Dewing Thomas (24 results)

paperback. Condition: Good.

Paperback. Condition: Good.

Condition: good. This book is in good condition with very minimal damage. Pages may have minimal notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: good. Shows moderate signs of wear and previous use. Can include notes highlighting. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material such as toys, access code, dvds, etc.

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: Very Good.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

Soft cover. Condition: New. 1st Edition. NEW BOOK.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Unbound. Condition: Good. John La Farge, John S. Sargent, Edwin A. Abbey, Edwrd Simmons, and Thomas W. Dewing (illustrator). 12pp extract, printed in double columns, illustrated with 7 examples, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume LI, No. 1, November, 1895. Illustrations include The Ascension, in the Church of the Ascension, New York City, The Zodiac, from the ceiling arch at the Boston Public Library, Bowling Green, in the Hotel Imperial, New York City, Justice, in the court of Oyer and Terminer, Criminal Courts Building, New York City, and Night, Dawn, and Aurora, also in the Hotel Imperial, New York City. Housed in protective mylar report cover.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Softcover, 224 pages, as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

Letters of Stanford White are rarely available and ours to noted American artist Thomas Wilmer Dewing is particularly noteworthy. Typed Letter SIGNED on "McKim, Mead & White" stationery, 4to, New York, March 2, 1900. White writes to Thomas Wilmer Dewing (1851-1938), American painter and White's friend, commenting on Dewing's exhibit in March 1900 at the Montross Gallery in New York. White writes that the exhibit, "is perfectly bully. My only regret was that you did not have the big Cheney picture and the panel of your little girl and the two pussy cats which Freer has." Overall, White thinks Dewing's show is "beautiful." In the next sentence White includes a name in holograph difficult to decipher but possibly Montross, the gallery owner. "I think [holograph name] ought to have a more noticeable sign than he had. I did not know he was on the top floor and went rushing all around trying to find him." In the final sentence, White refers to "the Detroit matter." As I understand, everything is getting along swimmingly in the Detroit matter." He signs, "Stanford." White refers to the "big Cheney picture" not exhibited in Dewing's show. Dewing had painted a portrait of the sisters Louise and Anne W Cheney of Connecticut entitled, "The Days," for which White had designed the frame and is now in the collection of the Wadsworth Athenaeum Museum of Art. Also mentioned is Detroit businessman Charles Lang Freer (1854-1919), who amassed the most important collection of Whistler in the world. White's mention of "your little girl and the two pussy cats which Freer has" refers to Dewing's painting of his daughter which hung over Freer's living room fireplace. Freer eventually donated his art collection to the Smithsonian which named the Freer Gallery in his honor. The Montross Gallery was named for its owner, Newman Emerson Montross (1849 1932). The gallery, which opened in 1878, represented leading American artists of the time. Stanford White co-founded the architecture and design firm, McKim, Mead & White which designed outstanding New York City landmark buildings including the University Club on Fifth Avenue. Dewing was among White's circle of friends who were prominent artists, and these artists needed frames for their works which White designed. Dewing painted the portrait of White's wife, Bessie, and his sister-in-law, Ella Batavia Emmet. ["The Gilded Age: The Art of the Frame," Wilmer]. Dewing was born in Massachusetts, studied in Paris and settled n New York where he painted female figures, including society women, in a tonalist style influenced by both Whistler and the English Aesthetic Movement. White successfully recommended Dewing for several mural commissions. ["Thomas Wilmer Dewing," Terra foundation for American Art web site]. Dewing was also one of the Ten American Painters - known as "The Ten" - who seceded from the Society of American Artists in 1897 over what they saw as falling standards and increasing commercialism. Montross Gallery exhibited the works of "The Ten." ." Folded, light soiling especially on verso folds, otherwise in fine condition.