Language: English
Published by University of Chicago press, 2006
ISBN 10: 0226035824 ISBN 13: 9780226035826
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
Published by Scholars Press for the Society of Biblical Literature, Atlanta, Georgia, 1991
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Softcover. viii, 255 pp. Semeia: an experimental journal for biblical criticism. Number 54 (1991). Softcover. Very good condition; touches of wear on covers.
Published by Scholars Press for the Society of Biblical Literature, Atlanta, Georgia, 1991
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Softcover. Semeia: an experimental journal for biblical criticism. viii, 255 pp. Number 54 (1991). Softcover. Very good condition; touches of wear on covers.
Language: English
Published by Rodopi, Amsterdam - New York, 2004
ISBN 10: 9042017236 ISBN 13: 9789042017238
Seller: GN Books and Prints, Inverness, United Kingdom
Paperback. Condition: Very Good. No Jacket. Disorienting Vision: Rereading Stereotypes in French Orientalist Texts and Images [GENUS: Gender in Modern Culture 5] by Inge E BoerPaperback, 2004This book begins with a painting Loyalty to cultural artefacts, listening carefully to what they have to say, is the secret of Inge E Boer's approach to the French Orientalists tradition In a post-Said manner, Boer provides close readings of philosophical and literary texts, paintings, prints and other artefacts Her readings establish a dialogue with critical post-colonial and feminist theory as well as (art-) historical and literary scholarship She treats all these artefacts like subjects in their own right, enabling them to show and tell This dialogic attention to detail makes for an innovative vision that shuns the sweeping statements of a priori conviction, as much as avoiding the unwitting endorsements that the rhetoric of scholarship sometimes promotes In very good condition, close to like new Some scuffing and denting to cover No creasing Page edges slightly marked but quite clean and surfaces very clean, no writing, underlining, etc. n.