Paperback. Condition: Very Good. Covers moderately worn, spine creased, owner name, pages very good+.

Paperback. Condition: Very Good+. 1st Edition; 1st Printing. This is a mass market paperback book (PBO). The book and its contents are in clean, bright condition. The book and its contents are in clean, bright condition. There is some very beginning bumping to the spine ends of the book covers. The text pages are clean and bright. The contents include: As Is by Robert Silverberg, The Same to You, Doubled, by Robert Sheckley, The Egg of the Glak by Harvey Jacobs , Beibermann's Soul by Mike Resnick, Unicorn Variations by Roger Zelazny, Please Stand by by Ron Goulart, Djinn, No Chaser by Harlan Ellison, and more. Robert Grace (illustrator).…

Condition: VERY GOOD. Paperback original - first printing. All original stories by Robert Silverberg, Ron Goulart, Barry N Malzberg, Clifford Simak, Dean R. Koontz, Anthony Weller, Gene Wolfe, Chelsea Quin Yarbro, Miriam Allen de Ford, John Ossian, Richard, Posner, Dean McLaughlin, Terry Dixon, George Zebrowski, Gerald Hull, Leo P. Kelley, Edward Bryant. Very good condition (usual toning to the pages.). …

SingleIssueMagazine. Condition: Near Fine. No. 14. Cover art is uncredited. Includes "The Editor's Word" by Mike Resnick; "Field Defects: Memo from a Cyborg" by Robert A. Heinlein; "Shore Leave" by Jennifer Campbell-Hicks; "Hi, Colonic" by Harry Turtledove; "Luck of the Chieftan's Arrow" by C. Stuart Hardwick; "The Angst, I Kid You Not, of God" by Michael Bishop; "The Dark Matters" by Sean Williams; "Margin of Error" by Nancy Kress; "The Retaurant at the End of the Universe" by Anna Wu; "And All Our Donkeys Were Vain" by Tom Gerencer; "We Three Kings" by Alan Dean Foster; "Closing Sale" by Larry Niven; "Book Reviews" by Bill Fawcett & Jody Lynn Nye; "Effing the Ineffable" by (column) by Gregory Benford; "From the Heart's Basement" (column) by Barry N. Malzberg; "The Galaxy's Edge Interview", Joy Ward interviews David Brin; "Serialization: Melodies of teh heart" by Michael Flynn. Book. …

Softcover. Condition: Very good condition. xxi, 392 pp. Military Campaigns of the Civil War. Softcover. LCC: 2005031386.

Single Issue Magazine. Condition: Near Fine. First Edition. [London]: Fantasy Tales,1982 First edition. Magazine. Pictorial wrappers [about 5.75" x 8.25"], saddle-stapled, 49+ pages, illustrated.Edited by Stephen Jones and David A. Sutton with stories by Jim Pitts, H. Warner Munn, Peter Tremayne, C. Bruce Hunter, Robert E. Howard, Allen A. Lucas, Joe R. Lansdale, Joel Lane, Peter Bayliss, Charlotte Dean, Dray Prescott, Ian Hicks. Contents Page in Photos. Front cover art by Jim Pitts rear cover by Ian Hicks and Graham Crossland Near fine with minor edgewear. See Photos wb13. Front cover art by Jim Pitts rear cover by Ian Hicks and Graham Crossland (illustrator). …

Hardcover. 2nd revised. ix, 11-204 p.; 22 cm. [First printed in 1936] Contents: Introduction, by the editor -- I. Why Christianity? Sydney Cave -- II. The Bible: its unity, inspiration, and authority, J. K. (John Kenneth) Mozley -- III. The Christian belief in God, W. R. Matthews -- IV. The historical value of the gospels, G. S. Duncan -- V. The Christian belief in Christ, A. E. J. Rawlinson -- VI. The primitive church, N. (Nathaniel) Micklem -- VII. Sin and the need of redemption, J. S. Whale -- VIII. The Christian gospel of redemption, H. Wheeler Robinson -- IX. The church, Edwyn Bevan -- X. Christian worship, Francis Underhill -- XI. The Christian way of life, F. A. Cockin -- XII. Christianity and civilization, V. A. Demant. VG lightlly spotted orig. red cloth.…

Hardcover. viii, 248, [1] p.; 19 cm. Contents: Preface -- The religious value of the idea of a future life, J. F. (James Franklin) Bethune-Baker -- The argument from the emotions, A. (Alfred) Caldecott -- The moral argument for personal immortality, H. (Hastings) Rashdall -- Immortality in the light of modern psychology, W. (William) Brown -- The Christian contribution to the conception of eternal life, H. M. (Herbert Maurice) Relton. Good orig. light blue cloth. Backstrip faded and rubbed.…

Hardcover. xi, 228 p.; 20 cm. Contents: Preface -- I. The nature and basis of dogma, W. R. Matthews -- II. Dogma in the New Testament, E. J. Bicknell -- III. Dogma in the early church, Charles Gore -- IV. Dogma in mediaeval scholasticism, Richard Hanson -- V. Dogma in Protestnat scholasticism, R. S. Franks -- VI. The decline of dogma and the antidogmatic movement, Claude Jenkins -- VI. The reconstruction of dogma, H. Maurice Relton -- Index. Fair orig. green cloth. Most of backstrip chipped off. …

Condition: Please see description. Original red hardcover bindings, slight traces of use to the corners, else in (very) good condition. Text in English.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. Eugene: The Convention Series / Pulphouse Publishing 1990 Signed limited first edition. #74/100 copies signed by both the author and by the artist 36+ pages. Artwork by Frank Kelly-Freas. Fine copy in Fine jacket See Photos. clph. artwork by Frank Kelly-Freas (illustrator).…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. Eugene: The Convention Series / Pulphouse Publishing 1990 Signed limited first edition. #53/100 numbered copies signed by both the author and by the artist 36+ pages. Artwork by Frank Kelly-Freas Fine copy in Fine jacket. See Photos. clph. artwork by Frank Kelly-Freas (illustrator).…

Softcover. x, 476 pp. Softcover. LCC: 6710853 Good condition; touches of wear on edges of covers and of spine; previous owner's name on front cover; on rear cover: light yellowing, and a phrase of pen underlining; inside covers and all pages are lightly yellowed.

Softcover. Condition: Fine. First edition. Blue wrappers. xxviii, 179pp. Fine. "Quicksand" by Phil Condon. Poetry by Neal Bowers, Catharine Savage Brosman, Lionel Basney, Morri Creech, Richard Gillman, Laurence Lieberman, Michael Spence. Essays by Russell Fraser, Wesley McNair. Arts and Letters by Richard Wakefield, Elmer Borklund, Walter Sullivan, J.A. Bryant, Jr., Marc Hudson, David Mason, Michael L. Hall, William Harmon, R.S. Gwynn. The State of Letters by Richard Stern, Langdon Hammer, Leonard F. Dean, Wendell Berry, Daniel Hoffman, Robert McDowell, Christian Wiman, Reed Whittemore, R.S. Gwynn, and George Core.…

Softcover. Condition: Near Fine. First edition. 179pp. Bright blue wrappers. Top corner creased, else fine. Contributions by Phil Condon, Lionel Basney, Neal Bowers, Wendell Berry, Daniel Hoffman, "Richard Wakefield: Robert Frost", and more.

Condition: Very Good. Publisher's original colour illustrated period science fiction super art work paper covers. 8vo. 8½'' x 5½''. Monochrome illustrations throughout. Slight tanning to the page margins, small rubs to the spine tips and in Very Good clean condition. We currently hold 70 other Astounding Science Fiction Magazine titles in stock. Member of the P.B.F.A. SCIENCE FICTION MAGAZINES.…

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: Sehr gut. 1. Auflage. B3 : 558 pages, illustrated throughout. - This volume contains 165 works, and, of particular note, includes a major public commission for the Philip Johnson-designed Miami-Dade Public Library, which was a turning point for Ruscha. Paintings done immediately prior to this commission can be seen as a summation of the artist's earlier preoccupations and techniques, while those done after the commission show a major shift in direction occasioned by the use of airbrush techniques to produce dark, atmospheric canvases with links to film noir and to such Los Angeles noir writers as Raymond Chandler. With an introductory essay by Robert Dean, a personal tribute by artist Lawrence Weiner, a chronology and a comprehensive bibliography and list of exhibitions.…

Hardcover. Condition: Sehr gut. 1. Auflage. B3 : 526 pages with198 color illustrations, clothbounf - Volume 4 is a co-publication of Gagosian Gallery and Steidl and documents 198 paintings from 1988 to 1992. In addition to almost 200 color reproductions, it includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a text by artist Mel Bochner and an essay by art historian Briony Fer.…

Hardcover. Condition: Brand New. 266 pages. 8.50x6.25x0.50 inches. In Stock.

Couverture rigide. Condition: Comme neuf. Edition originale. New York , 2021. Hardback , Quarto size . Reliure éditeur illustrée. Format in-4° ------ 640 pages . ********************* "" The sixth and final volume of this exceptional catalogue raisonné project features over 360 works made by John Baldessari (1931-2020) between 2011 and 2019. Here, Baldessari continues his longstanding tradition of borrowing from artists as varied as David Hockney, Giotto, Gustave Courbet, Maria Lassnig, Lucas Cranach the Elder, Giorgio Morandi, and Jackson Pollock. Many of the works in this volume are a testament to the artist's fascination and engagement with art from previous eras. In one example, Baldessari's 2012 series "Double Bill" combines scenes from pairs of paintings, such as a Willem de Kooning face atop a Jean Dubuffet body, with the words, "And Dubuffet" painted beneath: Baldessari is effectively collaborating with artists he has revered for years. This volume also surveys Baldessari's complete film and video output, from 1968 to 2004, as well as the artist's books he made, from 1972 to 2019. Additionally, an appendix catalogues works, mostly pre-1974, that were unknown at the time Volume 1 was published. "" ********************* ref fav-08-75379.…

Couverture rigide. Condition: Comme neuf. Edition originale. New York , 2018. Hardback , Quarto size . Reliure éditeur illustrée. Format in-4° ------ 533 pages . ********************* ""This volume covers six years, from 2005 - 2010, in which Baldessari created a total of 361 unique works-comprising eight discrete series, most with multiple parts or, to borrow a musical phrase, "movements." The majority of the works from this period have as their subject the face and body: noses, ears, arms, legs, elbows, knees, eyes, eyebrows, foreheads, hands, and feet. We might entertain this as the artist finally revealing to the viewer what he previously had taken such great pains to conceal and obscure with his trademark colored disks and erasures. Perhaps this is partly true, but since his earliest days as an artist, Baldessari has never felt comfortable providing the viewer with the full picture. "" ********************* ref fav-08-75379.…

Couverture rigide. Condition: Comme neuf. Edition originale. New York , 2014. Hardback , Quarto size . Reliure éditeur illustrée. Format in-4° ------ 496 pages . ********************* "" Brand New Book. Compiling four-hundred-plus unique works of art, this volume traces the shifts and developments in conceptual artist John Baldessari s work from 1975-86. It covers his photo-based works such as the Strobe, Word Chain, and Pathetic Fallacy series from 1975; the Violent Space and the seminal Concerning Diachronic/Synchronic Time: Above, On, Under (With Mermaid), from 1976; and the Blasted Allegories series from 1977-78, which drew heavily from the artist s vast collection of photo stills taken from commercial television. In the 1980s, Baldessari s art took a different direction, beginning with the expansive Fugitive Essays triptychs from 1980 and leading to 1982 s photographic interpretations of Grimm s Fairy Tales. Building on these themes, Baldessari began producing a body of work that was inspired in part by dreams, psychology, film, and popular culture. Ensuing works were more formal, elaborate, and large-scale. From 1984 to 1986 Baldessari created a number of works that employed his soon-to-be-signature colored discs painted over people s faces in the photos. An introductory essay will provide a close reading of selected works and a historical context for understanding Baldessari s art from this period. A detailed chronology and exhibition history and bibliography are also included. This is the second of a projected four-volume catalogue raisonne ************************** ref fav-08-75379.…

Couverture rigide. Condition: Comme neuf. Edition originale. New York , 2016. Hardback , Quarto size . Reliure éditeur illustrée. Format in-4° ------ 552 pages . ********************* "" A comprehensive look at works made by Baldessari between the years 1987 and 1993 This handsome volume, the third of the John Baldessari (b. 1931) catalogue raisonne project, compiles 400-plus unique works of art made by the influential conceptual artist from 1987 through 1993. Here we see the artist s large-scale photo-based works, many of which employed his signature colored discs painted over the faces of people in the photos, accompanied by entries that trace the shifts and developments in Baldessari s work as his collaged photo narratives achieved maturity and mastery. A critical essay by Briony Fer provides a close reading of selected works, giving historical context for Baldessari s art from this period. In addition to a detailed chronology, complete exhibition history, and bibliography, this volume notably features a previously unpublished conversation between Baldessari and the artist Ed Ruscha, which was undertaken specifically for this publication. In the conversation, the artists discuss their early careers in Southern California and the shared thematic concerns in their work. The artworks in this volume demonstrate Baldessari s ability to express-and, in many cases, combine-the narrative potential of images and the associative power of language within the boundaries of a single piece. ************************** ref fav-08-75379.…

Hardcover. Condition: Near Fine. JOHN BALDESSARI CATALOGUE RAISONNÉ - COMPLETE SIX VOLUME SET - SIGNED & INSCRIBED TO MARGO LEAVIN plus THREE SIGNED AND NUMBERED LABELS for his rare print SMOKE, TREE, SHADOW, and PERSON". From the collection of MARGO LEAVIN of MARGO LEAVIN GALLERY. Margo Leavin represented Baldessari from 1984 to 2013. SIGNATURES and INSCRIPTIONS are as follows: Volume One: HAND SIGNED "BALDESSARI" in black on the half title page, and signed by Robert Dean, the book's editor, in blue by his name on the title page. Also, laid into VOLUME ONE are THREE ORIGINAL SIGNED AND NUMBERED COLOPHON/LIMITATION LABELS for JOHN BALDESSARI'S PRINT "SMOKE, TREE, SHADOW, AND PERSON". Only 50 prints were made. A numbered and signed label was meant to be attached to the blank backside of each of the 50 prints, and those copies that have sold at auction all have such a label. The labels measure 2x3 inches and were meant to be peeled from their backing for attachment to the print. THESE THREE ORIGINAL LABELS are numbered: 23/50, 24/50 and 25/50, and each is HAND SIGNED by BALDESSARI. Why Margo Leavin had these labels is uncertain, but perhaps she had some Baldessari "Smoke" prints at her gallery which were never sold and so these labels were never attached. The print "Smoke, Tree, Shadow, and Person" with an attached signed and numbered label has become highly sought after and very expensive (search various auction records). Volume Two: SIGNED "BALDESSARI XO" in black on the half title page. Volume Three: Signed and Inscribed: "For Margo From / John XO" in red on the half title page. Volume Four: Signed and Inscribed: "For Margo From John" in black on the half title page. Volume Five and Six are not signed. Volume Six was published after Baldessari's death, and Volume Five was published less than a year before his death. It is unlikely that any copies of Volume Five are signed. The six volumes of the John Baldessari Catalogue Raisonné were published by YALE UNIVERSITY PRESS, New Haven, Connecticut, in association with Marian Goodman Gallery, 2012, 2014, 2016, 2017, 2019, 2021. The volumes were edited by Patrick Pardo and Robert Dean. Large Hardcover Books in Slipcases, 10x11.5 inches. Each volume has hundreds of pages and hundreds of color (and a few b&w) illustrations. An incredible, comprehensive work. Condition: Vol. One: NF/NF, Vol. Two: NF/NF, minor pushing at the spine ends and one edge of the slipcase, Vol. Three: NF/G, the slipcase is split/cracked at the top edges but is holding well, Vol. Four: NF/NF, Vol. Five: VG/VG, the bottom of the book's spine is bumped and there is a bit of rubbing to the slipcase, Vol. Six: NF/NF. Overall a solid, tight, bright and clean set of these six volumes. SCARCE and WONDERFUL association of JOHN BALDESSARI and MARGO LEAVIN. About MARGO LEAVIN and the MARGO LEAVIN GALLERY (from Wikipedia): ******Margo Leavin, b.1936 d.2021, was an American art dealer. She was born in New York, but spent her career in Los Angeles. In 1970, she opened the Margo Leavin Gallery in West Hollywood, which she operated until it closed in 2013. Leavin was known for her wit, her relationships with her artists, and business savvy. JOHN BALDESSARI was represented by the Margo Leavin Gallery from 1984 to 2013.****** PLEASE NOTE: This set of books is VERY HEAVY and will require additional shipping charges. After placing your order you will be notified of the charges and be able to accept or reject them before payment is taken. Thanks.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 256 Pp. Grey Cloth Stamped In White. First Printing, 2004. Fine In Fine Dust Jacket. Small Personal Inscription At Fore Edge Of Front Pastedown Under The Front Flap.