Doc Thompson (9 results)

Paperback. Condition: Very Good. No date (Ca 1960), 12 pp., Illus, Maroon Paperback (3.25 x 6.25 Inches, VG.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good-. No Jacket. Moderately worn, rubbed, and soiled.

9553 1960 55PP. ILLUSTRATED. SOFT COVER FINE CONDITION. STE315.

Paperback. Condition: Brand New. 48 pages. 11.00x8.50x0.11 inches. In Stock.

SingleIssueMagazine. Condition: Very Good. Vol. XXX, No. 6. Pulp magazine. Edited by Daisy Bacon. Cover art by Rozen for "Return from Cormoral" (novel) by Kenneth Robeson. Includes "Thirty-One Elephants" (novelette) by H. Thompson Rich; "Hurricane Homicide" by Albert Cecil Perkins; "Track: Heavy" by Odgers T. Gurnee; "Come Hell and High Water" by John Prescott; "Ethan Allen Pays a Debt" by Everett M. Webber; "Little Red Riding" by Norman Anthony; "The Devil's Apron" by H. M. Sutherland. Departments: "Letters". Illustrations by Orban, Hall, Timmins, and Vegh. Tanning; Standard wear and tear at edges with small losses; 1" loss at heel; small tear to cover over upper staple. Book.

Condition: Good Clean Cond. Dust Jacket Condition: No Dust Jacket. Fully Illustrated (illustrator). Paperback : soft cover edition in good plus condition, a typical used book with slight wear to edges and spine. Some minor bumping or creases. Overall good / nice copy of this scarce title. Excellent reading on the subject. A good book to enjoy and keep on hand for yourself. Or would make an ideal gift for the fan / reader in your life. Reading is one of the great pleasures in life. Please send us a note if you have any questions. Thank you. Book.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | There's something about the flames of the crackling campfire and the darkness beyond the flickering light that stirs a primal fear within us. As the wind howls through the trees and shadows dance on the forest floor, our imaginations run wild with all the things that could be lurking out there in the night. And we tell chilling stories. It's a way to confront our fears in a safe environment, surrounded by friends who are just as spooked. And sometimes, just sometimes, those chilling stories contain a kernel of truth, a sinister echo of something ancient and malevolent that prowls the woods, refusing to be forgotten.