De Montebello Philippe Introductory Note (4 results)
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Published by Metropolitan Museum of Art, New York, 1980
- Softcover
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.Cat's Cradle Books
Contact seller5-star sellerSoftcover. Stapled binding is sound. Light rippling to all pages, which are clean but slightly age-darkened. Wraps have general wear. Issue marks the opening of the Metropolitan's American Wing in June 1980. 11.0" tall; 52 pages. Good in No Dust Jacket dust jacket.
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Published by Metropolitan Museum of Art, New York, 2007
- Softcover
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.Cat's Cradle Books
Contact seller5-star sellerSoft Cover. Tightly stapled binding, minor shelf wear to wrappers. Clean and bright pages. Publication showing acquisitions of the Metropolitan Museum of Art during 2006 and 2007. 11.0" (28 cm) tall; 68 pages. Very Good in No Dust Jacket dust jacket.
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Published by Metropolitan Museum of Art, New York, 2001
- Softcover
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.Cat's Cradle Books
Contact seller5-star sellerSoft Cover. Tightly stapled binding, minor shelf wear to wrappers. Clean and bright pages. Publication focusing on the museum's acquisitions in 2000 and 2001. Categories include the ancient world, Islam, medieval Europe, Renaissance and Baroque Europe, Europe 1700-1900, North America 1700-1900, modern art, Africa, Oceania, and t…he Americas, and Asia. 11.0" (28 cm) tall; 88 pages. Very Good in No Dust Jacket dust jacket.
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The Collages of Robert Motherwell - A Retrospective Exhibition
E.A. Carmean Jr., with an introductory Note by Philippe de Montebello
Language: English
Published by The museum of Fine Arts, Houston, 1972
- Softcover
- First Edition
Seller: Antiquariat UEBUE, Zürich, SwitzerlandAntiquariat UEBUE
Contact seller5-star sellerCondition: Used - Very good
£ 68.04
£ 22.96 shippingShips from Switzerland to U.S.A.Quantity: 1 available
Add to basketSoftcover. Condition: Gut. 1. Auflage. Sch : 93 pp. - Motherwell betrachtete das papier collé als eine der wichtigsten Entdeckungen der modernen Kunst. Bereits 1944 nannte er die Technik „the greatest of our discoveries". Seine Collagen waren nicht Nebenwerk, sondern ein eigenständiger, innovativer Beitrag zur amerikanischen Ava…ntgarde - oft sogar produktiver als seine Malerei in den 1940er Jahren.
