Doughty John Thomas (16 results)

Hardcover. Condition: Very Good. 1st Edition. Philadelphia: John and Thomas Doughty, 1830-1833. 3 vols in 2. Quarto (11 1/8"x 9", 283mm x 230mm). First edition. With 56 lithographed plates: 54 hand-colored and 2 uncolored plates. (pl. 5 in vol. 2 and pl. 7 in vol. 3). Engraved frontispiece of Charles Wilson Peale by J. B. Longacre after Rembrandt Peale in vol. 1. Engraved frontispiece of William Bartram in vol. 2. All plates in volume 1 after Thomas Doughty and remaining plates by various artists. Many wood-engraved text illustrations. Bound in brown half morocco over marbled boards. Gilt title and volume to second and fourth panels on the spine with five raised bands. Both volumes housed in a custom quarter brown morocco slipcase with folding chemises. Spines rubbed and boards scraped. Heavy staining to vol. 1, but plates intact. Foxing throughout both vols. Front pastedown starting. Tissue guards. Country pursuits have long been the traditional occupation of a gentleman. In some regards, this is universal: hunting, cultivation, games and so forth. What the American sportsman adds, especially in the early XIXc, is the sense of exploration and wildness that comes from the vast expanse of the continent. The Doughtys Thomas (17931856) was the father of the Hudson River School, though a Philadelphian gathered anything having to do with the great outdoors, from glossaries to botanical and ornithological publications, to cultivation guides and home- and land-owner's tips, right through to tales of hunting and fishing. Initially issued monthly, the popularity of the venture (and doubtless old sheets as well) led to this issue in book form. Bennett calls volume III "perhaps the most difficult of all American sport item to find." The work is distinguished as the first major publication in America illustrated with hand-colored lithographic plates. For the next thirty years, this was the prime means of disseminating color images in America; although chromolithography would be developed a few years after the present work, it would not be used widely till after the Civil War. Bookplates of Thomas B. Wilson (res non verba/facts not words). From the library of Laird U. Park, Jr. (from his sale Sotheby's New York, 29 November 2000, lot 79) The Park Library was devoted principally to the history of Philadelphia and to Benjamin Franklin in particular. Although some books were collected by Irene Dearnley Park, the majority were gathered by her son, the Philadelphia businessman Laird U. Park, Jr. Bennett p. 35, Henderson p. 37, Howes D433, Reese American Color Plate Books 12.

Hardcover. Condition: Very Good. First Edition. Very good condition overall. Uniformly bound with leather spines and corners over cloth boards, five raised bands to spine, lettered in gilt on spines; bookplates to endpapers. Title pages foxed, some pages browned or foxed, some of the engraved plates heavily foxed. The color plates exhibit no or only light foxing, and are generally excellent. Volumes 1 & 2 measure 11-1/4" x 9-1/4?, volume 3 measures 12-1/2" x 10? Although the first two volumes are presumably trimmed, the margins are still respectable, and these volumes measure slightly larger than other bound copies we have seen. 54 colored plates plus 3 engraved plate illustrations, 2 engraved frontis portraits, 3 engraved title pages. Collation: Volume 1: frontis engraving, engraved title page, color plates 1-11, 15, 12-14, 16-24, engraved plate after page 126. The misplacement of plate 15 is due to pages 169-72 being misbound after page 132. Volume 2: frontis engraving, engraved title page, color plates 1-4, 6-24. Plate 5 is not colored; plate 11 is labelled ?12? and plate 13 is labelled ?14.? Volume 3: engraved title page, color plates 1-6, 8. Plate 7 is not colored, plate 2 is labelled ?1.? Front and rear covers of all four issues bound in at rear. It appears that Volume 3 was discovered incomplete. There is a pencil note on the front endpaper which says that several illustrations are missing. The rear endpaper has a catalog clipping tipped in, an ink note of purchase date, and an ink note saying ?Bound by Alfred Smith and Co., Philadelphia 1915,? along with a few pencil notes of prices. An important combination of American printing and art, this is one of the first color-plate books to be produced in America, and helped establish lithography as ?the? process of illustration. Issued separately, the first volume was the result of the brothers John and Thomas Doughty. Partway through the second volume, however, Thomas moved to Boston to pursue a career as a painter. He would become the first artist to paint in the Hudson River School style and was a major influence in nineteenth century American Art. John Doughty continued with the end of the second volume and half of the third volume before the project failed, probably in part because the quality of the prints declines after the departure of Thomas. Extra postage required for international or expedited shipping.

Soft cover. Condition: Very Good. 3 volumes in 28 ORIGINAL PARTS, of 30 (11 x 9 inches and 12 4/8 x 10 inches). 3 engraved vignette title-pages, one for each volume, engraved portraits of Charles Wilson Peale and William Bartram, 49 engraved plates, 47 with original hand-colour (of a total of 56 plates) (lacking parts IX and X from Volume II, lacking plates from part I, and the Wild Swan from part VIII of volume I, some occasionally heavy browning and dampstaining). Original alternately ochre, beige, grey and blue printed paper wrappers (some heavy staining to about 3 parts, last part lower wrapper detached and frayed). Provenance: with the contemporary alternately pencilled and ink ownership inscription of George Cadwallader, 299 Chestnut Street, [?Philadelphia]. EXCEPTIONALLY RARE IN THE ORIGINAL MONTHLY PARTS, in any condition, only one other example in original parts has been offered at auction, that we can find: Sotheby's, Sporting Books from the Collection of the late Lindley Eberstadt, May 22nd, 1985. "The Doughtys' "Cabinet" is an odd amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman. This was the first major book issued in the United States to be illustrated with hand-coloured lithographic plates, preceded only by three minor books in the 1820s. It marks the beginning of the dominance of lithography in book illustration, although the process had been commercially viable in America for a decade" (Reese). Thomas Doughty, one of America's greatest landscape painters "apparently taught himself how to paint, and around 1816 he painted his first landscapes. It was also at this time that he listed his occupation as "painter" in the Philadelphia register, among the first American artists to do so. He was an avid hunter and fisherman whose intense love of nature inspired him to capture the serenity and joy he experienced in the wooded hills and along the quiet streams of the Northeast" (Britt Steen Zuñiga for DNB). Bennett, page 35; Henderson, page 37;Howes D433; Reese, American Color Plate Books 12.

Hardcover. Condition: Very good. First edition. First edition. Volume I. 4to. vii,[1],298,[2];pp., plus 24 hand-colored lithographic plates, and uncolored engraved portrait of Charles Willson Peale. Engraved title page. Contemporary calf boards, rebacked to style in matching leather, and with the original spine laid-in. Text is brown and spotted, the plates less so with very good coloring. Several pages have been expertly remargined at the fore edge (no loss) else this is a very good copy. Gift inscription on the front free endpaper dated 1832. Very rare and among the first American books to be illustrated with lithographic plates. The Cabinet of Natural History was started by brothers Thomas and John Doughty in Philadelphia. It was issued in monthly parts and ran from the end of 1830 until the spring of 1834 However, despite its relatively short life, it left behind an important legacy: Bennett calls it the "first major sport print color plate book produced in America," the text includes firsthand accounts of hunting expeditions of all kinds and are among the earliest of their kind. The plates include the "first colored sporting prints made in America" (Henderson), and most importantly the work includes a significant number of original lithographs by one of the great names in 19th-century American art. The first volume (made up of twelve parts ) was certainly the work of both Doughty brothers, with virtually all the plates being the work of Thomas. "Artistically, Vol. 1 is much the most important, for it contains the original plates by Thos. Doughty, famous painter and founding father of the Hudson River School" - Bennett. Indeed the plates in the later volumes are from a multitude of hands and sources. "The coloured plates are important - being the first coloured sporting prints made in America. There is only one earlier American book with coloured plates that I know of, and that is a treatise on Medical Botany - published in Philadelphia in 1817. Many of these coloured plates of animals and birds are charming, the colouring is soft, correct as to details, and all are well drawn" - Gee.

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

Condition: Fine. This originally hand-colored lithograph is from John & Thomas Doughty's "The Cabinet of Natural History and American Rural Sports". The work was published in Philadelphia by the authors between 1830 and 1834. This work featured the first series of color sporting prints published in America. (Bennett) Thomas Doughty was large responsible for the art work and was "hailed as 'the all-American Claude Lorrain.'" (Howat, The Hudson River and its Painters, p.31) --- The work was "an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman." (Reese) "The Cabinet" was very successful in its first eight issues and brought the art and practice of lithography to a wider audience. "1830 crucial in the history of American lithography for the lithographic print came of age, and this was largely through the work of Thomas Doughtyâ (Looney) This work "marks the beginning of dominance of lithography in book illustration." (Reese) --- The work is in very good to excellent condition. There may be some faint offset to prints from this work. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/2" by 11 1/4".

First edition. First edition. Engraved frontispiece portraits of Charles Wilson Peale and William Bartram and engraved titles to each volume, Engraved plate in Vol III, "Death of the Fox". With 54 hand-colored lithographs. vii, [i], 298, [2, Index] ; vii, [i], 292, [2]; 96 pp. 3 vols. 4to. "A mine of information on contemporary sport and natural history" (Phillips). A landmark of American sporting publication, issued in parts by the brothers Thomas and John Doughty. Subscriptions dwindled after Thomas departed for Boston, and the publication ceased with the 4th part of vol. III. Connett published a selection of articles, Some Early American Hunters (1928) as one of the early Derrydale Press titles. "This was the first major book issued in the United States to be illustrated with hand-colored lithographic plates, preceded only by three minor books in the 1820s . an amalgam of natural history, sporting accounts, travel narratives, and practical advice for the countryman" (Reese). Complete set with good American sporting provenance, from the library of Samuel B. Webb, a Vanderbilt descendant. Phillips p. 69; Reese, American Color Plate Books, #12; Gee, Early American Sporting Books, pp.48-49; Henderson p.37; Howes D433: Litchfield 19; Bennett 35; Biscotti, Six Centuries of Foxhunting, p. 117. Robert F. Looney, "Thomas Doughty, Printmaker" in Philadelphia Printmaking (West Chester, 1976), pp.130-48 Twentieth century quarter calf and Cockerel paper over boards. Sporting book labels of Samuel B. Webb. Very minor spotting to text leaves (two gatherings of vol. II quite toned); in vol. II the Wild Turkey plate is present and skillfully colored. Superficial rubbing to boards. Fine set with distinguished provenance Engraved frontispiece portraits of Charles Wilson Peale and William Bartram and engraved titles to each volume, Engraved plate in Vol III, "Death of the Fox". With 54 hand-colored lithographs. vii, [i], 298, [2, Index] ; vii, [i], 292, [2]; 96 pp. 3 vols. 4to.

DOUGHTY, John and Thomas. The Cabinet of Natural History, and American Rural Sports with Illustrations. Phila.: J. and T. Doughty, 1830-1832. 1st eds. 2 Vols. 4tos. vii,[1],298, [2,index]; vii,[i],292,[2,index]pp. Portrait frontises, engraved title vignettes, illus., 48 plates (all but one hand-colored). Original full calf rebacked in period-style morocco raised spine bands, gilt decorated compartments, red spine labels, all edges marbled, marbled end papers. Very old waterstaining to margins not affecting text, some very light foxing, else a very good set. HOWES D-433. Reese, American Color Plate Books, 12. Bennett, p. 35. McGrath, p. 187. Gee, pp. 48-49. The first major book with colored sporting prints to be issued in the United States. "Artistically, Vol. I is much the more important, for it contains the original plates by Thos. Doughty, famous painter and founding-father of the Hudson River School"--Bennett. The Cabinet was issued in monthly parts and collected in 3 vols. "The publication ceased with Part 4 of Volume 3, and the abbreviated volume is perhaps the most difficult of all American sport items to find"--Bennett. "The colored prints are important--being the first colored sporting prints made in America. Many of these colored plates of animals and birds are charming, the coloring is soft, correct as to details, and all are well drawn"--Gee.

DOUGHTY, John and Thomas. The Cabinet of Natural History, and American Rural Sports with Illustrations. Phila.: J. and T. Doughty, 1830-1832. 1st eds. 2 Vols. 4to. vii, [i], [ii], 298, [2, index]; vii, [1], 292, [2, index] pp. Portrait frontises., engraved title vignettes, illus., 48 hand-colored plates. Period-style 3/4-calf and marbled boards, gilt-lettered red morocco spine labels, gilt rules on spine, T.e.gs. Portrait frontis. in Vol. One professionally restored, else a very good or better set. HOWES D-433. Reese, American Color Plate Books, 12. Bennett, p. 35. McGrath, p. 187. Gee, pp. 48-49. The first major book with colored sporting prints to be issued in the United States. "Artistically, Vol. I is much the most important, for it contains the original plates by Thos. Doughty, famous painter and founding-father of the Hudson River School"--Bennett. The Cabinet was issued in monthly parts and collected in 3 vols. "The publication ceased with Part 4 of Volume 3, and the abbreviated volume is perhaps the most difficult of all American sport items to find"--Bennett. "the colored plates are important--being the first colored sporting prints made in America. . Many of these colored plates of animals and birds are charming, the coloring is soft, correct as to details, and all are well drawn"--Gee.