David Shrigley, Signed (26 results)

Soft cover. Condition: Fine. 1st Edition. Signed by David Shrigley to the title page. A fine, unread copy of a first edition, first impression (thus) paperback. All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. Signed by David Shrigley to the title page. A fine copy of a first edition, first impression (thus) paperback original with french flaps. All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. Signed by David Shrigley to the title page. A fine, unread copy of a first edition, first impression paperback original. All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. Signed by David Shrigley to the half title page. A near fine copy of a first edition, first impression large format paperback original. (lightly bruised to top corner) All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. Signed by David Shrigley to the title page. A fine copy of a first edition, first impression paperback original with french flaps. All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. Signed by David Shrigley to the title page. A fine copy of a first edition, first impression paperback original with french flaps. All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. Signed "Best wishes David Shrigley" to the title page. A fine, unread copy of a first edition, first impression paperback original with french flaps. All books are swathed in biodegradable bubble wrap and posted in strong, custom made book boxes to ensure undamaged delivery. Signed by Author(s).

SOFTCOVER. Condition: As New. 1st Edition. 1st printing. Small square Octavo size (8vo) in black printed day-glow orange stiff card covers. Unpaginated, approx. 80pp. Signed (with no other inscription) by Shrigley on fly-leaf (as D Shrig - his usual signature) . [CONDITION: An extremely well preserved AS NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE. Depending on destination, this item may require an extra payment for shipping insurance. If so, orders made by card will be completed only after you have approved the extra cost . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Condition: Near Fine. 1st Edition. Redstone Press, London 2002 / Paperback. UK First Edition and first Impression. Near Fine Paperback Original in french flaps (some minor rubbing to extremities, else Fine). Signed by the artist directly to the title page. Signed by Author(s).

Soft cover. Condition: As New. 1st Edition. Canongate Books, Edinburgh 2018 / Paperback. UK First Edition and First Impression. As New Paperback Original in french flaps. Signed by the artist directly to the title page. Signed by Author(s).

Soft cover. Condition: Fine. No Jacket. Shrigley, David (illustrator). 1st Edition. First Edition, First Impression of 'Let's Wrestle' by David Shrigley. Book is initialed and dated (DS 04) by David Shrigley on the title page. Softcover lightly rubbed to fore-edge corners with tiny bit of wear to lower fore-edge corner of front panel. Book is unread and otherwise in As New condition. Images emailed on request. Signed by Author(s).

Soft cover. Condition: Fine. Sandstone Press, London 2003 / Paperback. UK First Edition and First Impression. Fine paperback Original in french flaps. Signed by the artist directly to the title page. Signed by Author(s).

Soft cover. Condition: As New. 1st Edition. Polygon/ Pocketbooks, Edinburgh/London 2000 / Paperback. UK First Edition and First Impression. As New small format Paperback Original in french flaps, as issued. Signed by the artist directly to the front free end paper. Signed by Author(s).

Redstone Press, London 2007. Small 8vo. Unpaginated, (appr. 150 pages). Handwritten and illustrated in b/w. Orig. soft cover. Signed by the artist on the title page.

Paperback. Condition: Near fine in wraps. First Edition. 15 x 21cm 42pp near fine paperback artist's book. A limited edition, this one 288 of 1,000 copies. signed by David Shrigley on the front free end paper.

Soft cover. Condition: Near Fine. 1st Edition. The Modern Institute, Glasgow 1998 / Paperback. UK First Edition and First Impression. Near Fine Paperback Original (very minor fold to bottom right corner of front cover, else Fine). Signed by the artist directly to the title page. Signed by Author(s).

Hardcover. Condition: New. Shrig Shop, Denmark 2022 / Hardback. UK First Edition and First Impression, limited to 5000 copies (never to be reprinted!) New Hardback Original in glossy black boards, as issued. Signed by the artist directly to the title page (according to the artist this copy is the first of these books he has signed).PLEASE NOTE, INTERNATIONAL BUYERS MAY INCUR EXTRA POSTAGE DUE TO WEIGHT. Signed by Author(s).

Brossura. Condition: ottimo. prima edizione. SHRIGLEY David (Macclesfield, England 1968), Paris, Cneai, [Printing: Herman Steins], 2007, 30x21 cm., softcover, pp. 52, cover and artist's book entirely illustrated with black and white drawings and texts, photocopied and reproduced in the book. Edition of 100 copies signed and numbered in pencil. Autografato dall'autore.

No Binding. Condition: As New. 1st Edition. Brainbox Candy, Essex 2017 / Boxed Pencil Set. UK First Edition and first Printing. White Card Box with yellow slip containing 7 pencils with funny messages by David Shrigley. In As New, never used condition. Signed by the artist directly to the inserted gift card. Signed by Author(s).

14,5x10,5 cm. Ca. 50 n.n. Bl. mit s/w. Illustrationen. Originalbroschur. Nr. 88/100 signierten Exemplaren. - Eines der ersten Künstlerbücher Shrigleys. - Vorderdeckel mit Knickfalte. Sprache: n.

First edition, first impression, limited issue, number 590 of 1,000 copies signed and numbered by the artist. This is a collection of humorous cartoons from the outsider artist. Between 2005 and 2009, he contributed a cartoon for the Guardian Weekend magazine every Saturday. Octavo. Full-page illustrations throughout by Shrigley. Original white wrappers. With dust jacket. Wrapped in the original brown paper with pictorial label. All fine in fine unclipped dust jacket.

Edition of 125, initialled and dated in pencil lower right verso and numbered lower left verso by Shrigley. 4 colour screenprint on Somerset Tub Sized Satin White 410 gsm paper. Sheet size: 76 x 60 cm. Framed size: 85.7 x 69.6 cm. Excellent condition. Presented in a black stained wooden frame with conservation acrylic glazing.

Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23½ x 15¾ in.) 'I'm actually trying to make things that are accessible and enjoyable to others', Shrigley has said. Like a compulsive doodler with an infectiously mordant sense of humor, the Glasgow-based artist makes deceptively simple-looking drawings and, to a lesser extent, paintings. Complete with childlike stick figures and crudely scrawled texts, they speak to the paranoid fantasies and everyday pathos of adulthood. Shrigley, who is highly prolific, has compiled many of his images into artist's books and other printed formats that can circulate to large audiencessuch as series of etchings and, most recently, these woodcuts. 'I liked the physicality of cutting the [wood] plates,' the artist has said. 'It was very brutal and slightly haphazard, perhaps a little crude, which I think makes the images sit comfortably alongside my drawings.' Publication excerpt from The Museum of Modern Art, MoMA Highlights since 1980, New York: The Museum of Modern Art, 2007, p. 247.

Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23.5 x 15.6 in.) "I'm actually trying to make things that are accessible and enjoyable to others," Shrigley has said. Like a compulsive doodler with an infectiously mordant sense of humor, the Glasgow-based artist makes deceptively simple-looking drawings and, to a lesser extent, paintings. Complete with childlike stick figures and crudely scrawled texts, they speak to the paranoid fantasies and everyday pathos of adulthood. Shrigley, who is highly prolific, has compiled many of his images into artist's books and other printed formats that can circulate to large audiencessuch as series of etchings and, most recently, these woodcuts. "I liked the physicality of cutting the [wood] plates," the artist has said. "It was very brutal and slightly haphazard, perhaps a little crude, which I think makes the images sit comfortably alongside my drawings." Publication excerpt from The Museum of Modern Art, MoMA Highlights since 1980, New York: The Museum of Modern Art, 2007, p. 247.

Screenprint in colours, 2019, on Somerset Tub, signed, dated and numbered from the edition of 125 in pencil, published by Stephen Friedman Gallery, London, 76 x 56cm. (30 x 22 in.).

Woodcut, 2005, on wove paper, signed, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23.5 x 15.6 in.) "I'm actually trying to make things that are accessible and enjoyable to others," Shrigley has said. Like a compulsive doodler with an infectiously mordant sense of humor, the Glasgow-based artist makes deceptively simple-looking drawings and, to a lesser extent, paintings. Complete with childlike stick figures and crudely scrawled texts, they speak to the paranoid fantasies and everyday pathos of adulthood. Shrigley, who is highly prolific, has compiled many of his images into artist's books and other printed formats that can circulate to large audiencessuch as series of etchings and, most recently, these woodcuts. "I liked the physicality of cutting the [wood] plates," the artist has said. "It was very brutal and slightly haphazard, perhaps a little crude, which I think makes the images sit comfortably alongside my drawings." Publication excerpt from The Museum of Modern Art, MoMA Highlights since 1980, New York: The Museum of Modern Art, 2007, p. 247.